June 4

Decades: Compiling the Ultimate Library with Nick Quantrill

If you wanted to assemble a library of the very best books which have been published and you knew you would never be able to complete this mammoth task alone then you would get in touch with booklovers and ask them to help.  Well you would do that if you were me because that’s what I have done.

In January I began to assemble the Decades Library.  I invite a guest to join me and ask them to nominate five books which they think should be added to my Ultimate Library.  I set just two rules which govern the choice of books (sometimes my guests follow the rules)

Rule 1: Choose ANY five books
Rule 2: You can only choose one book per decade over five consecutive decades

 

This week I am delighted to be joined by Nick Quantrill.  I am hugely grateful to Nick for finding time to consider which books should be added to my Library and I was itching to see which books he selected.  Nick always lights up my Twitter feed with a combination of his contributions to some amazing interview panels and also his Hull City football tweets – both brighten my days considerably.

 

Decades

Nick Quantrill was born and raised in Hull, an isolated industrial city in East Yorkshire. His Private Investigator novels featuring Joe Geraghty are published by Fahrenheit Press with the latest being ‘Sound of the Sinners’. Nick is also the co-founder of the Hull Noir crime writing festival.

Nick is on Twitter: @NickQuantrill and online at https://www.nickquantrill.co.uk/

 

 

 

 

1970s – “Jack’s Return Home” by Ted Lewis

Maybe an obvious choice for a co-founder of Hull Noir, but I can’t ignore the credentials of one of our own. On one level, it’s a timeless tale of revenge told through the eyes of anti-hero, Jack Carter, as he leaves London and heads north to the Humber region to avenge the death of his brother. Of course, we know the tale well  due to the film it created, ‘Get Carter’, but read the book and you get a sense of Lewis’s power as a writer. Much like William McIlvanney, Lewis was pioneering something new, something that would stand the test of time. It’s a powerful fusing of the hardboiled American style of crime writing with the social realities of northern England as it started a new decade. Lewis would go on to write a better novel in the form of “GBH”, but this one is undoubtedly a building block of modern British crime writing.

 

 

1980s – “Freaky Deaky” by Elmore Leonard

No library of crime writing is complete without some representation for Elmore Leonard, and although Dutch enjoyed a career spanning almost sixty years, the 1980s capture him at his peak. A high standard indeed. As ever, the focus is on the street and the characters you’re likely to meet. Abbot and Gibbs are fresh out of prison and have a score settle, as well as their services as bomb making experts to sell. Things never run smoothly in a Leonard caper, and so it transpires, as they’re tracked by a world-weary cop. Set in Detroit, the site of all his best work, it’s fast, fun and furious with dialogue that sizzles on the page. Often imitated, but never beaten, Elmore Leonard remains the greatest of the greats.

 

 

 

1990s – “Divorcing Jack” by Colin Bateman

I’d stopped reading as a teenager and only rediscovered my love of it in the mid-nineties as I left those years behind. Irvine Welsh was brilliant, as were Nick Hornby and Roddy Doyle, but Colin Bateman was something else. I’d never really understand how edgy and dangerous writing could be, but still remain fun and playful. “Divorcing Jack” introduces us to journalist, Dan Starkey, Belfast his beat. Starkey’s a mess, and after being thrown out by his long-suffering wife, he sleeps with the daughter of an influential politician and opens up a whole can of worms that threaten his life. The start of a long-running series and the basis of a decent film starring David Thewlis, it shows how crime fiction can tackle serious issues from a left field perspective and use humour as its weapon.

 

2002s – “Exit Music” by Ian Rankin

No library is complete without at least one book by Ian Rankin in it, and such is the consistency of the DI Rebus series, it’s no exaggeration to say you can pretty much pick a personal favourite. Once Rankin and Rebus hit their stride with “Black and Blue”, it’s the gold standard. At the time, “Exit

Music”, was billed as the final Rebus novel, and no doubt genuinely so. As ever, Rebus is thrown into a complex murder investigation, possibly a mugging gone wrong, but it’s certainly no random attack. Whip smart with its social commentary, the city of Edinburgh is the quiet star of the show. And as we now know, there was to be a route back for Rebus.

