October 13

Come and Find Me – Sarah Hilary

On the surface, Lara Chorley and Ruth Hull have nothing in common, other than their infatuation with Michael Vokey. Each is writing to a sadistic inmate, sharing her secrets, whispering her worst fears, craving his attention.

DI Marnie Rome understands obsession. She’s finding it hard to give up her own addiction to a dangerous man: her foster brother, Stephen Keele. She wasn’t able to save her parents from Stephen. She lives with that guilt every day.

As the hunt for Vokey gathers pace, Marnie fears one of the women may have found him – and is about to pay the ultimate price.

 

My thanks to Anne Cater of Random Things for the chance to join the Come and Find Me blog tour.

 

I have read all the Marnie Rome novels and enjoyed each one immensely. Come and Find Me is my favourite. So far…

We join Marnie and her colleague DS Jake at a very difficult time. A prison riot saw several men brutally attacked, some prisoners died from their wounds. A fire took hold during the ensuing chaos and many prisoners suffered smoke inhalation. The man responsible has escaped confinement and the police are frantically hunting for him.

Marnie’s team are leading the manhunt but she has the added distraction that her adopted brother was in the prison but is currently unconscious in hospital after the incident in the prison. If he dies then Marnie may never learn why Stephen Keeps killed her parents.

DS Jake has his own personal problems. He has arrested his own brother to try and keep him away from the street gang which was threatening to take control of Saul’s life. While Jake feels he has done the best thing he could to protect his brother their mother is devastated and family tensions are high.

Personal drama aside the hunt to find prison escapee, Michael Vokey, makes for great reading. He was receiving letters from women who wanted to save him or who wanted to be with him. Will Vokey seek out these letter writers? Will they be safe? Vokey was in prison for entering the home of a single mum and terrorising her.

The investigation into Vokey’s escape is frustrating for the police and the women they are trying to protect are not minded to assist the police on finding Vokey.

Sarah Hilary has written a blinder. One interview Marnie conducted during this book made for one of the very best audio book chapters I have ever listened to. Masterful dialogue and amazingly narrated by Imogen Church who gave the scene so much more heart and feeling than I would have ascribed to it had I been reading it alone.

I do need to give special mention to the audio book as it was one of the best I have listened to this year.  Imogen Church narrates Come and Find Me wonderfully. The story had me hooked but the narration, hearing the characters every day for two weeks, made this feel more real and I got totally drawn into Marnie’s complicated world.

I cannot wait to see what comes next. If Sarah Hilary keeps true to past form then more compelling reading shall follow and we will be guaranteed more jaw-dropping moments.

 

Come and Find Me is published by Headline and is available in paperback, digital and audiobook format. You can order a copy here: https://www.amazon.co.uk/Come-Find-Marnie-Rome-Book-ebook/dp/B072M1ZZX1/ref=tmm_kin_swatch_0?_encoding=UTF8&qid=1539282536&sr=1-1

 

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August 9

The Puppet Show – M. W. Craven

Welcome to the Puppet Show . . .

A serial killer is burning people alive in the Lake District’s prehistoric stone circles. He leaves no clues and the police are helpless.

When his name is found carved into the charred remains of the third victim, disgraced detective Washington Poe is brought back from suspension and into an investigation he wants no part of.

Reluctantly partnered with the brilliant, but socially awkward, civilian analyst, Tilly Bradshaw, the mismatched pair uncover a trail that only he is meant to see. The elusive killer has a plan and for some reason Poe is part of it.

As the body count rises, Poe discovers he has far more invested in the case than he could have possibly imagined. And in a shocking finale that will shatter everything he’s ever believed about himself, Poe will learn that there are things far worse than being burned alive …

 

I bought The Puppet Show on Audible and also had a reading copy which I received from Constable through Netgalley.

 

I listened to The Puppet Show through the Audible app – usually while driving to and from work each day. I say “usually” because I also make efforts to find ways to listen to The Puppet Show at other times too, walking round the shops, tidying the house etc.  This is something I NEVER normally do – my audiobooks are for the commute to work only, it takes something special for me to break that pattern.

I felt The Puppet Show merited that change to my routine, it was special enough to make me want to keep listening when my “normal” listening time was over.  In short – I loved it.

Washington Poe (and the author does explain the name) is called back to work to investigate a series of murders in Cumbria.  Poe has been suspended from duty pending investigation into an accidental release of a suspect’s name to a victims family.  An accident which had serious repercussions for those involved.  Why is Poe recalled from suspension?  Well his name has been carved onto the body of a victim and it looks like the killer has named Poe as a future target.

