June 4

Decades: Compiling the Ultimate Library with Nick Quantrill

If you wanted to assemble a library of the very best books which have been published and you knew you would never be able to complete this mammoth task alone then you would get in touch with booklovers and ask them to help.  Well you would do that if you were me because that’s what I have done.

In January I began to assemble the Decades Library.  I invite a guest to join me and ask them to nominate five books which they think should be added to my Ultimate Library.  I set just two rules which govern the choice of books (sometimes my guests follow the rules)

Rule 1: Choose ANY five books
Rule 2: You can only choose one book per decade over five consecutive decades

 

This week I am delighted to be joined by Nick Quantrill.  I am hugely grateful to Nick for finding time to consider which books should be added to my Library and I was itching to see which books he selected.  Nick always lights up my Twitter feed with a combination of his contributions to some amazing interview panels and also his Hull City football tweets – both brighten my days considerably.

 

Decades

Nick Quantrill was born and raised in Hull, an isolated industrial city in East Yorkshire. His Private Investigator novels featuring Joe Geraghty are published by Fahrenheit Press with the latest being ‘Sound of the Sinners’. Nick is also the co-founder of the Hull Noir crime writing festival.

Nick is on Twitter: @NickQuantrill and online at https://www.nickquantrill.co.uk/

 

 

 

 

1970s – “Jack’s Return Home” by Ted Lewis

Maybe an obvious choice for a co-founder of Hull Noir, but I can’t ignore the credentials of one of our own. On one level, it’s a timeless tale of revenge told through the eyes of anti-hero, Jack Carter, as he leaves London and heads north to the Humber region to avenge the death of his brother. Of course, we know the tale well  due to the film it created, ‘Get Carter’, but read the book and you get a sense of Lewis’s power as a writer. Much like William McIlvanney, Lewis was pioneering something new, something that would stand the test of time. It’s a powerful fusing of the hardboiled American style of crime writing with the social realities of northern England as it started a new decade. Lewis would go on to write a better novel in the form of “GBH”, but this one is undoubtedly a building block of modern British crime writing.

 

 

1980s – “Freaky Deaky” by Elmore Leonard

No library of crime writing is complete without some representation for Elmore Leonard, and although Dutch enjoyed a career spanning almost sixty years, the 1980s capture him at his peak. A high standard indeed. As ever, the focus is on the street and the characters you’re likely to meet. Abbot and Gibbs are fresh out of prison and have a score settle, as well as their services as bomb making experts to sell. Things never run smoothly in a Leonard caper, and so it transpires, as they’re tracked by a world-weary cop. Set in Detroit, the site of all his best work, it’s fast, fun and furious with dialogue that sizzles on the page. Often imitated, but never beaten, Elmore Leonard remains the greatest of the greats.

 

 

 

1990s – “Divorcing Jack” by Colin Bateman

I’d stopped reading as a teenager and only rediscovered my love of it in the mid-nineties as I left those years behind. Irvine Welsh was brilliant, as were Nick Hornby and Roddy Doyle, but Colin Bateman was something else. I’d never really understand how edgy and dangerous writing could be, but still remain fun and playful. “Divorcing Jack” introduces us to journalist, Dan Starkey, Belfast his beat. Starkey’s a mess, and after being thrown out by his long-suffering wife, he sleeps with the daughter of an influential politician and opens up a whole can of worms that threaten his life. The start of a long-running series and the basis of a decent film starring David Thewlis, it shows how crime fiction can tackle serious issues from a left field perspective and use humour as its weapon.

 

2002s – “Exit Music” by Ian Rankin

No library is complete without at least one book by Ian Rankin in it, and such is the consistency of the DI Rebus series, it’s no exaggeration to say you can pretty much pick a personal favourite. Once Rankin and Rebus hit their stride with “Black and Blue”, it’s the gold standard. At the time, “Exit

Music”, was billed as the final Rebus novel, and no doubt genuinely so. As ever, Rebus is thrown into a complex murder investigation, possibly a mugging gone wrong, but it’s certainly no random attack. Whip smart with its social commentary, the city of Edinburgh is the quiet star of the show. And as we now know, there was to be a route back for Rebus.

 

 

 

2010s – “Weirdo” by Cathi Unsworth

Despite being longlisted for the Theakston Crime Novel of the Year, “Weirdo”, feels like the one that got away. Maybe it’s because it’s a rare contemporary crime novel from the writer, rather than the historical work that has made her name, but it’s the perfect meeting point of lived experience and imagination. Set in a fictionalised version of Cathi’s home town, the flashbacks to 1984 and the world of teenage Goths draws on her days as a music journalist. The contemporary time line arguably anticipates the current popularity of claustrophobic small town stories, but also features the chilling life-like characters that inhabit such places, showing how they maintain their grip and power by any means necessary. Throw in murder, corruption and a Private Investigator with something to prove, and you’ve got all the ingredients for a modern classic.

 

 

This seems an almost perfect mix of titles. We have new books by returning authors and some new authors who are joining the Library for the first time.  My thanks to Nick for joining me and taking on the Decades challenge.

As ever you can visit the Library here on the blog and see all the books which have been selected thus far. The Library also allows you to see all my previous guests and visit their posts too.  You can start that journey here: https://grabthisbook.net/?p=5113

 

 

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July 25

Guest Post – Nick Quantrill: Serial Heroes

The third run of Serial Heroes continues.

As a reader I worry that I am missing out on some great books, there are so many talented authors and as any bookworm will remind you “so many books, so little time.” So I am asking some of my favourite authors if they will join me to talk about their favourite books. Or more specifically their favourite series of books.

I want to know about the characters they enjoy revisiting, the new release that they will most look forward to or the books on their bookcase that they return to over and over again.

