November 26

Decades: Compiling the Ultimate Library with David Goodman

Welcome back to the Decades Library. This is the ninety eighth time the Library doors have opened – as this site is fully searchable you can pop the word “decades” into the wee search box at the top of the page and revisit all the previous Decades curators. This suggested course of action does carry the Danger To Your TBR health warning as there have been many amazing reading recommendations down the years.

If this should happen to be your first visit to the Decades Library, you are very welcome. Please allow me to explain what is about to unfold…

Back in 2021 I was pondering a dilemma: If I had a brand new library and zero books on the shelves, which books should I add to the library to make sure only the very best books were available to the Library visitors.  An Ultimate Library, as it were.

I realised I could not possibly hope to fill a library entirely on my own and that my own reading preferences were far too narrow to make the claim my library would be the Ultimate Library. So I began to invite guests to help me fill my library shelves – each guest is asked to nominate the books they feel belong in my Ultiamte Library.

But there had to be rules (nobody likes chaos). I ask my guests to follow just two rules when they make their selections and this is why my Ultimate Library is known as the Decades Library:

1 – You May Choose ANY Five Books
2 – You May Only Choose One Book Per Decade From Five Consecutive Decades

The Decades Library was born.  This week it is an absolute thrill to welcome David Goodman to my Decades Library. Back in September I spent two full days (Decades invitation in hand) hunting for Dave across Stirling while we were at Bloody Scotland. I knew he was there, but tracking down A Reluctant Spy author was a more tricky challenge than I had anticipated.  Fortunately email is still a thing and Dave kindly agreed to take on my Decades challenge.

Enough of my waffling, it is time to pass control to Mr David Goodman:

 

I’m David Goodman, a novelist and short story writer based in Scotland. My debut novel ‘A Reluctant Spy’ is out now. If you’d like to learn more, you can subscribe to my newsletter.

As a writer who works in both science fiction and thrillers, I’m going to take the opportunity Gordon has given me to talk about books from both sides of the genre divide. We’ll start in the 1960s.

 

 

DECADES

The Looking Glass War
John Le Carré – 1965

Less well known than John Le Carré’s breakout hit ‘The Spy Who Came In From The Cold’, this darkly comedic story of departmental decline, faded glory and the last, desperate attempts to pull off one last intelligence coup is nevertheless packed with espionage and moral grey zones. Like many of Le Carré’s protagonists, Leiser the luckless Polish agent is doomed nearly from the start. But you can’t help hoping that he and the buffoons of the Department that send him into East Germany might just pull it off.

 

 

 

 

The Honourable Schoolboy
John Le Carré – 1979

If ‘The Looking Glass War’ is all about the small indignities and compromises of a marginalised and failing intelligence service, ‘The Honourable Schoolboy’ takes many of the same themes and puts them on a much broader stage. Following the ‘occasional’ agent Jerry Westerby as he travels across South East Asia at the tail end of the Vietnam War, it tells the story of a complex sting operation designed to flush out the beneficiary of a Soviet money laundering operation in Hong Kong. Desperate to find meaning in the dirty work he’s given to do, Westerby resolves to save the young British woman caught in the centre of the Soviet conspiracy, no matter the cost to himself or his mission. A sprawling, byzantine novel that’s absolutely dripping with atmosphere.

 

 

 

Neuromancer
William Gibson – 1984

William Gibson’s seminal cyberpunk novel absolutely blew my mind when I first read it in the early Nineties, and it’s all the more remarkable for having been written as early as it was, entirely on a manual typewriter. Indeed, if read by modern audiences it can seem a little derivative and trope-filled, but that’s because this book originated many of the concepts, words and imagery that have become so dominant in our films, tv shows and books. It tells the story of Case, a ‘console cowboy’ attempting to heist data across the virtual reality of the ‘matrix’ in a race with the bomb inside his own head. It still astonishes me that this book was written in a world of record players, payphones and punchcard computers.

 

 

Excession
Iain M Banks – 1996

Just like ‘Neuromancer’, Iain M Bank’s Culture series of wide-screen SF novels gave me a whole new perspective on life, science fiction and what it might be possible to write as a young man from Scotland. Banks lived a few miles away from where I grew up and I was intoxicated by the idea that someone living in North Queensferry on the other side of the Firth of Forth could have written this galaxy-spanning story of giant, AI-controlled Ships engaged in a conspiracy to cover up an intrusion on our reality from another dimension. Fully half the book is told in a series of nested messages sent between different factions in the shifting AI society that makes up the governing structure of the Culture, so it was an education in both experimental storytelling forms as well as astonishing plot mechanics.