Poe accepts a return to duties and finds himself paired with a brilliant but awkward crime analyst who has never worked “in the field” before. The pairing of Poe and Tilly (his analyst) is great reading.  Tilly is an expert at tech, stats and probability while Poe is a seasoned cop with sharp instincts and street savvy. He also bucks at authority and has no time for bullies so the entitled and arrogant people who cross his path in The Puppet Show are in for a bit of a shock!

This book has been one of my standout reads of 2018 (thus far).  The perfect blend of police procedural, serial killer and engaging characters with a well balanced supporting cast made it a joy to read.

As I mentioned, I read The Puppet Show as a talking book so I need to address the “listening experience” too.  The audiobook is narrated by John Banks.  He gave Poe a wonderfully booming and confident voice which now defines how I imagine the character. He also made Tilly sound vulnerable and innocent which contrasted her perfectly with Poe.  The story was expertly handled under his care and this is easily one of the best titles in my Audible library.

A five star review is a certainty. I was hooked by the story, loved the characters and I just did not want it to end.

 

The Puppet Show is published by Constable and is available in Hardback, Digital and Audiobook versions.  You can order a copy here: https://www.amazon.co.uk/Puppet-Show-Washington-Poe-Book/dp/B07D5G642H/ref=tmm_aud_swatch_0?_encoding=UTF8&qid=1533498247&sr=8-1

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December 19

The Deathwatch Journal – Ian Rankin

A gripping original story for BBC Radio 4 by award-winning crime writer Ian Rankin, written for the landmark Radio 4 Book at Bedtime.

Saughton Prison, Edinburgh, 1962.

Prison guard Thomas Scott watches over a condemned man sentenced to hang for the murder of his wife.

His prisoner is a guilty man, that’s for sure. William Telfer has done enough bad things in his life. And Scott has been in his job long enough to know that guilty men often proclaimed their innocence right up until the moment the noose was placed around their necks. But as they wait out the days until his execution, Scott begins to suspect that Telfer is innocent of this murder.

An innocent man could be hanged by the neck until dead. And his jailer doesn’t know what to do about it….

To find out the truth, Scott must explore Edinburgh’s darkest corners. And he is running out of time.

 

My thanks to Helena at Penguin Random House for a review copy of the audiobook.

 

The Deathwatch Journal was written for BBC Radio 4’s Book at Bedtime and it is perfectly pitched – both for the audience and also for the intended hour of listening.

The story of a condemned man, William Telfer, who has been found guilty of murdering his wife and is sentenced to hang in 1960’s Edinburgh. The story is also that of his guard, Thomas Scott, who spends time with Telfer and begins to question whether his prisoner is really guilty of the crime for which he is due to hang.

Despite being a murder tale there is no graphic violence and not explosive set pieces. We follow Thomas Scott to his work where he will chat with Telfer (who tries to elicit information from Scott to learn more about his guard) and Scott records Telfer’s disposition, activities and diet in a Deathwatch Journal.

As the two men chat Scott becomes less inclined to believe Telfer may be guilty of murder. He starts a private investigation, looking into some elements of Telfer’s trial which left unanswered questions. His digging will cause ripples and it is not too long before awkward conversations will take place with individuals who are quite happy to see Telfer hang.

The story plays out in very enjoyable fashion and the 1.25 hour running time slipped away all too quickly. Away from the prison we get a look at Scott’s personal life and a nostalgic nod to the 1960’s lifesyles and the exciting prospect of a “new town” being built to the West of Edinburgh.

The Deathwatch Journal is narrated by Jimmy Chisholm and his voice lends its-self perfectly to the tale. The tough guys from Edinburgh’s harder days are suitably intimidating.  Thomas Scott comes across as an amiable likeable character and Mr Chisholm comfortably manages  (where other narrators have not fared so well) to give all the characters their own “voice”.

I listened to the Deathwatch Journal without reading the blurb beforehand and enjoyed the mystery of the tale – the afterward was also an unexpected surprise which made me appreciate the story even more (cryptic – but sorry…no spoilers).

Ideal late night listening and well worth setting aside a couple of evenings to enjoy The Deathwatch Journal.

