April 1

Serial Killers a discussion with Alexandra Sokoloff

In my recent conversations with David McCaffrey and Karen Long I posed a question asking why they felt readers loved a story about a Serial Killer.  I had planned to ask the same question of Alexandra Sokoloff but she suggested that she would have LOTS to say on that topic.

LACMA.best.DSC_6246-2This was too good an opportunity to pass up! I asked Alex if she would be interested in answering a few questions just on the subject of Serial Killers and I am delighted to share our resulting conversation.

I shall start with my established opening gambit: why do we love a serial killer story?

I think the serial killer has become an iconic monster, like a vampire or werewolf or zombie (maybe replacing the pretty much defunct mummy!). This icon is of course a very idealized version of what a serial killer actually is. And I think it was Thomas Harris who mythologized the serial killer to classic monster status, although Stevenson’s Jekyll/Hyde, Stoker’s Dracula (supposedly based on the real-life Vlad the Impaler), and various depictions of Jack the Ripper were strong precursors. We are fascinated by the idea of pure evil in a human being.

However, the other component of why we love a serial killer story is because most authors (and screenwriters and filmmakers) who write about serial killers are dishonestly romanticizing them and leaving out the unmitigated, repellent malevolence of these men. About which more in a minute.

And there is also an unfortunate percentage of the population that gets off on reading about rape, torture, and murder.

Was Jack the Ripper the first recorded serial killer or has he just become the most famous?

There were certainly recorded serial killers before Jack the Ripper. The Harpe brothers in the US in the 1700’s, Gilles Garnier in France in the 1500’s, Thug Behram in India in the late 1700’s, just to name a few. Military campaigns have always provided an outlet for serial killers, as have the institutions of slavery and the Inquisition.

Huntress_Moon_TM_CVR-FTWhen I hear the term Serial Killer I automatically assume that it is an American phenomenon – I put this entirely down to Hollywood. However, am I right and does America really have the lion’s share of the known Serial Killers?

Well, of course America is going to have a greater proportion of serial killers simply because the US has a larger population than most countries. The way I understand it, the seeming rise in the number of serial killers in the late twentieth century was due to the increasing number of people who owned automobiles and the increasingly transient nature of the American population. People started moving long distances to find work, for example, and started changing jobs frequently, and so it was easier to kill and move on, making it easier to avoid detection. A serial killer is by definition a successful one, at least for a while.

Is it likely that there are serial killers operating undetected right now? If so would you care to hazard a guess at the numbers that may be involved?

According to the FBI, absolutely. The Bureau estimates, some say conservatively, that between 35 and 50 serial killers are operating in the US in any given year. I figure they know what they’re talking about.

Taking the last question a step further, do you believe a ‘successful’ killer could cover their tracks multiple times for a long period of time?

Yes, there have been killers who have managed that. The Green River Killer, for example, who for years was able to hide an increasing number of bodies in the vast forested areas of the Pacific Northwest.

Keeping this question on a fictional level, do you have favourite serial killers from books or film where you liked the angle that the writer(s) adopted?

There’s really only one author for me in that department – Thomas Harris with Red Dragon and The Silence of the Lambs. Harris did a completely brilliant thing, there. In the 1970’s Special Agents Robert Ressler and John Douglas of the FBI’s Behavioral Science Unit (now called the Behavioral Analysis Unit) began a series of interviews with incarcerated serial killers to see what made these men tick and hopefully develop strategies for catching them. The agents, along with Professor Ann W. Burgess, compiled their findings into a textbook and started to train agents as profilers. This new department got a lot of press and media attention and a large number of authors jumped all over that research. But judging by the books that resulted, very, very few of those authors seem to have actually read those interviews.

Thomas Harris, though, took the same research that was available to everyone, and used a combination of absolutely precise fact and police procedure and a haunting mythological symbolism to create those first two books, Red Dragon and The Silence of the Lambs (and then Hannibal sort of went off the rails, if you ask me…). The result was two of the best horror/police procedural blend novels ever written. The killers Jame Gumb (Buffalo Bill) and Francis Dolarhyde were both more and less than human. And Lecter, of course, is a mythic archetype of the evil genius.

And then everyone jumped on the bandwagon and there are now hundreds of Lecters-lite, if you will.

I love those two books of Harris’s for their mythic resonance. But I have a real BloodMoon_TM_CVRproblem with the way most authors portray serial killers because it’s so incredibly dishonest. They romanticize and poeticize serial killers – portraying them as evil geniuses that play elaborate cat and mouse games with detectives and law enforcement agencies. Yeah, right. These men are not geniuses. They don’t leave poems at crime scenes or arrange their victim’s bodies in tableaux corresponding to scenes of great art or literature. They are vicious rapists who brutalize their victims because the agony of those victims gets the killer off, and a large number of them continue to have sex with the corpses of their victims because they are that addicted to absolute control and possession.

That’s evil. But the serial killer subgenre as a whole has perpetrated a very unrealistic view of what these monsters really are. Most authors who write about serial killers don’t show the sexual correlation. They skirt around the issue of rape. The worst ones sexualize the violence – fetishizing women’s bodies, sexualizing the torture of women, conveniently ignoring the fact that many of these killers rape and torture and kill men and children as well, and basically avoid portraying the pure horror of what these men actually do.

I’ve always found it extremely troubling and that’s been a big motivator for me in writing the Huntress Moon series. I’ve set out to shatter a lot of myths, there, and to counter all this glorification of violence.

Without seeking to glorify their actions are there lesser known serial killers that you are surprised are not better known given the extent of their crimes – for example a European who is not known in America?

Yes, as I’m doing more research into UK crime and criminals, I’m learning about killers that I hadn’t heard of, or hadn’t heard much of. The US is very ethnocentric!