 

 

 

2010s – “Weirdo” by Cathi Unsworth

Despite being longlisted for the Theakston Crime Novel of the Year, “Weirdo”, feels like the one that got away. Maybe it’s because it’s a rare contemporary crime novel from the writer, rather than the historical work that has made her name, but it’s the perfect meeting point of lived experience and imagination. Set in a fictionalised version of Cathi’s home town, the flashbacks to 1984 and the world of teenage Goths draws on her days as a music journalist. The contemporary time line arguably anticipates the current popularity of claustrophobic small town stories, but also features the chilling life-like characters that inhabit such places, showing how they maintain their grip and power by any means necessary. Throw in murder, corruption and a Private Investigator with something to prove, and you’ve got all the ingredients for a modern classic.

 

 

This seems an almost perfect mix of titles. We have new books by returning authors and some new authors who are joining the Library for the first time.  My thanks to Nick for joining me and taking on the Decades challenge.

As ever you can visit the Library here on the blog and see all the books which have been selected thus far. The Library also allows you to see all my previous guests and visit their posts too.  You can start that journey here: https://grabthisbook.net/?p=5113

 

 

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June 13

A Dead American in Paris – Seth Lynch

Arty Homebrook lived and died in a world of sleaze which stretched from Chicago to Paris but never beyond the gutter. He’d been sleeping with Madame Fulton, which is why Harry Fulton promised to kill him. So far as the Paris Police are concerned it’s an open and shut case.

Harry’s father has other ideas and hires Salazar to investigate. As Salazar gets to grips with the case he’s dragged reluctantly into an unpleasant underworld of infidelity, blackmail, backstreet abortions and murder. Salazar is far too inquisitive to walk away and far too stubborn to know what’s for the best. So he wakes up each hungover morning, blinks into the sunlight, and presses on until it’s his life on the line. Then he presses on some more, just for the hell of it.

 

My thanks to Emma from Damppebbles.com for the chance to join the blog tour

 

A murder tale taking the reader into the dark heart of 1930’s

 

Paris. A tight reading schedule meant I had to read A Dead American in Paris in just a couple of sittings. If I am honest I think I would have read it in the same short space of time even if I had allowed myself all the time in the world – I was drawn right into the world of Salazar and his chain-smoking companions and could not get enough of this story!

From early in the book we have the very dead American (as advertised in the title).  The police believe the killer is quite obviously Harry Fulton, a jealous husband who threatened to kill the dead man after he slept with Harry’s wife.   But Harry’s father is convinced of his son’s innocence and hires Salazar to investigate and prove Harry is not guilty.

So begins an extremely entertaining murder story which took more dark twists than I had originally anticipated. The reason for my surprise at those dark twists was due to the highly engaging characters of Salazar and his delightful companion Megan.  When these two are in a scene together I rather enjoyed some of the best written dialogue I have read for some time – they are brilliant together. Their verbal sparring (affectionate) lulled me into believing the story would be leaning to the cozy – how wrong was I??? Full on “noirish” goodness – as this was a Fahrenheit Press publication I should have realised this much sooner.

Seth Lynch captures the location wonderfully and the feeling of being in post WW1 Paris comes oozing out of the pages. The scenes feel claustrophobic, rooms are chilly, damp and dingy and even the descriptions of poorly furnished apartments make the whole reading experience seem more authentic as it draws you back to harder times.

It becomes clear that our dead American may not have been the nicest of chaps and Salazar will have his work cut out in narrowing down the suspect pool – but it bodes well for Harry Fulton as his standing as prime suspect starts to look too straightforward. Lots of people wanted Arty Homebrook dead and if Salazar gets too close to uncovering secrets then there is every chance he will be a target too.

A Dead American in Paris was hugely entertaining. Plenty of surprises and twists to keep this reader happy and the location and time-setting of the story made this story stand out (in no small part down to the wonderful descriptive writing by Seth Lynch).

Read this – it’s a good’un.

 

A Dead American in Paris is published by Fahrenheit Press and you can order a copy (paperback or digital) here: http://www.fahrenheit-press.com/books_a_dead_american_in_paris.html

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