 

The Deathwatch Journal is published by Penguin Random House and Licensed by BBC Worldwide Ltd.  It is available on CD or as an Audible download here: https://www.amazon.co.uk/Deathwatch-Journal-Original-Story-Radio/dp/B0759Z6L3G/ref=sr_1_1?ie=UTF8&qid=1513640372&sr=8-1&keywords=deathwatch+journal

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November 16

Whiteout – Ragnar Jonasson – Audiobook

Two days before Christmas, a young woman is found dead beneath the cliffs of the deserted village of Kálfshamarvík. Did she jump, or did something more sinister take place beneath the lighthouse and the abandoned old house on the remote rocky outcrop? With winter closing in and the snow falling relentlessly, Ari Thór Arason discovers that the victim’s mother and young sister also lost their lives in this same spot, twenty-five years earlier. As the dark history and its secrets of the village are unveiled, and the death toll begins to rise, the Siglufjordur detectives must race against the clock to find the killer, before another tragedy takes place.

 

Huge thanks to Karen at Orenda for the opportunity to listen to this audio book.

 

Whiteout was sublime listening. A tale of Iceland at Christmas time and the audiobook wonderfully conveyed a feeling of chilled darkness.

In a very remote settlement a young woman has been found dead at the foot of a steep cliff. Ari Thor Arason is drafted in to help his former boss investigate the circumstances surrounding her death. Suicide seems likely but when it is discovered that the woman’s mother and sister both died in the same spot it merits a little more investigation.

If the potential suicide is actually a murder then there are very few suspects – three residents in the house she had been visiting (all three older than the dead woman) and in the neighbouring house resides a couple who were roughly of ages with the deceased. None appear to have any possible motive for wishing her dead, she has not been in their company for over 20 years so why can murder not be ruled out?

Unpicking the mystery of this unusual death will be a challenge but it makes for excellent reading. Masterful teasing out of clues, slow reveals and clever, clever plotting by Ragnar Jonasson kept me hooked.  I have always been a fan of the Dark Iceland series but Whiteout is easily my favourite thus far, it was quite brilliant.

The audiobook was narrated by Leighton Pugh and he does a terrific job. Character voices were easily identifiable and perfectly fitted how the players had been described in the text. The story flowed around me as I listened and I felt transported to the craggy cliff edges, the stone lighthouse and the old houses where the five suspects tucked away their secrets.

Whiteout is set at Christmas and I discovered so many wonderful Icelandic traditions whilst listening to the book. Hearing about the Christmas Messages, the gifting of books and other heartwarming memories contrasted sharply with the investigation into a death – my sadness accentuated at the timing of a life lost.

 

Whiteout is published by Orenda Books and is available in paperback, digital and audiobook format.

You can order a copy here: https://www.amazon.co.uk/Whiteout-Dark-Iceland-Ragnar-J%C3%B3nasson-ebook/dp/B06Y6HWP9Y/ref=sr_1_1?s=digital-text&ie=UTF8&qid=1510871147&sr=1-1&dpID=51j8pDxoAML&preST=_SY445_QL70_&dpSrc=srch

 

 

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September 8

Raising Steam – Terry Pratchett (Audiobook)

To the consternation of the patrician, Lord Vetinari, a new invention has arrived in Ankh-Morpork – a great clanging monster of a machine that harnesses the power of all of the elements: earth, air, fire and water. This being Ankh-Morpork, it’s soon drawing astonished crowds, some of whom caught the zeitgeist early and arrive armed with notepads and very sensible rainwear.

Moist von Lipwig is not a man who enjoys hard work – as master of the Post Office, the Mint and the Royal Bank his input is, of course, vital…but largely dependent on words, which are fortunately not very heavy and don’t always need greasing. However, he does enjoy being alive, which makes a new job offer from Vetinari hard to refuse….

Steam is rising over Discworld, driven by Mister Simnel, the man wi’ t’flat cap and sliding rule who has an interesting arrangement with the sine and cosine. Moist will have to grapple with gallons of grease, goblins, a fat controller with a history of throwing employees down the stairs and some very angry dwarfs if he’s going to stop it all going off the rails….

 

Still doing the very long daily commute so it was time to bring some Terry Pratchett into my journey. I have been a fan of the Discworld books since the late 1980’s, I have read and re-read each title multiple times – mostly.

Even my favourite authors (and Sir Terry has been my favourite for many a long year) do not always hit the mark with their books.  Although Mort, Wyrd Sisters and Nightwatch are virtually imprinted onto my brain – I am less fond of Pyramids, Eric and Monstrous Regiment.  Raising Steam had fallen into the latter category, I bought the book on first release but never really got into it and it remained unfinished (a state previously unheard of for a Discworld novel). So when I wanted a Discworld book for my car journey – Raising Steam was getting a second chance.