 

 

Slow Horses
Mick Herron – 2010

It depends where you define the end of the Noughties (I’m in the ‘2010 is the last year of that decade, not the first year of the Twenty-Teens’ faction) so I’m sneaking it in. This was the first time that the early books in the series were published and did not sell particularly well – it was nearly another decade before their current staggering success began to take shape. But that’s a testament to the strength of Herron’s setup, characters and driving plot. From the first page and its distinctive framing narrative (each book begins and ends with a swooping, semi-omniscient point of view that sets the mood perfectly) to the hectic, breakneck pace of the ending, I fell in love with the oddball, misfit spooks of Slough House, their oddly menacing yet lovable leader Jackson Lamb and even the tarnished golden boy River Cartwright. As the series goes on and the cast expands (and in some cases suddenly contracts) they get steadily better too. Highly recommended.

 

 

 

 

 

It’s a terrific Decades week when I can bring George Smiley and Jackson Lamb together. And I will never be unhappy to see a book by Iain Banks (with or without his “M”). My thanks to Dave for these wonderful additions to my Library – if spy thrillers are your thing then you cannot overlook A Reluctant Spy…essential reading

 

 

 

 

 

 

DECADES WILL RETURN

 

 

 

 

 

 

 

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November 4

Decades: Compiling the Ultimate Library with Dominic Nolan

I’ve been looking forward to this week for many, many months. If you follow me on Twitter (aka X) you can’t help but have noticed my continued insistence that people should read Dominic Nolan’s excellent Vine Street.

Vine Street utterly blew me when I listened to the audiobook, it was like no story I had read and it put me through an emotional spin cycle.  I described it as a serial killer story which spanned several decades. When I saw Dom at Aye Write and also at Bloody Scotland he described Vine Street as a book about the dance halls of Soho in the 1920s. It’s both those things and so much more.

Why have I been looking forward to this week when Vine Street has been on my mind for the last two years?  Simply because this week sees the publication of White City, Dominic’s new book and I am actively avoiding all spoilers so I can read it on release this week.  The excitment is real people – this is what I blog for, to share my reading highights.

With White City looming into view I asked Dom if he would take on my Decades challenge and add some new books to my Ultimate Library. I was delighted he agreed and I am really excited to share his selections with you.

Before we get to the books I shall quickly recap the Decades Challenge and why these books are being added to my Decades Library:

I am trying to assemble the best collection of unmissable books. In January 2021 I opened the Library with no books on the virtual shelves. I have invited authors, publishers, bloggers and journalists to add their favourite books to my Library shelves so I can ensure visitors to my Decades Library will only have the very best books to choose from.  Why is it a Decades Library?

Two rules govern the selection process:

1 – You May Choose Any Five Books
2 – You May Only Choose One Book Per Decade From Five Consecutive Decades

It’s a Decades Library as each book which is added to the Library by my guests must be contained wihin a fifty-year publication span. As you will see, this week’s selections begin in the 1960s. It’s time to let Dom take over – brace your TBR, this is going to challenge your book buying willpower…

 

Dominic Nolan lives in London and is the author of the widely acclaimed VINE STREET, AFTER DARK, and PAST LIFE.

In WHITE CITY, his fourth novel, two broken families, unknowingly connected by the biggest heist in British history, fight to get by in a ruined city blighted by crime, corruption, and the fanning of racial tensions among the working poor. It is out November 7th from Headline.

https://www.amazon.co.uk/White-City-stunning-unforgettable-historical/dp/1035416751

Sometimes he’s on twitter @NolanDom, usually when he’s supposed to be writing.

DECADES

 

THE LOWLIFE – ALEXANDER BARON (1963)

 

“I am full of knots that are going to get tighter and tighter unless I put the money on.”

 

Baron was one of the great London novelists, a bard of the poor and downtrodden. WR Burnett said, “I humanize people that other writers don’t even write about,” which could have been Baron’s epitaph. A born loser, a survivor, a dogtrack player, Harryboy is always on the scheme and always in debt, living through the postwar reconstruction of a Hackney of poverty, crime, and gentrification. A slum picaresque.