I enjoy the Hitman books by Lawrence Block and I suppose that by broad definition a Hitman is a serial killer, however the two are generally considered very differently (certainly in fiction). Is this perhaps simply down to money (Hitman) over personal agenda (serial killer) or is there a more subtle distinction?

I think there are very unsubtle distinctions. Serial killers are most often rapists who have graduated to murder as they crave more and more control over helpless victims. Hitmen are not serial killers, but mass killers, which is a very different psychology than sexual homicide. For hit men the motivation is usually financial, for contract killers; or organizational, as when members of the Mafia or a gang kill on order from a higher up in the organization. (Other mass killers also have financial motivation, like the Black Widow killer, who marries or mates and then kills for the spouse’s or lover’s insurance money or property). But there are similarities, of course – a lot of hitmen and contract killers are sadists, as are a large percentage of serial killers.

Do you think some killers are born with a disposition to kill (a Natural Born Killer, if you will)? Or is it likely they are a result of environmental circumstances and external forces?

ColdMoon-â„¢-CVRI think scientific studies have made it pretty clear that it’s a combination of both. According to Scientific American, there’s a certain enzyme, monoamine oxidase A, that is linked to increased aggression if it’s below normal level, and certain genes that predispose people to low levels of this enzyme. There are also genes that determine how serotonin is processed in the body, and a certain variant of that gene seems to be a predictor of hostile behavior. There are other studies that point out that people with these genes who are raised in stable environments are less inclined to act out violently.

Childhood abuse can contribute to violent behavior: many serial killers had abusive childhoods. But many children who were abused don’t grow up to be abusers. It’s also clear to me from the FBI reports on the role of fantasy in the development of rapists and killers that exposure to violent media can be a factor.

Overall, the more interesting question to me is, why are there so more men than women who either are born with the disposition to rape and kill, or who develop the urge to rape and kill?

The proportions of violent men to violent women are so overwhelming that it makes me wonder why we’re not studying that question.

 

My profound thanks to Alexandra Sokoloff who I hope will return to the blog in the near future to discuss her forthcoming book Cold Moon.

During April 2015 both Huntress Moon and Blood Moon are just £1 on e-book through Amazon.co.uk (links below).


AlexandraSokoloff.com

UK  Huntress Moon  http://amzn.to/1wEwxZo
UK Blood Moon  http://amzn.to/1CPG4Uw
UK Cold Moon  http://amzn.to/1xBtA2U  
US Huntress Moon  http://amzn.to/1z3pSh5
US Blood Moon  http://amzn.to/1EqoKax
US Cold Moon  http://amzn.to/1ymNA6b

Alexandra Sokoloff is the bestselling, Thriller Award-winning and Bram Stoker and Anthony Award-nominated author of eleven supernatural, paranormal and crime thrillers. The New York Times has called her “a daughter of Mary Shelley” and her books “Some of the most original and freshly unnerving work in the genre.”
As a screenwriter she has sold original suspense and horror scripts and written novel adaptations for numerous Hollywood studiosShe is also the workshop leader of the internationally acclaimed Screenwriting Tricks for Authors workshops, based on her Screenwriting Tricks for Authors workbooks and blog.
Her Thriller Award-nominated Huntress Moon series, following a haunted FBI agent on the hunt for a female serial killer, is out now from Thomas & Mercer.
Twitter: @alexsokoloff

 

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April 1

A Wanted Man – Paul Finch

A Wanted Man

 

It’s 1997 and PC Mark ‘Heck’ Heckenburg is patrolling the rain-lashed streets of Manchester. In the quiet hours of the early morning, nothing stirs.

Until the crackle of Heck’s police radio signals that all isn’t well out there in the darkness…

‘The Spider’ – a housebreaker notorious for his violent, vicious assaults – has come out to play. And it looks like Heck’s about to become his prey…

 

This was an essential purchase for me as I am fully signed up member of the Paul Finch ‘Heckenburg’ Fan Club. A Wanted Man is a short story and when you download your digital copy you also get a sneak peak at the forthcoming Hunted (due in May).

It is worth highlighting that the split between A Wanted Man and Hunted is 50/50; which is to say that half of the book you purchase is a trailer for the next Heck novel. It meant I finished A Wanted Man slightly earlier than I had anticipated (as I believed I still had quite a bit of reading still to go). But when I pay less than £1 for a book that I really want to read I am not going to quibble too much about the length of the story. Especially when I thoroughly enjoy the story I bought.

A Wanted Man is set in the early days of Heck’s Police career and pits him against wanted felon ‘The Spider’. We get a nice glimpse into the mind of a young Heck and learn of his frustration over a run in with a senior officer. His frustration has taken him out of the Police Station and places him in prime position to uncover a suspicious incident taking place. Naturally Heck has to investigate and that is where the fun begins.

No more clues, hints or spoilers. A Wanted Man is great fun and if you enjoy Paul Finch’s books you will enjoy this one too.

I cannot comment on the Hunted teaser. There is over a month until Hunted is released and I don’t want to put myself through the torment of starting one of my most anticipated books of the year only to have to take a 5 week break to see how the story develops. I will wait for Hunted in its entirety (and probably spend the next few weeks stalking the publishers for a review copy).

 

Paul Finch is on Twitter: @paulfinchauthor

And can be found at: http://www.paulfinch-writer.blogspot.co.uk/

 

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March 23

Disclaimer – Renee Knight

DisclaimerWhat if you realized the book you were reading was all about you?

It is unmistakably you.

Worse, it is about something that you have never told anyone – anyone living that is.

 

Many thanks to Alison Barrow of Transworld for my review copy.

 

Catherine Ravenscroft is reading a book. As the story unfolds she realises that she is reading her own story, the character names have been changed but there is no doubt that this is a book about her. Unfortunately for Catherine this is not a flattering tale and her darkest secrets are being revealed and even worse the ending is genuinely terrifying as it portrays Catherine’s death.

