July 19

In Conversation: Douglas Skelton & Theresa Talbot

Every once in a while my job lands me in an office where I can actually get to attend some book events of an evening.  Lately I have found myself lurking on the fringes of Glasgow launch events and, if you go to a launch event in Glasgow, there is a pretty good chance of bumping into Douglas Skelton or Theresa Talbot (though God forbid you get them both at the same time).

I know that not everybody can make it along to book launches (and even fewer get to the Scottish ones) so it is entirely possible you may not have had the chance to meet Douglas or Theresa in person.  It is an experience like no other. In a good way obviously!

So with slight apprehension as to what I may unleash I invited them to join me for a chat – and there was only one place I could start…

 

DOUGLAS SKELTONG – Mr Skelton, I cannot help but notice you have been nominated onto the longlist for the McIlvanney prize at this year’s Bloody Scotland festival.  Congratulations!  How does it feel now that you have had a day or two to let the news sink in?  And I am also keen to know how you found out?

DS – Oh, you noticed that, did you? I haven’t really talked about it much (coughs and has the decency to look ashamed).

The simple truth about it is that I am hyper chuffed by the nod and I think that’s a feeling that will remain for quite some time. I mean – look at the names on that list. Ian Rankin, Val McDermid, James Oswald, Stuart McBride, Doug Johnstone, Lin Anderson, Lesley Kelly, ES Thomson, Chris Brookmyre! The words “bloody” and”hell” spring to mind. 

I found out a couple of days before through Luath Press. I was sworn to absolute secrecy, on pain of beng tied to a chair and force fed a diet of reality TV. Naturally, I kept my lips buttoned, zipped and sewn.

TT – Douglas – are you really on the longlist?? OMG, you never mentioned it! (Listen whilst that Skelton chap’s away polishing his halo, can I say he’s never stopped talking about it! )

Seriously….well done, you deserve to be up there with the best of them.

DS – (Blushes)

TT – Oh behave! Has anything changed since the longlist was announced? D’you feel any different…like a proper famous author now? 

DS – Well, no. As I’ve said, I was the only name I had to Google when I saw the list. It’s a great thing – and I am honoured and grateful – but I don’t want to run away with myself. I certainly do hope it will open up new avenues (new worlds, new civilisations…) and yes, I feel a positive change in certain perceptions but in reality, I’ve got another book to write and I’m stuck in the mid-story doldrums. As usual.

2015-10-11 00.55.32TT – You asked me to Google you once and I thought you were being smutty! I’m sure being nominated for this award will be such a positive thing for you.

How d’you get out of this mid-story doldrums you’re in…I’m at the end of my tether with my next one at the moment. I’m almost finished..BUT…It’s as though I have a big bag of Christmas lights which need untangled and the turkey’s already burning in the oven. Does that even make sense??

DS – I WAS being smutty. Was very disappointed when you didn’t. But then I should be used to such disappointment by now.

As for the Christmas lights/Turkey analogy – makes perfect sense. The only way out of it is to write through it. You know what you’re doing isn’t anywhere near right but getting to the end of that first draft is the primary aim. Rewrites can be done. New passages can be added. Bad ones can be cut. Everything can be fixed.

And if I ask another young lady to Google me, so might I.

G – Turkey and Christmas Lights in July! I knew I should have checked my emails more closely today….

Theresa – tell me about Bloody Scotland, I opened the brochure and you were the first familiar face I spotted.

DS – Me, too!

Helluva fright.

TT – Bloody Scotland…I’m thrilled – nae thrice thrilled to be part of the festival this year. When I was asked to take part I have to admit to looking behind me to see who the organiser was talking to! I’m part of a panel of new crime writers made up of Abir Mukherjee, Brooke Magnanti, Martin Cathcart Froden and Me…with the lovely Alex Gray chairing. We’ll be at the Golden Lion Wallace on Saturday 10th September at 2pm…tickets still available! (Which you can book by clicking HERE).

Bloody Scotland is still a relatively new literary festival yet is up there with the big boys. It’s such an exciting, vibrant event to be part of. I went last year as a punter – I also  attended a crime writing masterclass and now I’m back this year as a Baby-Crime-Writer in Training! Fantastic. 