Happy I am to report that I got much more involved with the story this time around and I enjoyed it a lot more as an audio experience than I had when I tried to read it.

Raising Steam sees the return of Moist von Lipwig, saviour of the Post Office and Vice-Chairman of the bank (with a small snuffly dog as the actual Chairman). I have loved both the previous Moist novels and this time around we see him coming to the fore as an industrial revolution blooms and the railways spring up.

Once again Pratchett has perfectly captured the best bits of our history and lampooned it perfectly.  We have the luddites (represented by Deep Down Dwarves) and the innovators – an engineer who gets a cracking Yorkshire accent from the narrator, the Patrician oversees the development using Moist as his conduit.  But Raising Steam is much more than an industrial revolution as there is a Political Revolution going on too. Dwarf’s are revolting (as in rising against their King) but stability and progress is the more desirable outcome for The Patrician, the King, The City Watch and also the Trolls (long time enemy of all Dwarf people). Tensions will rise and it will take a cast of many of our favourite characters to sort this mess out.

Raising Steam highlights again that there are few that can hold a torch to Terry Pratchett – his work is the stuff of legend and I sorely miss having the opportunity to enjoy new adventures with characters I have loved for all my adult life.

As for the audio – well Stephen Briggs does an admirable job and brings life to the whole cast. He gives accents to all the races (and characters) and Yorkshire, Wales, South-West and Cockney all shine through.  My only quibble is that the bad dwarf was Scottish and so was one of my most loved characters – “Spike”.  My mental image of Ms Dearheart were slightly tarnished by Mr Briggs making her sound like Supergran.

All in it was a great few hours of listening – with minor quibbles over Scottish accents – but only a Scot would pick up on that I feel!

 

Raising Steam is available in paperback, digital and audiobook. Terry Pratchett remains a legend.

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August 17

Block 46 – Johana Gustawsson – Audio

Evil remembers…

Falkenberg, Sweden. The mutilated body of talented young jewellery designer, Linnea Blix, is found in a snow-swept marina.
Hampstead Heath, London. The body of a young boy is discovered with similar wounds to Linnea’s.
Buchenwald Concentration Camp, 1944. In the midst of the hell of the Holocaust, Erich Hebner will do anything to see himself as a human again.

Are the two murders the work of a serial killer, and how are they connected to shocking events at Buchenwald?

Emily Roy, a profiler on loan to Scotland Yard from the Canadian Royal Mounted Police, joins up with Linnea’s friend, French truecrime writer Alexis Castells, to investigate the puzzling case. They travel between Sweden and London, and then deep into the past, as a startling and terrifying connection comes to light.

 

Another from my unexpected (but very enjoyable) Audiobook Season – today I get to rave about Block 46.

First the audiobook experience.  Very positive!  The narration duties are split for Block 46 – the majority of the book is delivered by Patricia Rodriguez with the “historical” elements (which I shall come to shortly) picked up by Mark Meadows. The two voices work wonderfully – both actors are to be commended for bringing the story to life around me.

Block 46 is a modern day murder mystery but it holds a link to 1944 and a concentration camp in Germany (the aforementioned Historical element of the tale). In London Alexis Castells attends the launch of a new jewellery collection designed by her friend Linnea Blix – despite the importance of the night Linnea does not appear. Alexis travels to Sweden where Linnea would often stay “on retreat” but as she arrives in snowy Falkenberg Linnea’s body is found.

While Alexis gets swept up in the investigation into Linnea’s murder – kept in the loop through a friendship with criminal profiler Emily Roy – the reader gets to slip back in time where we encounter Erich Hebner.  A German national in a German concentration camp.  Erich is doing what he can to survive but when Johana Gustawsson begins to outline some of the terrors which Erich, and the other prisoners, endure each day it becomes impossible to see how he will escape from this Hell.

Narrative swings to present day, the murder investigation reveals some unexpected connections to London. Then we are back in wartime Germany and Erich’s story moves on…he has been granted a rare opportunity to contribute to the German “war effort” but how will he feel about helping when he learns he is going to Block 46. Nobody every comes out of Block 46 alive.

I cannot praise this book enough – at times harrowing but always compelling. It threw up the classic reading dilemma – so good I want to reach the end to find out what happened. But I don’t want to reach the end as I was enjoying it so much.

