August 3

In Conversation: Michael J Malone and SJI Holliday

It is festival season again.  Harrogate has been and gone, Bute Noir beckons and Bloody Scotland looms large. Exciting times if you can make it along to see some of your favourite authors chatting about their craft. However, if you cannot make it to a festival it can be damned frustrating knowing you are missing the fun.

I decided I would try to recreate a festival type conversation by inviting some of my favourite authors to chat about their books (with me lurking in the background).  The first Conversation I hosted was between SJI Holliday and JS Law, It cannot have been too traumatic for Susi as today I am delighted be able to welcome her back – this time to chat with Ayrshire’s own Michael J Malone.

We kicked off our chat just as Susi’s second book, Willow Walk, was released:

 

Willow WalkG – Susi, London launch for Willow Walk has been and gone, but as I write Edinburgh Launch is a few days away. Does Book 2 have a different feel to when you were promoting Black Wood?

S – Well, yes. It’s an odd one. In many ways, it’s just as exciting, especially when I really love this book and am getting so many fantastic reviews, but it IS different. I’m doing a lot more physical launch stuff this time – last week I had two library events as well as the London launch, this week I’m signing books all over the place, as well as having events in Kirkcaldy and Edinburgh. I feel like I am talking more about the book, rather than the many blog posts and Q&A type things I did with Black Wood. I hope it will always be exciting when a new book comes out – after all, it is the product of many months of hard work – but it definitely feels a bit different. I’m no longer a debut! Do readers expect more from me now? Do they have higher expectations? Possibly. What do you think, Michael – does each new book release feel different from the last?

M – Yeah, I’ve been impressed by how well organised you seem for this book, Susi. And you are spot on. Gone are the days when the writer could sit back in their garret – starving or otherwise – and wait for the reader to find them. There are SO many books and so many other diversions it really does help if you haul ass and get yourself in front of readers.

Bad SamaritanTo answer your question – does each book feel different? Kinda. I don’t think anything will match the excitement of that first book release. And family and friends rally round for the first one ‘cos this is new and exciting. For subsequent books? Not so much. Now I can sense the suppressed yawn – oh, you’ve got another book out? With the subtext, shit I have to fork out another £8.99. 

But like you, for subsequent books which have all gone through the hate it/ love it/ what the hell am I doing publishing this piece of crap, process – when it comes to the pub date I am mostly pleased with how it turned out and excited/ fearful to find out what readers will make of it.

Having gone the distance and completing your first novel, Susi did you feel more confident in the writing of Willow Walk?

S – Well, I don’t know if ‘more confident’ is how I felt. Certainly not initially! I think I started about six different books after Black Wood. All abandoned at about 20k. Some I may go back to, some not. I think I thought that writing the second book would be easier, and it was – eventually – once I’d worked out which book that was! I’m more confident with the final product though, more willing to take the praise (and more accepting of negative feedback, of which, thankfully, there has been very little!) The problem for me (if you can call it a problem) is too many ideas… is that the same for you Michael? Are you always writing the next book in your head?

M – Too many ideas? I wish that was a problem for me. I’ve now completed ten novels and after each one I’ve been left feeling certain that I will NEVER manage to do it again. The well is completely dry. I’m rung out and apart from the feeling I’m finished and about to be found out, I am completely devoid of ideas.

But my teeth are long (see what I did there?) and I now know that this feeling is temporary – writer’s block is for those who don’t have a mortgage after all – and a situation/ character/ idea will be thrown up from my sub-conscious eventually.

So, do you have a wee stash of ideas, Susi? I am SO envious. How does it start for you then? Situation/ character/ theme etc?

S – I’m thinking of selling some ideas. I’ll let you know once I’ve worked out a price. I’ll never be able to write them all. I always say I will write a book of prologues… I’m always really excited about the start of a book, the story all ready to come out. Then I realise it’s not ready at all, and it’s back to the drawing board!