Bloody ScotlandDS – It is a fabulous event and Scotland should be proud of it. I think this is my fourth year up there and it’s always immense fun. 

G – Bloody Scotland has been the highlight of all the bookish events I have made it to thus far, this year will be my third – I may even pluck up the courage to actually TALK to some authors.

So festivals aside, am I allowed to ask what you are both working on at present?  Theresa seems to be a full time wedding guest and Douglas is forever on tour!!!

DS – I’m working on another Dominic Queste book, Tag – You’re Dead. The first, The Dead Don’t Boogie, is due out in paperback in September, although currently available on Kindle.

The Dead Don't BoogieAnd yes, I have been on tour with the Crime Factor boy band of Neil Broadfoot, Gordon ‘G.J.’ Brown, Mark Leggatt and chair Peter Burnett.

TT – At the moment I’m working my way through a box of Terry’s All Gold. 

As soon as news got out that I had not one but TWO decent dresses I was in big demand for all sorts of social occasions, but I seem to have found my niche at weddings. I turn up on time, tell the bride how beautiful she is and basically I know how to work a room. I pass the dresses of as classic vintage, but the truth is they’re just really really old. Thankfully as a writer I don’t make much money so my meager diet ensures even my oldest clothes still fit me. 

Other than that I’m slogging away (between bouts of Facebook) on Resurrection, which is a sort of follow up to Penance. I often call Douglas for advice as I suffer from writer’s block…he’s very good that way and listens to my tales of woe as he settles back on his wing-backed leather arm-chair sipping his 20 year old malt that his butler has just poured. I know almost all of his staff by name now and they’re organising food parcels for me. I’m blessed to have Douglas as a mentor – however he drew the line at me joining his Boy Band! 

DS – I can vouch for the fact that Theresa can work the room. I have witnessed this first hand.

As for knowing my staff by name, pish tosh. There are so many of them here at Skelton Manor than even I don’t know them! 

Theresa was invited to join the boy band but she failed the medical. 

TT – I’ve taken something for that condition and would now like to re-apply for the boy-band! 

G – Okay, dangerous territory here so am nipping this in the bud.  However, just to prove you don’t always wind each other up how about I ask Theresa to say something nice about Douglas (or his books if that’s easier)? And Douglas you have to do the same for Theresa.

Neither of you have to be nice to me, I work for the Banks – my social standing is ruined.

PenanceTT – Say something nice about Douglas? Seriously…oh go on then…seriously…Douglas has helped me more than he’ll ever know in my quest to be a crime writer. He’s always there to offer sound advice and keep me calm. He’s been so encouraging and he’s just a thoroughly lovely all round nice guy. Honest to God! 

His books are bloody good too..but don’t take my word for it, check out the Davie McCall series and The Dead Don’t Boogie. BTW Douglas doesn’t boogie either, but I’m working on that! 

DS – So, Theresa. Or maybe Gordon, I don’t know now. No, Theresa. I’ve only known her for a relatively short period of time but already feel as if I’ve known her all my life. I loved her book, Penance, and am looking forward to her new one immensely. Her new one isn’t called Immensely, by the way. She is also a bundle of energy and has an enthusiasm that is infectious. 

And if anyone can make me boogie, it’s her. 

G – I know how hard that last bit was for you both so I would just like to offer my most sincere thanks – this is why I love attending events with you two, it is always such great fun.

 

Douglas Skelton has published 11 books on true crime and history. He has been a bank clerk, tax officer, shelf stacker, meat porter, taxi driver (for two days), wine waiter (for two hours), reporter, investigator and editor. His first thriller BLOOD CITY was published by Luath Press in 2013. The gritty thriller was the first in a quartet set on the tough streets of Glasgow from 1980 onwards. It was followed by CROW BAIT, DEVIL’S KNOCK and finally OPEN WOUNDS, which has been longlisted for the first McIlvanney Prize for Scottish Crime Book of the Year.