 

Block 46 is published by Orenda Books and is available in paperback, digital and audiobook.  You can order a copy here: https://www.amazon.co.uk/Block-Roy-Castells-Johana-Gustawsson/dp/1910633704/ref=sr_1_1?s=books&ie=UTF8&qid=1502917618&sr=1-1

 

 

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August 9

The Girl in the Ice – Robert Bryndza – Audio

Her eyes are wide open. Her lips parted as if to speak. Her dead body frozen in the ice…She is not the only one.

When a young boy discovers the body of a woman beneath a thick sheet of ice in a South London park, Detective Erika Foster is called in to lead the murder investigation.

The victim, a beautiful young socialite, appeared to have the perfect life. Yet when Erika begins to dig deeper, she starts to connect the dots between the murder and the killings of three prostitutes, all found strangled, hands bound, and dumped in water around London.

What dark secrets is the girl in the ice hiding?

As Erika inches closer to uncovering the truth, the killer is closing in on Erika.

The last investigation Erika led went badly wrong…resulting in the death of her husband. With her career hanging by a thread, Erika must now battle her own personal demons as well as a killer more deadly than any she’s faced before. But will she get to him before he strikes again?

 

My thanks to Kim at Bookouture for the opportunity to listen to this book.

 

The variable nature of my day job sprang a recent surprise…gone is my daily train journey and my hour of peaceful reading on the train. Say hello to 3 or 4 hours in the car each day. Say hello to a series of audiobook reviews here at Grab This Book.

Audiobooks live and die on one crucial element – the narrator. It really does not matter how good the underlying story is, if the narration is jarring then listening to that voice for 10+ hours is not going to be a fun or relaxing experience.

Fortunately for Robert Bryndza’s The Girl in the Ice the listener is in very good hands. Jan Cramer narrates throughout and she does a fantastic job. Erika Foster’s voice is now firmly fixed into my mind and Cramer’s narration has brought a character to life for me more vividly than would have been the case had I read a paper copy of the book.

As for the story – I loved it. A society rich girl (and seemingly an extremely shallow young woman) is found dead in the waters of London. She has been bound and brutally attacked prior to death and Erika Foster is put in charge of the investigation. Foster is taking on a new role in London, relocating from Manchester following the death of her husband (a fellow police officer) when a police operation went badly wrong.

Thrown in at the deep end – Foster must establish her authority over a new team, overcome racial prejudices when dealing with the dead girl’s parents and contend with factions within the police who are determined to undermine her investigation to keep a politically sensitive murder investigation “acceptable” in the media.

The juggle and pressure which Foster faces will take its toll and I felt myself getting frustrated that she was being thwarted at pursing the leads she felt needed tackled. Robert Bryndza presents us with a string of red herrings and a suspect pool which is sufficiently broad and unlikeable (for various reasons) that it will keep you guessing to the identity of the killer – right until the shocking endgame.

Fans of police procedurals and gripping serial killer thrillers – this is a book for you. I cannot listen as fast as I can read – but I grudged every second that I had to remove my earbuds whilst listening to The Girl in the Ice.

 

The Girl in the Ice is available as a paperback, digital book and (obviously) as an audiobook. You can order a copy here: https://www.amazon.co.uk/Girl-Ice-gripping-thriller-Detective-ebook/dp/B019G6DSDE/ref=asap_bc?ie=UTF8

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November 9

Talking Books with Steve Worsley

Earlier this year I had the opportunity to chat with AK Benedict about audiobooks. She had just released her fantastic new novel Jonathan Dark or the Evidence of Ghosts and had also written a Torchwood audio play for Big Finish productions – she was telling Captain Jack Harkness what to say!  Our chat covered what it was like for an author to pass their work to a team to turn it into an audiobook. You can read that interview here: https://grabthisbook.net/?p=1419

Now I am delighted to be able to bring you the other side of the story. Today’s guest, Steve Worsley, is a narrator of audiobooks and has spent hours in a studio to give a voice to the books we listen to. Down the years I have listened to many, many audiobooks so I was keen to learn a little more about how the audiobooks come together.

My first question is never actually a question, this is where I ask you to introduce yourself and give you the opportunity to get a few plugs in!

I am Steve Worsley. I’m a Scottish actor/singer. Originally from Aberdeen but now living in Falkirk with my wife and step children. I sing with a rat pack vocal trio called Ocean’s 3. I also perform improvised comedy with an Edinburgh improv  troupe called Men With Coconuts. We perform at the Edinburgh Fringe, Prague Fringe and currently have a residency at the Scottish Storytelling Centre in Edinburgh.