 

Baron wrote other fine novels, but the sequel to The Lowlife, Strip Jack Naked, was not one of them. A preposterous Euro-jaunt where Harryboy trails after a rich woman from Paris to Venice. For a genuine French-flavoured companion to The Lowlife, track down Jean Cayrol’s Foreign Bodies, published in English the same year.

 

 

BLUE IN CHICAGO – BETTE HOWLAND (1978)

 

“Chicago isn’t a city. Just the raw materials for a city.”

 

Howland’s second book (following 1974’s W-3, a memoir about her attempted suicide and subsequent spell in a psychiatric facility) is a sharply observed collection of autobiographical stories about a working class Jewish family in Chicago. Her world is dilapidated, but not grim; compassionate, but not sentimental; angry, but not cold-hearted. It brims with vitality, and is told in her own off-beat cadence, which might wrongfoot you, but is always honest.

 

Howland was well-received critically on publication, and was awarded a MacArthur Fellowship – the so-called “Genius Grant” – in 1984, a year after her third book, Things to Come and Go, a triptych of long stories. She never published again; praise is nothing in the face of expectation. In recent years she has been rediscovered to some minor fanfare, and Picador have published gorgeous new editions of her books. Buy them, please.

 

WHAT WE TALK ABOUT WHEN WE TALK ABOUT LOVE – RAYMOND CARVER (1981)

 

“A man without hands came to the door to sell me a photograph of my house.”

 

A family friend, a librarian, gifted me my first volume of Carver’s stories for my eighteenth birthday. For the first time, I became consumed not by what a writer was saying, but how they were saying it. Carver’s brief, pared down stories of working class purgatory are elliptical. Precarious. His silences have sharp edges. His characters live in fear and expectation. Of what exactly, on either count, they are unsure, other than the certainty it will be a catastrophe. Marriage, infidelity, financial woes, the lethally quiet domestication of bad intentions; sleights of the human heart by which we change out of our own sight. A gallery of blue collar characters sketched in potent prose you catch just out of the corner of your eye. Plant workers and waitresses haunting depressed towns in the death rattle of industry. Travelling salesmen with no place to go and nothing to sell. Good people, surely, doing the best they can. Like all of us, none of them are getting out alive.

 

 

MIDDLE MURPHY – MARK COSTELLO (1991)

 

“I can neither excuse nor blame my father. I can do nothing, it seems, but resemble him.”

 

A writer who loved words, who wielded language bizarrely, Costello couched comedy in despair. Seventeen years after his debut, Murphy Stories, he returned with another collection of connected stories about his eponymous working class protagonist from Decatur, Illinois. The tales almost cohere novelistically, are perhaps something more than a collection but not quite a novel. They require the space between them that the shorter form grants. “My aesthetics when it comes to writing are novels that read like short stories, short stories that read like poems, and poems that read like prayers.” I would say he was a writer’s writer, but he’s so woefully underread even by his published peers that he was more like a writer’s writer’s writer. Joy Williams passed Costello’s work to Gary Fisketjon in the 1980s, but the editor showed no interest. Tastemakers often lack requisite taste. Costello remained obscure until his death, and now beyond it. His books have never been reprinted, but old University of Illinois editions can be spotted by eagle-eyed hunters. Go find them.

 

TREE OF SMOKE – DENIS JOHNSON (2007)

“Ninety percent of what goes through my mind on a daily basis is against the law.”

Given he’s a writer much admired for thin, chiselled classics such as Jesus’ Son and Train Dreams, Denis Johnson really went on safari without a hat when he gave us Tree of Smoke, a 600+ page whacked-out hallucinogenic leviathan that lurches through various mishaps of American intelligence in Vietnam, the land and its invaders drawn in a perpetual state of delusional madness. A big novel in all ways – size, ambition, theme, span – it moves at a pace that belies its tombstone heft.

“I don’t have much interest whether any of my books work or not,” Johnson said, in an interview shortly after Tree of Smoke won the National Book Award. He took risks, he put himself and his writing in the path of hazard, and that’s surely the way to do it. Anyone can do it the other way.

 

 

 

 

 

I’ve long hoped that Dom would take on the role of my guest curator as I knew he would recommend some titles I’d not previously encountered. As it turns out he recommended five books I’ve not read and I genuinely want to read all five. But they will have to wait as I am clearing the decks for White City.  My sincerest thanks to Mr Nolan for expanding the Decades Library with these wonderful sounding books.

 

 

 

 

DECADES WILL RETURN

 

 

 

 

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