You can find Douglas’s books on the following link:

http://www.amazon.co.uk/-/e/B001K7TR10/ref=dp_byline_sr_ebooks_1?ie=UTF8&text=Douglas+Skelton&search-alias=digital-text&field-author=Douglas+Skelton&sort=relevancerank

 

Theresa Talbot is a freelance writer, journalist and radio presenter, perhaps best known as the voice of Traffic and Travel on BBC Radio Scotland and as the host of The Beechgrove Potting Shed. Prior to working with the BBC she was with Radio Clyde and the AA Roadwatch team. Theresa worked in various roles before entering the media as an assistant in children’s homes, a Pepsi Challenge girl and a library assistant. She ended up at the BBC because of an eavesdropped conversation on a no.66 bus in Glasgow. Her passions include rescuing chickens, gardening, music and yoga.

Theresa’s books can be found here:

http://www.amazon.co.uk/-/e/B00NOJIRWM/ref=dp_byline_sr_ebooks_1?ie=UTF8&text=Theresa+Talbot&search-alias=digital-text&field-author=Theresa+Talbot&sort=relevancerank

 

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May 16

Carry on Sleuthing – The Inside Poop

Douglas Skelton is back to join me on his ‘not a blog tour’ tour. We are absolutely not talking about his new book Open Wounds (the one I scored 5/5 in the review that you could read if you click on that wee link).

Instead Douglas is sharing the inside scoop (as I am sure that title is meant to read) on the truly amazing spectacle that was Carry on Sleuthing.

Over to Mr Skelton:

 

author author
Author, Author

‘Madness….madness. Madness.’

The final lines of ‘Bridge Over the River Kwai’ spring instantly to mind when talking about ‘Carry on Sleuthing.’

If you didn’t see it, let me fill you in.

In other words, for all those sitting on the couch, here’s the story sofa…

Last year I was asked to write a mystery play to be performed by staff at Ayr’s Carnegie Library. I’m not known for writing whodunits but I thought, hell, I’ll try anything once. Maybe not sushi. Real Glaswegian don’t eat anything that’s not deep fried.

The magic of mystery is in misdirection. So I chose to make my play a comedy. Wacky humour would be my misdirection.

Carry on Sleuthing was born.

In it, spinster sleuth Lavinia Luvibod investigates the murder of a reviled lawyer on board an ocean liner.

Michael J Malone
Michael J Malone

There were eight characters. Fellow author Michael J. Malone took two of them, I played three, the library staff everybody else.

It was a success, I think.

So much so that I thought it could stand a big city run (for one night only).

Caro Ramsay, Michael J Malone and Theresa Talbot
Caro Ramsay, Michael J Malone and Theresa Talbot

Waterstones in Argyle Street said they were up for it. Bestselling authors Caro Ramsay and Theresa Talbot agreed to lend their talents.

We rehearsed it one and a half times. We only got halfway the second time because we already knew who did it and were bored.

The version seen in Glasgow was different from the one seen in Ayr, where it was very much done as written. For the Glasgow show, the cast members brought their own material.

If you saw it and laughed, then that would be a bit they added.

Among Caro’s contribution were some bits of business (ooh, I’ve got all the thespian polari). There were cards with characters’ pictures on them. There was a boat on a stick. There was an intermission card. For a bestselling author and professional buttock squeezer she has a lot of time on her hands. And a lot of buttocks. (She’s an osteopath, by the way).

We tried to get Michael to go round the audience during the break with a tray of Kia Ora but he refused. Prima donna.

Product Placement! Theresa is 'casually' clutching a copy of her novel Penance.
Product Placement! Theresa is ‘casually’ clutching a copy of her novel Penance.

They all really got into the spirit of it and any success is down to them. Although, Theresa – can I have some mayo with that ham?

The approach was that of a radio play, so there were no lines to learn. Thankfully.

There were costumes, though, which caused some tension backstage (in reality a screen Caro brought from home). Both Theresa and I had quick changes to perform. Don’t worry, there was no nudity. And no Janet Jackson costume mishaps. Although my surgical stockings did prove troublesome.