SJI HollidayIt’s always a situation, I think. I very rarely think of a character first. I just seem to constantly absorb ideas. I love people watching and listening to people’s conversations. Sometimes a friend or a family member will say something completely random, and it sparks off a reaction in my head. I always seem to turn the most simple situations into something dark and mysterious. What’s that line in the Simon and Garfunkel song (America?) “She says the man in the gaberdine suit is a spy… he says be careful his bowtie is really a camera…” That’s me. Take the normal, and twist it! 

Problem with too many ideas though, is that they can stop you from focussing on your current project. I try to keep them in check by emailing myself “Idea: XXX” and then whenever I think of things for that idea, I reply to that email. I’ve got hundreds of these in my email folders now!

Do you find writing easy, Michael? Do you manage to stay focussed and on track?

M – The Book of Prologues – sounds like something from the Bible. I like how John Connolly describes it – the tyranny of new ideas. It could be easy to jump from one exciting new idea to another, like some excited jumpy thing. Thankfully, I managed to take my very first novel idea to completion. 

Do I find writing easy? To paraphrase (and distort) what King Kenny was reported to have said – sometimes aye, sometimes naw. There are LOTS of days when writing feels like wading through a mental treacle. And some days where hours pass in moments. 

But I do stay focused on an idea until I’ve carried it through to those two little words – The End. (Is there anything sweeter in the writers’ lexicon?) A benefit, perhaps, of not having very many new ideas.

G – What I am getting here is the feeling Michael sets out to tell a story and sticks with it until he works it into shape.

Susi, you seem to be the polar opposite. Loads of threads and possibilities but you need to find the one? Are the parked ideas ever salvaged to be merged into the story you are writing?

Am also keen to know if you can both keep your individual books ring-fenced in your head. I will need to explain that I think. As you both have recurring characters and locations can you promote and discuss one title and be confident you are not slipping into plot threads from a different book?

bw cover1 copyS – Well so far, I still have my ideas folder as it is. I haven’t revisited anything yet, but I think I will in time. 

With regards to the different characters and recurring characters and books – I find myself talking about Black Wood and Willow Walk simultaneously when I am doing appearances. Mainly because they are linked by certain things, the setting, the policeman. But they are very separate books and I want people to see them that way. You don’t have to read them in order – it’s not a ‘proper’ series like that, but writing the third is challenging as I am feeling the pressure to tie up a few things and make references to things that have happened in books 1 and 2. 

To be honest, I am very excited about book 4, which is a standalone, with a very different setting, new characters and a different style. I feel I need that big change after writing 3 set in a small town. I’m excited about Michael’s next one, which is a big departure from his (brilliant) series.

How does that feel, Michael? Was it difficult to move on from your series characters? (Not saying that there won’t be another in the series, as I have a sneaking suspicion that there is). What do you prefer? Same world, or something new?

M – A Suitable Lie (thanks for the chance to throw in a wee plug, Susi) comes out in September and as you say, that’s a departure from my usual crime stuff. There’s no cops and no robbers – but a dark situation within a family.

It wasn’t difficult to move away from the series, in fact it was quite liberating. (I also did this between books 2 and 3 when I went off and wrote The Guillotine Choice) I have plans to come back to it but I also need a break. I’m full of admiration for writers like Rankin who can stay with the same characters and keep it fresh after all these years. I’m not sure I could manage that. And it is great to examine new characters and new situations and feel your way into another, very different world.

Guilliotine 2Having said that, when I have a break and come back to McBain and O’Neill, there’s something pleasing, almost comforting about it. It’s like putting your favourite slippers on, having a drink of your favourite tipple and meeting up with a close friend you haven’t seen for ages – all at the same time. I KNOW these people. I know what makes them tick and the fresh challenge is to come up with a situation that has them hanging over the edge all over again. (Laughs like a maniac).

What for you is the challenge of writing connected books, Susi? (See how I resisted called it a series?)