Fresh from the happy chaos that is Harrogate I am delighted to welcome Nick Quantrill back to Grab This Book. I particularly enjoyed reading Nick’s selection as I will confess that this is a series I have yet to read so I can happily grow my TBR pile…

 

TurnstoneFor someone with an aversion to writing police characters, I’ve always loved reading about them. My love affair with the procedural novel started when I picked up a DI Rebus novel by Ian Rankin after spotting it on my father’s bookshelf. At the time I was studying Social Policy and Criminology with the Open University, and as much fun as Rebus proved to be, it was the way Rankin engaged with the issues I was learning about which really resonated. But I wanted more, a series which featured a location that chimed with my home city of Hull, the archetypal rundown northern city.

Step forward Graham Hurley and DI Faraday. Hurley had been made an offer he couldn’t refuse – a three book deal with Orion. The catch? They had to be crime novels. The problem? Hurley, a documentary maker by trade was no fan of the genre. But shadowing a team of local detectives for a period triggered an awareness of what he could achieve with the format.

Opening with “Turnstone”, the DI Faraday series quickly widened to include the role of DS Paul Winter. Faraday is a man who feels the world, even if he doesn’t necessarily understand it, but will play by the rules to get his man. DS Paul Winter, brash and loud, knows that those rules sometimes have to bend a little and isn’t afraid to be the man who does it. But Hurley’s trump card is the introduction of major league criminal, Bazza Mackenzie.

From “Cut to Black” onwards, Mackenzie is the police’s long term major target and they have one shot to bring him down before he’s beyond their reach, his money legitimised in various projects around the city. But Mackenzie remains one step ahead, leaving Faraday empty handed and red faced. With the stakes increasing, Winter goes undercover, but discovering a taste for the dark arts of the criminal world, leaves to work as Mackenzie’s right hand man, a decision destined to set him on a collision course with Faraday.

The final essential character in the series is Portsmouth itself. A claustrophobic island city on the south coast of England with a proud sea-faring history, Hurley’s pulls no punches in a frank assessment of a city that now has multiple social problems. Hurley’s allows the city’s belligerence and unique identity to bleed into the characters, making them products of their environment, and all the more terrifying for it.

Happy DaysThe series comes to a close with “Happy Days”. Mackenzie, with his business empire crumbling to dust in the recession, seeks real power by running for Parliament in a local election. As this become all-encompassing, the lack of focus on his business empire offers Winter the opportunity to leave his employment. But you don’t leave the employment of people like Mackenzie by politely handing in your notice. For all the protagonists, there’s only one certainty – things have to be brought to a conclusion.

The series stands an overview of recent times – feral children running amok, the war in Iraq, the economic meltdown, immigration, even the changing nature of Premier League football – it all features. With Portsmouth acting as England in microcosm, The DI Faraday series appeals to the heart as much as it does to the head. Maybe it’s Hurley’s background in documentaries that gives him the edge over his contemporaries and adds a further layer of authenticity, but it’s a series which looks the world in the eye and asks the questions which have no easy answers.

 

All of Graham Hurley’s books can be ordered with a simple click through this link.

NQ photoMr Nick Quantrill also has many fine books which I would urge you to enjoy too.  Nick’s books are found here.

When Nick’s new novel The Dead Can’t Talk launched he joined me to talk about Evil Bad Guys – you can catch that here.

You can also visit www.nickquantrill.co.uk

 

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May 29

Nick Quantrill : The Dead Can’t Talk: Evil Bad Guys

TDCT - Final coverI’ve been musing on the nature of evil in crime fiction, wondering if my bad guys are, well, evil enough? Do they have to be larger than life and display a level of genius not found in mere mortals? I think we all know when crime fiction does evil badly; the bad guy moves from one killing to the next, hapless cops a step behind him as they aren’t clever enough to decipher the clues he kindly leaves for them. If you’ve seen “The Following”, you know what I’m talking about. It’s glossy, gets your heart pumping, but like eating a McDonald’s, it’s empty and you’ll hate yourself within half an hour.

               No, evil can be done better. Luca Veste’s Liverpool-set Murphy and Rossi series is a great example. It’s dark and dangerous, but with a twist on the serial killer trope. Luca’s background in studying psychology gives the evil in his novels real depth. Similarly, Steve Mosby knows how to play on a reader’s sense of terror, drawing on fairly mundane lives. If you don’t believe me, read the first chapter of “The Nightmare Place”.

As much as I try, I can’t write evil in the same way. It takes a certain type of skill and mindset, though I’m pretty sure you’ll be safe in the company of Luca and Steve. No, the evil I write about in my novels is different. My bad guys are motivated by money, power, influence and prestige in a provincial city. Hull is home to a quarter of a million people, with the rich and poor never too far away from each other. It’s an isolated city, essentially sitting in the middle of nowhere on the Humber estuary with Leeds sixty miles west, York forty miles north. It’s a city with a myriad of social problems, but also one with great hope for the future. It’s a city that excels in small town heroes, good and bad.

               In ‘The Dead Can’t Talk” we meet people corrupted by money and people who use violence first and ask questions later. They’re people who make mistakes and don’t know how to put them right. We meet Anna Stone, a disillusioned police officer on the brink of leaving her job, and Luke Carver, a drifter fresh from prison. Maybe some are essentially good people who are forced by circumstances to act differently. It’s a different type of evil, but one that I hope doesn’t read as being any less dangerous or without consequences.

 

NQ photoThe Dead Can’t Talk”

https://www.amazon.co.uk/Dead-Cant-Talk-Nick-Quantrill/dp/1910720453/ref=sr_1_1?ie=UTF8&qid=1461575423&sr=8-1&keywords=nick+quantrill

 

www.nickquantrill.co.uk

www.twitter.com/nickquantrill

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