There was an actual mystery to solve, and not just why the hell we were doing it. The clues are all there in the script. The audience just had to find them among the double – and single – entendres (that’s your actual French), puns, ad-libs, one-liners and rejects from ‘Round the Horne’.

(NOTE – For those of tender years, Round the Horne was a seminal radio show in the 1960s. I loved it then, I love it now. The word polari above and the phrase ‘’that’s your actual French come from there.)

Welcome back. For those of you sitting in palm trees, here’s the story up to date…

A crime author was asked to write a whodunit for a library. The show was later taken on the road. Well, to one other venue. Top named authors took part. Was it a success? Did the audience laugh? Did anyone solve the mystery? Does anyone care? Did little Jimmy get out of the well? Why am I asking these damn silly questions? Why can’t I stop? What the hell’s going on here?

That last question was asked on the night. It was asked A LOT.

Corpsing
Corpsing

It was a bit chaotic but I think we pulled it off. We shouldn’t have given it such a hard tug.

One or two people solved at least half of the mystery. No-one got it completely right. That pleased me. On the other hand, I think everyone was so confused, including the cast.

Would we do it again? Speaking for myself, yes. The script needs a bit of work. (For “a bit”, read “considerable”). We need to rehearse more. We need more bits of business. We need to rehearse those bits of business.

We are, however, available for weddings, christenings, bar mitzvahs.

Here’s some STOP PRESS: Largs Players may well be presenting Carry on Sleuthing during July. Good luck to them.

They’ll need it.

 

Carry On Sleuthing was brought to you by Douglas Skelton, Michael J Malone, Theresa Talbot and Caro Ramsay.  By the clicking of your thumbs (or by clicking on their names) you can peruse their books on a well known online bookstore.

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April 25

Open Wounds – Douglas Skelton

Open WoundsDavie McCall is tired. Tired of violence, tired of the Life. He’s always managed to stay detached from the brutal nature of his line of work, but recently he has caught himself enjoying it.

In the final instalment in the Davie McCall series old friends clash and long buried secrets are unearthed as McCall investigates a brutal five-year-old crime. Davie wants out, but the underbelly of Glasgow is all he has ever known. Will what he learns about his old ally Big Rab McClymont be enough to get him out of the Life? And could the mysterious woman who just moved in upstairs be just what he needs?

 

My thanks to Luath Press for my review copy

Davie McCall is not a nice guy, he does bad things to bad people but I loved reading about him. In Open Wounds Davie is tiring of the Life (working as right hand man to one of Glasgow’s gangsters) and is thinking of getting out. But the Life is all Davie knows and walking away will not be easy.

McCall has had a tough life, people close to him have been hurt and have tried to hurt him.  He is weary and events in Open Wounds seem to be driving him towards ‘retirement’ from the vicious life he has led.  But what McCall cannot shake off is history and it seems events from the past are beginning to catch up with him. His nemesis, a corrupt policeman, is concerned about Davie sniffing around an old case and will take any steps necessary to prevent the truth from being uncovered.

House keeping – Open Wounds is the 4th Davie McCall book, it can definitely be read as a stand alone novel as everything you need to know is nicely explained in the narrative by Douglas Skelton. Returning fans will be rewarded through knowing the back story but if you are new to the series this is a brilliant story to get your teeth into.

Douglas Skelton has written a dark and gripping story. There are disturbing scenes which will put the characters through the emotional wringer and define the fate of others. McCall himself is a complex character, he knows he embraced the darkness yet continues to work with the criminals. He has a moral code which seems contradictory for the work he undertakes but to McCall there seem to be degrees of right and wrong and some thresholds have been crossed. As you see McCall settling on a course of action you know that someone will suffer for transgressions – how could you not keep reading?

Glasgow makes a great backdrop for a gangster story. The language and mood is perfect for a city which is frequently associated with a ‘hard’ reputation. Douglas Skelton gives life to these characters, they are completely believable (and this not necessarily a good thing) and you want to read about them. Yet despite the grim nature of their lifestyle, there are great comedy moments in the conversations between these hard men – Glaswegians also rather well known for their humour! Reading Open Wounds was a joy on so many levels and the moments of levity gave a nice balance against some of the more gritty scenes.