S – The challenge is remembering all the things you’re supposed to remember… Lee Child has got this sussed – he puts Reacher’s vital statistics on the opening page of every single book. I struggle to remember what colour of eyes I’ve given people, or hair, or what they wear… I get round this by being deliberately vague, so that the reader can see the character how they want to see them, thus avoiding that tricky issue of using the vertically challenged Tom Cruise to play your 6ft 5″ hero for the on-screen adaptation! I’ve heard of people saying they keep notebooks on various things that have happened in previous books in their series. I’m not organised enough to do that (mainly because I don’t really see my series as a series!) but I’m just finishing off book 3, and I’ve got a big note next to my compute saying REMEMBER THE CAT!!!! I nearly forgot him, despite that. Poor old Cadbury has a very minor role in this one (but no, I’m not going to kill him!) I’ve got other random notes stuck around the place too, like QUINN SMELLS OF CHIPS and CHANGE ALL THE NAMES!! But that’s another story…

So here’s my next question for you, Michael… what do you do when you finish writing a book? Do you have any celebratory rituals? Do you take a break, or dive right into the next one?

MjMM – Good call, Susi.

Yeah – I’m not that organised either. In my very first book (as yet unpublished) my main character had a dog. Said dog had completely disappeared by the end of the book.

And back to your question – do I have a ritual? Not officially. Maybe I should start one, cos that would be better than the emotional mix I tend to inhabit. It’s one part relief, a dash of excitement, a large pinch of worry that what I’ve written is crap, and all of that is liberally sprinkled with the certainty that I will never ever ever manage to write another book again.

I then have a break, catch up on my reading and when doing so fall into that trap of comparison (don’t do it, writers) convince myself that EVERYONE is much better than me and I’m wasting my time. But then imperceptibly the itch starts up again. And I’m off.

What about you?

S – Well, mine is a simple ritual, really. Finish book, email to agent and publisher, check sent box to make sure it’s sent, go to pub (in pub, check email to see if agent and/or publisher has acknowledged receipt, check sent box again, just in case…), drink beer. Drink more beer. 

The End.

 

The End indeed. My most sincere thanks to Susi and Michael.

SJI Holliday is the author of Black Wood and Willow Walk (the Banktoun series).  You can order both titles by clicking through this link: https://www.amazon.co.uk/Black-Wood-SJI-Holliday/dp/1845029534/ref=sr_1_3?s=books&ie=UTF8&qid=1469751484&sr=1-3&keywords=sji+holliday

You can follow Susi Holliday on Twitter: @SJIHolliday

Or visit her website at http://sjiholliday.com/

 

Michael J Malone, author and poet, has a considerable back catalogue of books which you should peruse and purchase by clicking through to this link: http://www.amazon.co.uk/Michael-J-Malone/e/B009WV9V4Y/ref=sr_tc_2_0?qid=1469749528&sr=1-2-ent

Michael can be found on Twitter as: @michaelJmalone1

 

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December 18

Guest Post – Michael Malone: Serial Heroes

Day four and another chance for me to find out which books the authors like to read. My curiosity extends beyond a single title or a novel which inspired – I want to know which characters my guests like to follow and see developed over a period of time. I want to know the ongoing series that they look forward to reading or to revisit when the chance arises.

This week-long feature began with Douglas Skelton and Ed McBain’s 87th Precinct.  Next was Angela Marsons discussing Val McDermid’s Tony Hill books. Yesterday Helen Giltrow shared her love of Mick Herron’s Slough House books. 

Today I am delighted to welcome Michael J Malone, author of the phenomenal Guillotine Choice and creator of the DI Ray McBain series.  Michael’s latest book Beyond The Rage has been receiving rave reviews (including my own 5 star review) and in 2016 his next novel, A Suitable Lie, will be published by Orenda Books.

I am particularly pleased that Michael was able to take part in this feature – his encouragement of my book obsession ultimately resulted in the creation of this blog. I am always keen to know what Michael is reading…over the years he has directed me to some fantastic books.