How has this book made its way into her home? Who is the author that has been able to recount events that only Catherine can know about? And who else is reading the book?

Disclaimer is one of the books that I cannot discuss too openly in a review. A psychological thriller which you need to read for yourself to appreciate the impact of the twists and revelations. Renee Knight has delivered a tight thriller depicting a woman who is trying to retain a degree of control while all around her the life she has built for her-self is crumbling apart.

My (non-spoiler) thoughts in brief:

Initially it is easy to empathise with Catherine: someone is targeting her and she is scared. Then we meet author of the book and learn that there are two sides to every story and we start to question what we know about Catherine. A nice touch as I had been too trusting that Catherine was all she appeared to be – who is telling the truth?

Renee Knight does a masterful job of depicting Catherine’s descent into a fearful paranoia. Secrets will out but there will be pain and heartbreak before all the facts are known.

An unsettling story but one that will keep you reading late into the night.

 

Disclaimer is published by Doubleday on 9th April 2015.

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March 20

After The Storm – Jane Lythell

After The StormSome secrets destroy you.

Rob and Anna have only just met Owen and Kim. Now they’ve boarded their handsome old boat to travel to a far off island in the Caribbean.

With only the four of them on board, it should be paradise: lazy afternoons spent snorkelling; long nights enjoying the silence and solitude of the sea.

But why does Owen never sleep? Why is he so secretive about his past? And why does Kim keep a knife zipped into her money-belt? Anna can usually get people to talk… but this time, does she want to?

 

Many thanks to Head of Zeus for my review copy.

 

Two couples on a boat in the Caribbean. They all have their emotional baggage, they do not all get on and at least two of the four characters do not want to be on the boat. Clearly there are going to be conflicts and clashes in After The Storm.

Having read the book over the last couple of days I think that this one may split the crowd. There are a lot of positive elements, however, I am not sure it will float everyone’s boat (sorry, sorry – terrible pun).

From the outset of the story Jane Lythell is building up the tension between her four key characters (Owen, Kim, Rob and Anna). For the majority of the book she places the two couples in the close confines of a dilapidated boat which is sailing around Caribbean Islands. Living in each other’s pockets for several days at sea places a strain on these four relative strangers and it is interesting to see how the author changed the group dynamics as the story progresses.

But as I read I kept waiting for something to happen. More tension was built up but still no trigger events. The boat docks on an island and the couples part for a while only to reunite when the tension level between them has simmered back down.   Repeat the slow build towards an inevitable explosion.

As the reader reaches the end of the novel we get the payoff. All the doubts and suspicions come to the fore, unexpected external factors suddenly play a significant role and everything kicks off. There are revelations which will shock and there are others which were clearly signposted from early in the book. It will either grab you and keep you flicking the pages to find what happens to our couples – or you will plod to the end just to see where the payoff was coming from.

I am afraid that I was not wowed by After The Storm and I only kept going as I was interested to see what would finally trigger the finale. In contrast (and I HAVE to mention this) I spoke with a friend who has also read the book and she thought it was magnificent – loved the characters, was distressed by some developments and was devastated when the book ended. As I said – a crowd splitter.

Not for me but I loved the Caribbean setting and I thought the author captured the setting and majesty of the islands brilliantly.

 

Twitter: @janelythell
Facebook: Jane Lythell Author
Jane’s blog: http://chroniclesofchloegreene.blogspot.co.uk/

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March 15

The Distance – Helen Giltrow

The Distance(1)They don’t call her Karla anymore. She’s Charlotte Alton: she doesn’t trade in secrets, she doesn’t erase dark pasts, and she doesn’t break hit-men into prison.

Except that is exactly what she’s been asked to do.

The job is impossible: get the assassin into an experimental new prison so that he can take out a target who isn’t officially there.

It’s a suicide mission, and quite probably a set-up.

So why can’t she say no?

 

My most sincere thanks to Helen who sent me a copy of her book for review. As part of the Blog Tour to celebrate the paperback launch of The Distance, Helen kindly answered a few of my questions – you can see our conversation here: https://grabthisbook.net/?p=616

 

On the cover of The Distance is a quote from Lee Child which reads ‘Fast, hard and very, very good’ He is right – The Distance is all of those things.

Charlotte Alton (under the name Karla) trades in information. She knows people that can help her acquire information and she knows where the skeletons are buried (she also knows the guys who buried them).

Simon Johanssen is a hit man. He is to be smuggled into a secure facility compound (an experimental prison) and is tasked with killing one of the residents – assuming he can even find her.

The secure facility is known as The Program and is home to many extremely unsavoury characters; Johanssen has a struggle on his hands just to keep himself alive while he attempts to track down his target. However, problems arise when Johanssen finds that his intended victim is under protection of The Program’s ‘Kingpin’ figure – a man who believes Johanssen is dead and would be extremely unhappy to find that Johanssen is still very much alive.

Charlotte is responsible for co-ordinating Johanssen’s mission. She needs to find a way to get him inside The Program and ensure that his cover story is watertight. As the plot unfolds we see the extent of Charlotte’s network of informants and operatives and a cracking story (which began as a thriller) begins to morph into a deliciously suspenseful spy novel.

I loved Charlotte’s character, she was pitched perfectly and the balance between her life as Charlotte and that of her alter-ego Karla is fascinating reading. Powerful yet vulnerable – the opening chapter makes it clear that there are dark times in Charlotte’s near future.

With two key characters to follow (and a necessity to cover some historic events that outline how the players in the story bring substantial ‘baggage’ to their current predicament) there is a lot to keep track of. The ‘fast’ element of The Distance (for me) was the way that Helen Giltrow was able to switch the reading focus between past and present, Charlotte and Johanssen or events inside and outside of The Program.