When Open Wounds was finished I was left somewhat traumatised with certain events. I had been hooked while I read it and even before I had reached the end I was already recommending it to friends. I seldom offer up a review score within my reviews unless I want to make it clear that a book merits a 5/5 score – Open Wounds is one such book.  Highly recommended, get a copy ordered today.

 

 

Open Wounds is published by Luath Press and is available in paperback and digital formats here: https://www.amazon.co.uk/Wounds-Davie-McCall-Douglas-Skelton/dp/1910745332/ref=sr_1_1?s=books&ie=UTF8&qid=1461531340&sr=1-1

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June 20

Devil’s Knock – Douglas Skelton Q&A

Today I am delighted to be able to welcome the Douglas Skelton to the blog. Douglas  has just released the third novel in the Davie McCall series, Devil’s Knock, and I was keen to discuss what we could expect from Davie this time around.

 

Devils Knock cover-1 case filesWhat I would like to discuss is the new book, Devil’s Knock. However, before we get there, would you like to set the scene and tell me about Davie McCall?

It’s the third in the series – the others being Blood City and Crow Bait – all set in Glasgow in the twenty years leading up to the new millennium. Davie’s a hard man with a heart but only a very few of his closest friends – and the readers – know that. To everyone else he’s a thug, a piece of muscle, working for his old pal Rab McClymont but underneath that there’s a haunted man who really doesn’t want to do what he’s doing but is trapped by the fact that he’s really quite good at it!

 

And how do events in Blood City and Crow Bait lead us to Devil’s Knock?

It’s now 1995 and Davie’s been scarred both physically and mentally by the events from the first two books. The Glasgow underworld has changed, become more vicious, thanks to drugs. Davie himself is colder, harder to reach. Big Rab is even more powerful but still open to being challenged by other factions, in this case the Jarvis Clan.

And to Devil’s Knock its-self – without asking for spoilers, what can we look out for in the new book?

The street war that the police have feared would come finally erupts. Davie’s caught in the middle. He’s colder but he still adheres to his code – don’t hurt women, children or animals, don’t involve civilians. He refuses to kill, still won’t use firearms. That makes him a target. He’s also helping an old pal whose grandson has been implicated in the bloody murder which kicks the whole thing off.

Does it become easier to write for characters by the third book in a series?

Davie’s always hard to write. I like writing dialogue but he’s so taciturn, everything with him is internal. As for the others, I don’t think it should ever become easy. In a series like this they have to change. They’re ageing in real-time, bad things are happening to them, so they must change. There are certain constants, of course, but I think you should always be looking to make your characters grow in some way. Not always for the better, though!

Davie seems to hold dear his personal moral code, despite moving in some nasty circles – is this fun to plot for him? I am almost envisaging you saying “right today he is going to encounter someone who has been beating his wife” then set Davie off on a course of retribution.

I’m dealing with a morally suspect world but I wanted to have my anti-hero as someone who has his own strict moral code, as I mentioned earlier. He may be a criminal and a violent man but I wanted the reader to root for him. These are not documentary accounts of Glasgow criminal life, they are thrillers, and you need characters the audience care about, if not wholly admire.

When looking through your previous publications I notice several volumes of true crime books. What prompted the switch to fiction?

I always wanted to write fiction – and some police officers say I’ve been doing it for some time. I’m also drawn to the dark side of life even though I’m of a naturally sunny disposition. That sound you hear are the people who know me guffawing. I’d done 11 true crime and Scottish criminal history books and by the time I reached Glasgow’s Black Heart, a history of the city’s crime, I felt I’d done everything I wanted to do. There are a couple of historical true crime cases I’d like to write about sometime, though. The true crime tag has never left me – I’ve been doing some short features for STV Glasgow on some older cases.

 

indian_peter-2When writing the true crime how did you choose your subject matter?

The first one I did was a casebook of fairly well-known Scottish murders but the next one landed in my lap. It was an investigation of a huge miscarriage of justice which eventually took up over ten years of my life. The others were either suggested by publishers or something I really wanted to tell, like Indian Peter, which I thought was a fascinating tale of true life adventure mixed with crime. As for the individual cases, there had to be a story to tell, something perhaps unusual or of legal or forensic interest.

