February 13

The Intrusions – Stav Sherez

The IntrusionsWhen a distressed young woman arrives at their station claiming her friend has been abducted, and that the man threatened to come back and ‘claim her next’, Detectives Carrigan and Miller are thrust into a terrifying new world of stalking and obsession.

Taking them from a Bayswater hostel, where backpackers and foreign students share dorms and failing dreams, to the emerging threat of online intimidation, hacking, and control, The Intrusions explores disturbing contemporary themes with all the skill and dark psychology that Stav Sherez’s work has been so acclaimed for.

Under scrutiny themselves, and with old foes and enmities re-surfacing, how long will Carrigan and Miller have to find out the truth behind what these two women have been subjected to?

 

My thanks to Faber & Faber for my review copy which I received through Netgalley

The Intrusions gripped me. Totally, completely hooked me from the outset. I read it in three sittings and each time I had to put down the book (to go and do the day job) I was counting down the minutes until the time when I could pick it up and begin reading again.

What made matters worse was that when I found out what the Intrusions from the title actually were I became more than a little freaked out. Not only was I dying to get back to reading, I was obsessing slightly about plot threads from the story and looking around my environment wondering if there were reasons to worry!

Cryptic?  Sorry but once you read the book you will understand why…it is a chilling idea but I have no doubt it is happening all around us.

The Intrusions was my first introduction to Stav Sheraz’s books and there were references to previous stories featuring the lead characters (Carrigan and Miller). Sometimes that can be a frustration for a new reader but in this case I found myself on several occasions thinking “I MUST go back and read the earlier books” as the backstory sounds superb.

The Intrusions begins with an abduction but it is not long before events will spiral into a much bigger challenge for the police. I particularly enjoyed how well the investigation was presented by the author, I really felt I was tracking their footsteps as they hunted down leads. Not every police thriller can capture the sense of urgency and pressure of an active investigation but, as I indicated above, I was gripped.

Without doubt one of the best books I have read for many months and a story I am recommending to anyone that will listen. Do not miss The Intrusions.

 

The Intrusions is published by Faber & Faber and is available now. You can order a copy here: https://www.amazon.co.uk/d/cka/Intrusions-Carrigan-Miller-Stav-Sherez/0571297250/ref=sr_1_1?s=books&ie=UTF8&qid=1486941671&sr=1-1&keywords=stav+sherez

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January 27

Stav Sherez – To Plot or Not to Plot?

The IntrusionsI’m always slightly amused when a novel of mine is described as “effortlessly plotted”. I’m very happy readers think so but the truth is I never plot and the process is anything but effortless.

   It’s one of those perennial questions students of creative writing always ask – should I plot out the novel beforehand or just go where it takes me? And all the writers I know are split between those who map out flowcharts and utilise Scrivener and other programs and those, like me, who just hope it will all make sense in the end.

   Of course, there is no right answer. Every writer takes a very different journey into the heart of their novels but we all arrive at the same place – a finished book with a coherent plot.

   It’s strange, because in every other part of my life I’m a planner. If I’m going on holiday, I’ll make notes of all the places I want to visit, work out the best itinerary – I make lists of books to read, people to call, CDs to listen to.

   But not with fiction. I’ve tried. God knows I’ve tried. But after a few weeks of trying to hammer out a plot I always give up in frustration. It used to really bother me. It doesn’t any more. I’ve come to terms with the fact that this is how my brain works and for all its disadvantages, this is the only way I know to write books.

   But what does it mean not to plot?

   I always start a novel knowing only the opening scene. With The Intrusions, all I knew before I started writing was that it would be primarily set in a backpacker’s hostel in Bayswater and that residents would go missing. That was all. I normally have a location in mind and the inciting incident that sets the plot rolling but I have no idea where the plot is going or who the killer is. It normally takes me about a year and a half of working on the book before I know who did it. Personally, I think (and, obviously, I’m biased) that this is an advantage – that if I don’t know who the killer is, it’s far less likely that I’ll inadvertently telegraph it to the readers. That’s one of the advantages of not plotting – the flexibility to twist and turn with the rhythm of the story rather than sticking to the marked path.Stav Sherez

   Writing, for me, is a way to work out what I think about a given subject. I often don’t really know what I think about anything until I begin to write about it. With The Intrusions, I wanted to write a classic serial killer thriller. So I began with the hostel and the disappearance of one of its residents. But as I kept writing, and then drafting and redrafting, I realised that the serial killer aspect was the part I was least interested in – after all, it’s been done so many times before by better writers than me. But something was happening within the draft – technology and all its ramifications was creeping deeper into each chapter. About a year into the book I realised that what interested me most was technology and how criminals use it as well as how policing has adapted to this new investigative tool. Themes of the intrusiveness of modern wired life kept creeping in too. If I had plotted the novel out beforehand, I would never have found this different tributary and, I believe, the book would have been much weaker for it.

   But of course, there are disadvantages to this approach. The most important is that it takes me much longer to write a book this way. I have to go past many dead ends before I find the right path. There’s also the fear that the book will collapse. Every book I’ve written, there’s been a stage where I was convinced the book wasn’t working, would never work, and that I should ditch it and begin something new. A year into The Intrusions I very nearly chucked it. There were so many clichés, so little surprise; I was embarrassed by how bad it was. But I’m quite stubborn about stuff like this and didn’t want that year to have gone to waste so I kept at it, through another six drafts or so, and slowly, draft by draft, I could feel the plot beginning to interlock. There’s nothing better than that feeling when all the disparate ends suddenly click and you realise your unconscious has been guiding you all along and everything that didn’t make sense is now crystal clear.

 

THE INTRUSIONS by Stav Sherez is published on 2nd February

You can order a copy here: https://www.amazon.co.uk/Intrusions-Carrigan-Miller-Stav-Sherez-ebook/dp/B01I0H2T0S/ref=sr_1_1?s=digital-text&ie=UTF8&qid=1485469833&sr=1-1

 

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