The ‘hard’ element of The Distance should probably be expected if you have a facility full of dangerous criminals who are left to form their own community and who play by their own rules. At this stage the character of Bryce needs to be mentioned. Brice is the right-hand man of the aforementioned ‘Kingpin.’ He seems to delight in keeping his victims alive and slowly wearing them down by hurting them and then hurting them some more. Brice is not nice – but he is compelling reading.

I am finishing my thoughts on The Distance with the ‘very, very good’ part of Mr Child’s review – Yes. Definitely. Go read it.

 

The Distance by Helen Giltrow is published by Orion and is available now in paperback and in digital format.

 

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February 26

Guest Interview – James Goss (Haterz)

Today I am delighted to welcome James Goss who has kindly taken time to answer a few of my questions about his new novel, Haterz.

James also has a long-standing association with the world of Doctor Who – as a lifelong fan of that particular show I sneaked in a few questions about everyone’s favourite Timelord.

Haterz is a dark comic tale which sees the central character killing off people who annoy him when he is online – I opened with the obvious question…

HaterzWould it be a fair for Haterz readers to assume that James Goss has become a little bit irritated by some elements of social media?

I’m a freelancer who works from home, so I’m obviously addicted to social media. It’s the ultimate work avoidance tool. If people aren’t uploading pictures of their breakfasts or a holiday sunset then I want to know what’s wrong with the world. That said, there are some elements of it that bring out the worst in people. For instance, a friend of mine is wonderful, charming, self-deprecating company in real life, but unbearable on Facebook. I would hide them, but I’m enjoying the ride. And that makes me a terrible person.

In Haterz when we meet Dave, he is just about to kill his best friend’s girlfriend because he finds her annoying on Facebook. Have you had to reassure your friends that they are not in any way featured in Haterz?

On the contrary, actually. In the couple of cases where I’ve used people I know, I’ve emailed them to ask how I would kill them. And they’ve been very creative.

Despite the fact he is killing people in nasty ways I found the character of Dave to be quite a likeable fellow. Do you think you will split the crowd on this one (with some readers condoning his actions and others willing him to succeed)? Or do intend for us all to empathize with Dave?

It’s terribly fashionable to issue death threats on Twitter. I just wondered who would be the kind of person who actually carried them out – and Dave’s not some ranting people-hating moron. He’s not a slick, smooth American psychopath – he’s a terribly British bumbler. Poor old Dave just wants everyone to be nice to each other. And is going to carry on killing until they are. I think, once you can get past that contradiction then he’s perfectly pleasant company. You could go out for a drink with him. So long as you don’t post too many pictures of your cocktail.

I am keen to avoid plot spoilers, however, I did enjoy some of the people and groups that Dave targeted his attentions towards.  When you were planning out Haterz did you have a ‘hit-list’ of groups you specifically wanted to target?

Absolutely. All the groups, types and institutions were planned in advance. I toned a few of them down. Oddly, in the nearly two years between planning and publication, none of the groups have changed that much. Amazingly, woman-hating video gamers have got even nastier. Well done on that one, humanity.

As we all seem to be becoming increasingly fixated on social media do you think we have reached a point where more serious repercussions are needed to curb the worst instances of online behaviour?

It’s all such a muddle, like humanity is trying to work out where we go next. We may look back on GamerGate as the first online world war – not between countries but between violently passionate interest groups. A glance at Twitter tells you the consensus is “We want freedom of speech. Just not for them, them, and you can shut up”. We live in a world that is almost inexplicable to people from a decade ago, when we were all charmed by “Eric Emotes An Emotion”. I don’t know how long it will be before we reach Peak Oversharing. Possibly when all those babies whose every bowel-movement has been reported on become old enough to have Facebook accounts, log on and go “oh dear god.”
We live in a world where what’s really frightening is not that the terrorists are on social media, but how they’re making the same stupid mistakes the rest of us do.

Having now laid out our worst online offences have you had to modify your own online behaviour?

I think we’re all guilty of some pretty awful offences. Too many cat pictures. Enigmatic tweeting about how marvellous your life is. The terrible thing about being an author online is that there’s this pressure to constantly bang on about stuff you’ve written. No-one was gladder than me to find out from a social media expert that constantly being “Brand You” is really off-putting. I find the whole thing deeply embarrassing. I couldn’t convincingly sell you a new pair of socks, let alone a book, so I’m deeply relieved that the publicity team behind Haterz are really good. Because, no matter how proud I am of something I’ve worked on, I can’t enthuse about it on social media without sounding like a vicar trying to sound cool.

Dead of WinterSwitching track slightly, I also wanted to ask about your ongoing involvement with the world of Doctor Who. I have been a fan of the show since childhood and I am delighted to see it flourishing. You seem to have been involved with the programme for several years in a number of different roles, what have been the stand-out moments for you?

I still can’t believe that Doctor Who is back and so loved. When I first ran the BBC’s website (during the end of the show’s wilderness years and the first two series of the triumphant relaunch), the disinterest the BBC felt towards Doctor Who was pretty bad. Ever year the site’s budget got cut and the online audience only grew larger. It was a strange time – trying to do so much with such tiny resources against such vast corporate indifference. I’ll never forget a meeting with my head of department where she sighed and said “Well, Doctor Who, there’s only about another 18 months in it.” Then Russell brought it back and the whole thing snowballed. It was truly amazing to be involved in that. But also rather unbelievable. Genuinely. But suddenly the BBC fell head over heels in love with Doctor Who again. And rightly so.

Oh yes. And getting to stand on the TARDIS set and realising that a large amount of it was from IKEA. Which instantly validated most of my home furnishing choices.

The Blood Cell
The Blood Cell

Last year you wrote the Doctor Who novel The Blood Cell (which I reviewed and enjoyed immensely)It was one of the first novels published which featured Peter Capaldi’s Doctor.I believe that you had to write the story before the first Capaldi episode, Deep Breath, was broadcast – how do you write for such an iconic character when you do not know how he will appear on screen?