 

While researching material for the true crime books did you uncover any incidents which have made the leap into the fiction titles?

Naturally what I’ve learned in my researches and the years I spent investigating cases for Glasgow solicitors have informed what I’m writing now but I don’t purposely use actual incidents in the fiction, although in Devil’s Knock there is one scene in a supermarket car park. However, that was born out of a character flourish rather than based on any real-life incident and apart from sharing a similar location it bears no similarity to actual events. None of the characters are based on real-life figures.

As a fiction reader I can tell myself that some of the ‘darker’ books I read are ‘just a story’ and that none of what I am reading actually happened. However, if you are researching true crime collections is it hard to accept that the horrors you are uncovering about DID occur and that the individuals concerned really did meet with a grim fate?

It can be fairly gruelling. While writing the first one, Blood on the Thistle, I did end up having nightmares. However, I was researching and writing much of that in a very tight timeframe. However, you have to retain a certain amount of journalistic detachment. Having said that, I stopped writing about more modern crimes because I didn’t want to upset relatives of the victims or the accused. That was when I turned to historical crimes.

I turn now to my recurring question which I ask most of my guests on the blog: why do the readers of crime fiction love a serial killer story?

I don’t do serial killers in fiction, although there was a hint in Crow Bait, but as to why they’re popular, I think it’s the bogey-man syndrome. We love to be scared and serial killers in fiction generally have that feeling of other wordliness that terrifies us so much. In classic crime fiction – the tea and scones school – the murderer is usually someone the victim knows. It’s safe in a way. But serial killer fiction taps into the stranger danger that we’re taught about from a young age. It’s the shadow in the dark, the face at the window, the footstep in the night.

On your Website you are promoting an upcoming event in Edinburgh: Assault n Battery vs Assault n Sauce – it is hailed as a rematch but what is it? For the record I will be Team Battery as I hail from the West!

It’s a panel of East Coast writers facing West Coasters in a fun game hosted by Craig Robertson. We did it last year in Glasgow and naturally the best coast won. Now the team from the East have the chance to restore their tattered honour! Seriously, it’s just a laugh. Craig makes the scoring up as he goes along and it’s mostly an excuse for us to slag each other off. Good to hear you’ll be supporting Team Battery, though. I think we’ll need it as we’re on foreign soil.

I had my first taste of a book festival last year when I got to visit Bloody Scotland. I see your name on the schedule this year, what are you showcasing and what other writers are you hoping to see (assuming you will have the opportunity)?

I’m on this year with Caro Ramsay and Michael J. Malone and it promises to be a lot of fun. Michael’s Beyond the Rage has a protagonist that is on the wrong side of the law, while most of my characters are crooks. Caro will be there to bring some semblance of law, if not order. I’ll see as many other authors as I can. I’ll catch Neil Broadfoot and Craig Robertson in whatever they’re doing. I may even watch the England v Scotland football match, although I’m not a fan of the game. The event on the Friday called Who’s Crime Is It Anyway? looks like an absolute belter.web

 What do you enjoy reading? If you were to take a picture of your bookcases which genre or authors would feature most frequently?

I’m afraid I’ve got to be predictable and say crime fiction. I’ve read it since I was a teenager. I’ve also got some true crime in there and some non-fiction. I’m a big fan of American authors – Lehane, Crais, Pelecanos – and I’m heavily influenced by Ed McBain. But there’s Agatha Christie in there, too, as well as Edmund Crispin, my favourite of the ‘traditional’ school. And John Mortimer – you can’t beat Rumpole.

 

Devil’s Knock is published by Luath Press and is available in paperback and digital format. http://www.amazon.co.uk/Devils-Knock-Mccall-Douglas-Skelton/dp/1910021814/ref=sr_1_sc_1?ie=UTF8&qid=1434756916&sr=8-1-spell&keywords=devilsknock

Douglas is on Twitter : @DouglasSkelton1

And is online at http://www.douglasskelton.com

 

 

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