 

MICHAEL J MALONE:

The Neon RainJames Lee Burke’s story is one that all writers should heed. His first book was published in 1965. Other books followed in 1970 and 1971. Then the publishing world turned their back on him and he couldn’t publish a word for love, money or whisky. His fourth book, The Lost Get Back Boogie was rejected 111 times – that’s not a typo – over a nine year period. Eventually, when it did get published it was nominated for Pulitzer Prize.

Proof it it’s needed in the William Goldman quote, “Nobody knows nothing.” Goldman was of course talking about the movie industry, but he might as well have been talking about publishing.

In 1984, while fishing, JLB’s friend suggested he should try writing a crime novel. Burke later decamped to a coffee shop and started scribbling on a yellow, legal pad. The Neon Rain, the first novel to feature Dave Robicheaux was born.

Once an officer for the New Orleans police department, Dave Robicheaux constantly breaks the ethical code during the course of just about every case he works on and in the current run of novels pursues cases in New Iberia, Louisiana as a sheriff’s deputy. He is a recovering alcoholic who is haunted by his service in the U.S. Army during the Vietnam War and his impoverished, tough childhood in Louisiana; his mother abandoned the family (and was later murdered) and his father was killed in an oil rig explosion.

He may break the expected code of police ethics, but Dave has a strong moral compass and through the course of the books is continuously exercised by the abuse of power, social inequalities and the battle between good and evil.

When you crack open the spine of a James Lee Burke novel you are never in doubt that you are in for something special. There is a richness to this man’s writing that cannot fail to delight. His words transport you so that you feel you are on location with the characters and that poetry combined with the vitality and violence of his characters is a potent combination.

Light of the WorldBurke specialises in imbuing his characters with certainty of action, even while their motives are conflicted. He has the talent to work his way under the skin of his characters; to cut into the underbelly of the human psyche and display it in all its many guises. Whether that be those individuals who succumb to the power and pulse of quotidian evil or those struggling to make sense of their lives and make peace with their lot

His set pieces are sharp and effective and his prose swoops and soars with a lyricism that would make a poet’s heart ache with envy. The plot continues to drive you forward but you force yourself to slow down: to savour the quality of the words arranged on the page.

James Lee Burke has won an Edgar award twice and he is acknowledged as one of America’s finest living novelists. If you haven’t already done so, you owe it to yourself to check him out.

 

You can find all of James Lee Burke’s novels at his Amazon Page: http://www.amazon.co.uk/James-Lee-Burke/e/B000AP7MME/ref=sr_tc_2_0?qid=1450393644&sr=1-2-ent

MjMMichael Malone also has a handy page over at Amazon to let you track down his books easily too:  http://www.amazon.co.uk/Michael-J.-Malone/e/B009WV9V4Y/ref=sr_ntt_srch_lnk_1?qid=1450393872&sr=8-1

 

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July 5

Beyond The Rage – Q&A Michael J Malone

I am delighted to be able to welcome Michael J Malone to the blog.  Michael is here to talk about his latest book, Beyond The Rage, but I could not resist asking about some of his other work too.

 

Beyond The RageShall we begin with a little shameless self-promotion? Who is Ray McBain and how does he know Kenny O’Neill?

Ray McBain is the detective whose story first came to light in my debut crime novel Blood Tears. He knows Kenny because they went to school together and became best mates. Life sent them in very different directions. Ray, as I said is a police detective. Kenny is a criminal.

 

Beyond the Rage saw a shift in focus away from McBain and you made Kenny (previously considered the ‘bad guy’) the hero of the story. What prompted this change?