Very carefully. We were lucky in that we had access to the early scripts and they were phenomenally clear about what a different character this Doctor was going to be. I cheated and wrote my book from the villain’s point-of-view, so if I had got it wrong, I could just claim the narrator was lying.

My extensive research (Wikipedia) reveals that you and I were born in the same year. I have been a Doctor Who fan for as long as I can remember I do recall seeing seeing K-9 yet my earliest clear memory of the show is of the Melkur from Keeper of Traken.  Can you pin down your first Who memory?

Curiously enough, City Of Death. There didn’t seem to be anything else on when I was a child. I was so lucky. I don’t think I really got what the show was, though. I remember watching an episode that, amazingly, wasn’t City Of Death. Doctor Who climbed up a tower, fell off, and turned into the young vet from All Creatures Great And Small. I was very confused.

You have worked with Big Finish and produced a number of audio plays. Do you prefer the solitude and personal achievement of writing or is the collaboration and assembling the cast and crew to make an audio drama a bigger challenge?

I love getting off the sofa and meeting people. I’m very bad at it these days, but I try my best. It’s really lovely that Big Finish have let me do some really wonderful projects. They’re a really great company to work for. Some of the most surprising emails of my life have come from them. Would I like to write a musical? Would I like to write for Servalan? Can you produce an audio series with an actress you helplessly admire?

Some unexpected items included in the 100 objects.
Some unexpected items included in the 100 objects.

One of your other projects was the non fiction Doctor Who book A History of the Universe in 100 Objects. I was constantly amused by the items you singled out for discussion but it all seemed to work perfectly – was there a method to the selection process or did you and (co-author) Steve Tribe just have fun picking unusual items?

We went to the pub. I hate it when people use that as an answer. It makes it sound so lazy. But my local does really nice coffee (for me) and very nice draught beer (for Steve), and then we sat down and we did that thing that Doctor Who fans love to do. We drew up a list.

Some things were written but didn’t make the final cut. There was a whole section on Dalek Plans, written by Penny, their long-suffering Project Manager. God, I loved that. Probably best it was left out, but occasionally, on nights out, Chris Allen, the current Doctor Who website editor, will perform bits of it aloud. It mostly comes down to Penny saying “And you haven’t left in a big red destruct button this time have you?” and the Dalek Supreme going “Er…”. I AM LAUGHING NOW. WHY ARE YOU NOT LAUGHING?

On a final note, are you able to share what you will be working on next?

I’m making the revisions to the novelisation of Douglas Adams’s City Of Death, which is a very odd, wonderful project to have done. Yes, in an ideal world Douglas himself would have written it. Or Gareth Roberts, but he got abducted to write A Top Secret Television Project, so it landed with me. I live in a world where, just this once, I’m third choice for something after Douglas Adams. That’s not a bad place to be.

Mind you, I’ve spent the last few months trying not to be run over by a bus (probably driven by whoever offed Danny Pink). Funnily enough, on the day before I finished the first draft, I nearly choked to death on a new potato. I was so horrifically aware of the irony I was giggling at the same time I was choking. Yes. I very nearly died laughing.

 

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February 24

Prayer For The Dead – James Oswald

prayer for the dead 2The fifth novel in the bestselling Inspector McLean series by Sunday Times bestselling author James Oswald.

‘Are you ready to be reborn?’

The search for a missing journalist is called off as a body is found at the scene of a carefully staged murder.

In a sealed chamber, deep in the heart of Gilmerton Cove, a mysterious network of caves and passages sprawling beneath Edinburgh, the victim has undergone a macabre ritual of purification.

Inspector Tony McLean knew the dead man, and can’t shake off the suspicion that there is far more to this case than meets the eye. The baffling lack of forensics at the crime scene seems impossible. But it is not the only thing about this case that McLean will find beyond belief.

Teamed with the most unlikely and unwelcome of allies, he must track down a killer driven by the darkest compulsions, who will answer only to a higher power…

‘Are you ready for the mysteries to be revealed?’

My thanks to Penguin/Michael Joseph and Netgalley for my review copy

 

Jump back 11 months to 24th March 2014 when, after a bit of hesitation, I bit the bullet and posted my first review on my blog. I had been toying with the idea of blogging for some time so decided to write a review of the book I had finished earlier that day – it had been a great story from an author I’d not read before. Natural Causes by James Oswald.

7 months later, it’s October 2014. I am officially a ‘fan’ of Mr Oswald’s Tony McLean series and I am sat in Coatbridge Library where, as part of the North Lanarkshire Encounters series, James Oswald is visiting to discuss his books. The evening opened with a reading from the opening chapter of Prayer For The Dead – a debut read as the final edit had only just been confirmed. It was a treat and a pleasure to hear an extract from an unpublished novel and just 4 months later I finally found out what followed! Added bonus from that night was that James Oswald was fabulous and had us hanging on his every word for well over an hour of uninterrupted anecdotes and readings.

But to the book…

Prayer for the Dead is the 5th outing for Tony McLean and this is another stellar read in a series that has maintained a high standard of entertainment and thrills throughout all the books.

I am always pleased to revisit recurring characters in the books I read and I very much enjoy the team that assemble alongside McLean. Grumpy Bob returns as does Jane Macintyre, Stuart MacBride and even Madam Rose is back. The relationships between the characters is a key element to my enjoyment and there is a genuine feel of a ‘team among the police characters. McLean is supportive of MacBride, tolerant of Grumpy Bob and collectively they grumble over the senior officers who frequently appear to be inept.

More unusual is the ongoing relationship between Madam Rose and Mclean, particularly given how events unfold during Prayer For The Dead. Their friendship is taken in a very unexpected direction and we get to see Rose in a very different light – another nice touch.