 

shatter-the-bonesHow do you become the voice of an audiobook?

For me it kind of happened by accident. I was working with another actor who specialises in voice over work. He mentioned that he had been asked to narrate an audiobook. It was Shatter the Bones by Stuart MacBride. He said he didn’t really fancy it as he was from Glasgow and the Stuart MacBride books were set in Aberdeen (my home town). I jokingly said I’d do it if he didn’t fancy it. He took me up on the offer and helped me record a short demo to be approved by the publisher (HarperCollins). To my surprise they did and before I knew it I was off to a studio in Manchester to record my first unabridged audiobook. On the back of that I approached another publisher, who as luck would have it had just listened to Shatter the Bones. I was immediately offered another audiobook. The rather wonderful crime thriller The Blackhouse by Peter May. Due to reader popularity I have now become the voice of all the Logan MacRae series of books by Stuart MacBride. Since then I have gathered together all the equipment needed to make a wee home studio, and now produce my own audiobooks through an online company called ACX where writers submit their novels, and narrators can then audition for the roles.

 

I know all books will vary in length but if you have narrated a story with a 10-hour running time how long may you have spent in a studio to get that recorded?

I usually spend about 3-4 days in a studio, reading from 9-5 with regular breaks. My longest book so far is The Missing and the Dead by Stuart MacBride which came in at just over 17 hours. That took about 4 days in a studio in London. That was a real challenge to complete as the studio had booked me for 4 days but then found out that the book was about 150 pages longer than estimated! Luckily I’ve been told by several sound engineers that my sight reading rate is unusually high. I can comfortably read about 150 pages in a single day. Of course home recording is a different matter as I not only have to read but edit the whole book myself. And I can only record when the kids are at school! It can take me up to 2 months to produce a home recording.

 

the-blackhouseDo you need to be able to voice different accents?

 Oh yes! The Stuart MacBride books were great for me as they are all set in my home town. Until I took over on book 7 his books had never been narrated by a native Aberdonian (except the two he did himself). But even in his books there are loads of different accents. Some of them particularly specific. One character spoke with a mix of Aberdonian and Brummie!!. I’ve also had to do American, regional English accents and few others from around the world. In The Blackhouse by Peter May the whole book was set in Stornoway and was littered with Gaelic phrases and names. That was a real challenge! Not to mention reading different gendered characters as well.

Is a book recorded sequentially? 

Yes. You start at chapter 1 and keep going to the end.

 

(I think I know the answer to this but…) Can you just show up at a recording session and start reading or would you expect to have read the book beforehand?

I always read the book at least once (twice if possible) and allow time to makes notes. Unfortunately that it not always possible. Particularly with the big publishers. In the past I’ve received a manuscript on a Friday or Saturday and been in the studio on the Monday!

 

Dsteve-worsleyo you ever meet any of the authors or get feedback from them?

I’m good friends on Facebook with Peter May. He lives in France. My wife and his daughter are also now best friends as they are both artists. Most of the authors I home record for live in the States but again we stay in touch through Facebook. I’ve been lucky enough to have had some lovely things said about my work from the authors. Which is not only an honour but a huge relief!! It can be pretty nerve-wracking being entrusted with someone’s baby!!!

 

Are you a reader? If so then what types of books do you enjoy?

I love to read when I can find the time. I like a bit of everything but have been a lifelong Stephen King fan. He truly is one of the great writers of the last century. I also love Clive Barker (I do love a bit of horror). And of course The Lord of the Rings gets an outing every few years. And if I am in the mood then you can’t beat Matthew Reilly for just pure entertainment and non-stop action.

 

Have you have to narrate books which you really didn’t enjoy (and I am not asking you to name them) but would that make the experience seem longer?

All I will say is yes and YES! However so far I have been very lucky to have read some wonderful books by extremely talented authors.

 

Steve – thank you! I have spent hours/weeks/days of my life listening to audiobooks have not given much consideration to all the work that goes into making that possible. As a skim reader (who doesn’t like to say much) I am in awe of how much work you have to do to bring us these audio delights.  

 

You can find Steve’s audiobooks on the Audible website here: http://www.audible.co.uk/search/ref=a_pd_Crime-_tseft?advsearchKeywords=steve+worsley&filterby=field-keywords&sprefixRefmarker=nb_sb_ss_i_0_8&sprefix=steve+wo

More information about Men With Coconuts on this link: http://www.menwithcoconuts.com/

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