About 4/5 years ago, while the first 2 books (both featuring Ray as the hero) were going the rounds of the publishers and receiving rave rejections, I hit upon this idea. I wanted to keep writing in the series, but the thought of writing a 3rd McBain book and it receiving the same reception as the first 2 was a bit of a worry. So I thought, why not change the focus of the series every now and then? Write about Kenny, then back to Ray, then over to Alessandra Rossi, then back to Ray etc etc etc. I thought this was highly original, but I’ve since found other authors who do this.

 

Beyond The Rage, recently sat at #1 spot in Scottish Crime over on Amazon. How much of a boost does that give you as you plot your next book?

It’s great to know that people are reading Rage – but in terms of a boost, not so much. I’m in THAT writing phase of the next book where I think every word I’m putting down is crap.

 

You are currently working on a new McBain novel. Are we allowed to ask for a progress report?

See above answer. Feels like I’m wading through treacle. I’m about two thirds of the way in, so I’m on the home strait. I still haven’t decided who the killer is, so that should be interesting.

 

Guilliotine 2Shifting focus to last year – you worked with Bashir Saoudi on a book called The Guillotine Choice. What is The Guillotine Choice and how did this collaboration come about?

The Guillotine Choice is a novel based on the true story of Bashir’s father. As a young man in Algeria during the late 1920’s, rather than send his cousin to the guillotine, he kept his mouth shut and was sentenced to 40 years hard labour in Devil’s Island. (The same prison that housed Papillon).

And the book came about after a random meeting in a coffee shop in Ayr, followed by a whole series of random meetings. (I think Bashir was stalking me. Only joking, Bash.)

 

You are very involved in writing workshops (even managing to get this blogger to a seminar in the past) is the support and encouragement of like-minded writers an invaluable part of the writing process for you?

Absolutely. This can be a lonely and difficult job. And the only people who really “get” it are other writers. I received a lot of help and encouragement from other writers when I was learning my craft, so I try to give back where I can.

 

You once told me that you are not the only Michael Malone that writes crime fiction. Do you know if readers ever get you confused with the other guy?

They do! I was invited to speak to a group of readers in Kansas recently. I should have pretended I was the other guy and asked for some generous expenses. And every now and again I get messages of FB from people who think I’m him. He’s a talented guy so I’m happy if some of that rubs off on me.

 

It is not all about gritty Glasgow crime though – I believe you also have a few poetry collections in the back catalogue?

This is true. Before the crime novels came out, I had about 200 poems published in small presses and literary magazines. I still write the odd poem, but I tend to keep my creative impulses for fiction these days. It is a demanding task.

 

You publish a daily newsletter (The Michael Malone Daily) which I receive through Twitter. How do you source material and is it principally articles which interest you?

This is all automatic. I had two minutes work setting it up a few years back and now I have no input whatsoever. I just goes on working. Might be tricky when I pop my clogs and this online newspaper thing carries on publishing and people are going, is he not dead?

 

bobmcd18You can often be found ‘in discussion’ with the great and good of Scottish writers. You assist at book launches, host quiz events or mediate writer panels – how do you land a gig like that and how hard is it to get a word in once the ‘shy and reclusive’ writers get into the spotlight?

 

How do I get involved? People ask me. I think it’s cos I smile a lot and I’m cheap. For cheap, read free. Well, a bottle of single malt actually.

When I do these things, my job is to get the “shy and reclusive” writers to talk. It’s about them, not me. So I’m happy if I can’t get a word in.

 

On a final note, Bloody Scotland is coming soon – are you involved again this year?

Yes, and I’m really looking forward to it. There’s a cracking line up of authors. SO much talent out there. I’m doing an event on the Sunday afternoon with the lovely Caro Ramsay and the equally lovely, but less blonde, Douglas Skelton. If I survive the 5-a-side football match, that is. It will be a blast. You should all come.

 

My thanks to Michael for taking time to chat.  I also need to thank him for encouraging me to write – my blogging is a direct result of Michael’s encouragement to attend a writers workshop many moons ago.

 

Michael is on Twitter at: @michaelJmalone1

At online here:  mjmink.wordpress.com

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