The most important element of a crime thriller is that there is an engaging crime to be solved. Very much so I am pleased to report. A few unnatural deaths have occurred around Edinburgh, there does not appear to be any obvious connection yet the cruel manner of the deaths and the short intervals between the murders leads McLean to believe they are the work of one individual.

With no clues to pursue the police are very much in the dark as to how they may track down the culprit (assuming they ARE just looking for one person). With no meaningful progress being made, McLean finds himself distracted by other cases: particularly when the property developers who are trying to get him to sell his home turn up dead and their connection to McLean is investigated by London’s Serious Crime team.

I very much enjoyed Prayer For The Dead, it is a cracking murder mystery with some nasty deaths to squirm over and a sinister murderer who keeps several steps ahead of McLean et al. Fans of James Oswald will not be disappointed with the latest novel…except when it ends and you realise that the next book is ages away!

 

Prayer For The Dead is available now from Penguin/Michael Joseph and is in all good bookshops, online and in many a supermarket too.

On a final note – I am constantly amused that there is a character called Stuart MacBride in James Oswald’s books. This amusement increased tenfold when I read the apology that Mr Oswald offered to the real Mr MacBride in the author notes at the end of the book. Perhaps I am just easily amused?

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February 18

Winter Siege – Ariana Franklin – Extract from Chapter One

winter siege 2As part of the Winter Siege Blog Tour I am delighted to be able to share an extract from the book with you, and what better place to start than the opening chapter?

 

Chapter One
The Cambridgeshire Fens, February 1141

At first, news of the war going on outside passed into the fenland without impact. It oozed into that secret world as if filtered through the green miasma of willow and alder that the fenlanders called ‘carr’, which lined its interminable rivers and reed beds.

At Scutney, they learned about it from Old Sala when he came back from his usual boat trip to Cambridge market where he sold rushes for thatching. He told the tale in the village church after the celebration of Candlemas.

‘Now yere’s King Stephen—’ he began.

‘Who?’ somebody asked.

Sala sighed with the exasperation of a much-travelled man for the village idiot. ‘I told you an’ told you, bor. Ain’t Henry on the throne now, it’s Stephen. Old Henry’s dead and gone these many a year.’

‘He never told me.’

‘Well, he wouldn’t, would he? Him bein’ a king and dead.’

As always, the little wooden church smelled of cooking from the rush tapers that had been dipped in fat. Scutney couldn’t afford beeswax candles; anyway, rushes gave out a prettier light.

‘Get on with it, will ’ee?’ Brother Arth struggled out of the rough woollen cope he wore to take the services and into the sheepskin cloak that was his working wear in winter. ‘I got ditchin’ and molin’ to see to.’

They all had, but the villagers stayed where they were – it was as well to be informed about what was going on in them uplands. Sala stretched back his shoulders and addressed his audience again. ‘So this King Stephen’s started a-warring with his cousin, the Empress Matilda. Remember as I told you old King Henry, on his deathbed, wanted his daughter, this Matilda, to rule England? But the nobles, they don’t want no blasted female queenin’ it over un, so they’ve said no and gives the crown to Stephen, old Henry’s nephew.’

He looked sternly into the standing congregation. ‘Got that now, Bert, have you? Good. Well now, Matilda, she ain’t best pleased with bein’ passed over and seems she’s brought a army as is a-fighting Stephen’s army out there some’eres.’

‘That it?’ Nyles wanted to know.

‘Enough, innit?’ Sala was miffed that Nyles, the big man of the village because he owned more sheep than anybody else, hadn’t been more receptive to the news. ‘I been tellin’ you as there’s a war goin’ on out there.’

Nyles shrugged. ‘Allus is.’

‘Excitin’, though, Pa, ain’t it?’ asked eleven-year-old Em, looking up at him. Nyles cuffed his daughter lightly about her red head for her forwardness in speaking in church. She was his favourite, but it didn’t do to let females get out of hand, especially not this one. ‘Well, good luck to ’em, I say. And now let’s get on with that ditchin’ and bloody molin’.’

But Old Sala, irritated by the interruption, raised his hand. ‘I’ll tell you summat else, Nyles. And you’ll want to listen this time. Want to be keeping a close eye on that one, you will,’ he said, pointing at Em. ‘Folk say as there’s a band o’ mercenaries riding round ’ere like the wild hunt and with ’em there’s a monk; likes red-heads, he does.

Does terrible things when ’e finds ’em too.’ Nyles shook his head indulgently and turned towards
the door. He knew Old Sala with his scaremongering and preposterous tales of abroad and yet he suddenly felt in – explicably chilly and, without realizing it, had reached out and drawn the child closer to him. Daft old bugger.

‘That it then, Sala?’ he asked. The old man looked deflated but nodded and with that the men, women and children of Scutney trooped out of its church to continue their own, unceasing war – against water.

The North Sea, that great enemy, was always threatening to drown East Anglia in one of its rages, submerging fields and cattle, even lapping the just-above-sea-level islands that dotted the flattest land in England. In winter, the sluggish rivers and great drains had to be cleared of weed or they clogged and overflowed.

Oh, and the mole, as big an enemy as the sea, had to be killed to stop the little bugger from weakening the dykes with his bloody tunnels.

No, the people of Scutney didn’t have time from their watery business to bother about wars between the danged nobles. Anyway, they were safe because just over there – over there, bor, see them towers in the distance? – was Ely, greatest cathedral in England.

Every year, the villagers had to deliver four thousand glistening, squirming eels to Ely in return for being protected by St Etheldreda, whose bones lay in a jewelled tomb within the cathedral walls.
Powerful saint, Etheldreda, an Anglo-Saxon like themselves, and although Scutney people resented the number of eels they had to catch in order to feed her monks, they were grateful to her for keeping them safe from the outside world with its battles and carryings-on.

Oh yes, any bugger who came a-trampling and a-killing in this part of the fens ’d soon have his arse kicked out of it by good old St Ethel. That’s if the bugger could find Scutney in the first place and didn’t drown in the meres or get led astray by spirits of the dead who took the shape of flickering Jack-o’- Lantern flames in the marshes by night.

Folk allus said that for an enemy force to attack Ely it’d take a traitor to show the secret causeways leading to it. And who’d be so dang-blasted stupid as to betray St Etheldreda? Get sent straight to Hell, he would. Such was the attitude.

But a traitor was even now preparing his treachery, and the war was about to penetrate Scutney’s fenland for all that St Etheldreda in her 500-year-old grave could do about it.

The first the village knew of its fate was when soldiers sent by Hugh Bigod turned up to take its men away to build him a new castle.

‘Bigod?’ roared Nyles, struggling between two captors while his red-headed elder daughter batted at their legs with a frying pan. ‘We don’t owe him nothing. We’re Ely’s men.’

Hugh Bigod, newly Earl of Norfolk, owned a large proportion of East Anglia. The Scutney villagers had seen him in his fine clothes swanking it at Ely with their bishop during Christmas feasts and suchlike. Didn’t like him much. But then, they didn’t like anybody from Norfolk. Didn’t like the next village across the marshes, come to that.

Nor was he their overlord, as was being energetically pointed out to his soldiers. ‘Tha’s not law, bor. We ain’t none of his. What’s he want another castle for? He’ve got plenty.’

‘And now he do want another one,’ the soldiers’ sergeant said, ‘in case Empress Matilda do attack un. There’s a war on, bor.’

‘Ain’t my war,’ Nyles told him, still struggling.

‘Is now,’ the sergeant said, ‘and if them nippers of yourn don’t cease bashing my legs, they’ll be its next bloody casualties.’

For Em had now been joined by her younger sister, Gyltha, wielding an iron spit.

‘Leave it,’ Nyles told his girls. But they wouldn’t, and their mother had to drag them off. Holding them tightly, Aenfled watched her husband and every other able-bodied man being marched off along the roddon that led eventually to Cambridge.

‘Us’ll be back, girl,’ Nyles shouted at her over his shoulder, ‘but get they sheep folded, an’ don’t ’ee sell our hay for a penny under thruppence a stook, an’ look to that danged roof afore winter’s out, and . . .’ He had suddenly remembered Old Sala’s warning in the church. ‘Keep Em close . . .’ And then he was too far away to be heard.

The women of Scutney stood where they were, their men’s instructions becoming fainter and fainter until only an echo came sighing back to them and even that faded so that the air held merely the frightened bawling of their babies and the call of geese flying overhead.

They didn’t cry; fenwomen never wept.

The men still hadn’t come back by the beginning of Lent.

It was a hard winter, that one. Birds dropped out of the air, killed by the cold. The rivers froze and dead fish could be seen enclosed in their ice. The old died in their huts; the sheep in their pens.

In the turbaries, spades dulled themselves on peat that had become as hard as iron, so that fuel became scarce and it was necessary for tired, overworked women and their families to venture further and further away from the village in order to retrieve the peat bricks that had been stacked a year before to provide fire for shepherds during the lambing season.

On St Valentine’s Day, it was the turn of Aenfled and her children to trundle a barrow into the marsh to fetch fuel. They’d left nothing behind in the woolly line and the thickness of their wrappings made them look like disparately sized grey statues perambulating through a grey landscape. Their breath soaked into the scarves round their mouths and turned to ice, but a veil of mist in the air promised that the weather might, just might, be on the turn. The children all carried bows and arrows in case a duck or goose flew within range.

Tucked into Em’s belt was a little carved wooden key that Durwyn, Brother Arth’s son, had shyly and secretly shoved into her hand that morning. Gyltha wouldn’t leave the subject alone. ‘Wants to
unlock your heart, he do. You got to wed un now.’

‘Sod that,’ Em said. ‘I ain’t never getting married and certainly not to a saphead like Durwyn. Anyways, I ain’t old enough an’ he ain’t rich enough.’

‘You kept his old key, though.’

‘Tha’ll be on the fire tonight,’ Em promised her. ‘Keep us warm.’

They stopped; they’d felt the drumming of hoofbeats through their boots. Horsemen were cantering along the causeway behind them.

‘Get into they bloody reeds,’ hissed Aenfled. She pushed her barrow over the causeway’s edge and tumbled her children after it.

Horses were rare in the fenland, and those travelling at speed suggested their riders were up to no good. Maybe these were friendly, maybe not, but lately there’d been nasty rumours of villages sacked by demons, women raped – sometimes even murdered – and grain stores burned. Aenfled was taking no chances.

There was just time to squirm through the reeds to where the thick, bare fronds of a willow gave them some cover.

Her hand clasped firmly over the mouth of her younger daughter, not yet old enough to be silenced with a look, Aenfled prayed: Sweet Mary, let un go past, go past.

Go past, go past, urged Em, make un go past. Through the lattice of reeds above her head, she saw flicks of earth being thrown up as the leading horses went by. She bowed her head in gratitude. Thank ’ee, St Ethel, thank ’ee, I’ll never be wicked no more.

But one of the middle riders pulled up. ‘Swear as I saw something dive into that bloody ditch.’
‘Deer?’ One of the leaders stopped abruptly and turned his horse back. As he approached the wind picked up,lifting his robes and revealing the animal’s flanks, which were lathered white with sweat and dripping blood from a set of vicious-looking spurs.

Keeping still as still, Em smelled the stink of the men above her: sweat, dirt, horses, blood and a strange, pungent odour that was foreign to her.

‘Could ’a’ been.’

‘Flush the bastard out then. What are you waiting for?’

Spears began thudding into the ditch. One of the men dismounted and started scrambling down, hallooing as he went.

Em knew they were done for. Then her mouth set itself into the thin, determined line that her sorely tried mother would have recognized and dreaded. No we ain’t. Not if I lead ’em away. She pushed her sister’s head more firmly into the ground and leaped for the bank. A willow twig twitched the cap from her head as she went, releasing the flame-red curls it hid beneath but, although she paused briefly, she didn’t stop for it. Now she was running.

Aenfled kept Gyltha clutched to her, her moans and prayers covered by the whoops of the men. She heard the one who’d come into the ditch climb back out of it and join the hunt. She heard hoofbeats start up again. She heard male laughter growing fainter as the riders chased their prey further and further into the marsh. She heard the far-away screams as they caught Em, and knew her daughter was fighting. She heard the horses ride off with her.

Birds of the marsh that had flown up in alarm settled back into their reed beds and resumed their silence.

In the ditch Aenfled stopped praying.

Except for her daughter’s soul, she never prayed again.

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February 10

Holy Cow – David Duchovny

Holy CowElsie Bovary is a cow and a pretty happy one at that. Until one night, Elsie sneaks out of the pasture and finds herself drawn to the farmhouse. Through the window, she sees the farmer’s family gathered around a bright Box God – and what the Box God reveals about something called an ‘industrial meat farm’ shakes Elsie’s understanding of her world to its core.

The only solution? To escape to a better, safer world. And so a motley crew is formed: Elsie; Shalom, a grumpy pig who’s recently converted to Judaism; and Tom, a suave turkey who can’t fly, but can work an iPhone with his beak. Toting stolen passports and slapdash human disguises, they head for the airport …

Elsie is a wise-cracking, slyly witty narrator; Tom dispenses psychiatric advice in a fake German accent; and Shalom ends up unexpectedly uniting Israelis and Palestinians. David Duchovny’s charismatic creatures point the way toward a mutual understanding and acceptance the world desperately needs.

Thanks to Elizabeth Masters at Headline for my review copy – a Bookbridgr request.

 

Read the book description above? Thinking ‘That sounds bonkers’? You are pretty much there. This is not in any way a book to take seriously (obviously), nor is it going to take you long to work your way through. But what you will get is an entertaining and (probably) unique comedy adventure.

David Duchovny treats us to some wonderful one-liners, comedy set pieces and some astute observations on modern day life – all seen through the eyes of a cow, pig and turkey.

The book is short and the review will need to be too – seek this out if you like your comedy to be zany, offbeat and downright bizarre. I can see this being an ideal book to give to a friend or loved one as a gift as it looks distinctive and fun. However, if you DID decide to gift this book, treat yourself and read it first!

 

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February 3

Beyond The Rage – Michael J Malone

Beyond The RageEven though he’s a successful criminal, Glasgow villain Kenny O’Neill is angry. Not only has his high-class escort girlfriend just been attacked, but his father is reaching out to him from the past despite abandoning Kenny as a child after his mother’s suicide. Kenny is now on a dual mission to hunt down his girl’s attacker and find out the truth about his father… but instead he unravels disturbing family secrets and finds that revenge is not always sweet.

An intelligent, violent thriller shot through with dark humour, Beyond the Rage enthralls and disturbs in equal measure. With an intricate plot, all-too-believable characters and perfectly pitched dialogue, this is a masterclass in psychological crime fiction writing.

 

Thanks to Michael for giving me the chance to read his book (and for signing it too).

Some books are hard work to grind through: they are too self-indulgent or have lots of random characters that bog down the plot. Then there are the books which I put down and cannot even recall the lead character’s name – bland and unremarkable. However, there are also the diamonds – the books that are a joy to read. These are slick, they are entertaining and have a captivating story. I am happy to report that Beyond The Rage falls very much into the latter category, I was swallowed up in a great story while a web of lies, deception and danger was spun around me.

Despite being a successful criminal and dangerous bad guy our protagonist, Kenny O’Neill, generally comes across as a nice guy. He is an engaging character and his dubious occupation is easily overlooked as we empathise with the situations he finds himself in. As the story begins we dip back into the past to learn about Kenny’s parents, we hear that his mother died when he was just 12 and (almost immediately afterwards) his father walked out to leave Kenny in the care of his aunt and uncle.

Jump forward to present day and Kenny is a successful player in the Glasgow criminal sub-culture. So when someone attacks his girlfriend Kenny takes it very personally and sets out to uncover who may be responsible and vows to make them pay. His investigations bring him into contact with gangsters, politicians, thugs, the police and a fair few prostitutes yet Kenny takes it all in his stride.

Meanwhile Kenny’s aunt has some news regarding his long-lost father. She has been holding onto a letter that arrived on Kenny’s 18th birthday, could it be possible that his father was still around? Kenny is not sure yet, despite all the time that has passed, he decides he wants to find out more about his absent parent. Ignoring warnings about raking up the past, Kenny enlists the help of his best friend Detective Inspector Ray McBain to learn more about his father. (McBain is the star of two of Malone’s previous books and it is great to see him making a couple of cameo appearances).

Beyond The Rage puts Kenny through emotional and physical turmoil. He finds himself pitted against the adversarial Mason Budge. Budge is responsible for attacking Kenny’s girlfriend and clearly he enjoyed the experience as he is stalking her keen to get the chance to repeat the experience. Budge is a constant threat to Kenny (even if Kenny is not always aware of it) yet we know that Budge is acting under orders and Malone deftly keeps the real reasons that Kenny is being targeted just out of our reach.

The finale provided a few unexpected shocks and, with hand on heart, I can confess I was totally wrong in most of my assumptions as to where the story was heading. Beyond The Rage is a brilliant read…the characters are well realised, expertly utilised and the story is gripping. I have no qualms over scoring it 5/5, it’s an absolute gem.

 

Beyond The Rage is available now from Saraband books. Follow Michael J Malone on Twitter @michaelJmalone1

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