April 14

The Ghost Fields – Elly Griffiths

Norfolk is experiencing a July heatwave when a construction crew unearths a The Ghost Fieldsmacabre discovery – a buried WWII plane with the pilot still inside. Forensic archaeologist Ruth Galloway quickly realizes that the skeleton couldn’t possibly be the pilot, and DNA tests identify the man as Fred Blackstock, a local aristocrat who had been reported dead at sea. When the remaining members of the Blackstock family learn about the discovery, they seem strangely frightened by the news.

Events are further complicated by a TV company that wants to make a film about Norfolk’s deserted air force bases, the so-called Ghost Fields, which have been partially converted into a pig farm run by one of the younger Blackstocks. As production begins, Ruth notices a mysterious man lurking close to the Blackstocks’ family home.

Then human bones are found on the family’s pig farm. Can the team outrace a looming flood to find a killer?

 

My thanks to Quercus Books for providing a review copy through Netgalley.

Last year I was introduced to the books of Elly Griffiths when @BookaddictShaun asked if I would like to do a guest review of The Zig Zag Girl for his blog. I jumped at the chance to read about The Magic Men in The Zig Zag Girl and my review can be found on Shaun’s blog here:  Zig Zag Girl

I was aware that Elly Griffiths wrote a series of books featuring forensic archaeologist Ruth Galloway but The Zig Zag Girl was a stand-alone novel so for me it was a great introduction to a new author. By the time I had finished reading I knew it was just a matter of time before Ms Galloway and I would become acquainted.

Spin forward a few months and I have the new Elly Griffiths novel to read: The Ghost Fields and I get to meet Ruth Galloway. As I have not read the preceding novels featuring this character I need to address the issue of whether jumping in at The Ghost Fields without knowing the back story will impair enjoyment. In a word – NOPE. The author positioned the characters perfectly. No prior knowledge (it appeared) was assumed and everything that I needed to know was made clear for me. For returning fans the characters you will already love are back and The Ghost Fields does appear to bring on personal stories in a way that I suspect you will enjoy.

The Ghost Fields was a fun read for me. The lead character is likeable and very believable, the murder mystery element was fascinating and with the historic linking back to events of the Second World War it added a dimension that set The Ghost Fields apart from many of my recent reads. There were lots of light hearted moments through the book which kept me amused too which I always welcome in a book.

The central focus of the investigation was the Blackstock family. Much of the action takes place in their ancestral home and on surrounding lands. The old fashioned feel of the local aristocratic family, several generations living together in the family house gave the book a real Agatha Christie feel. As you read you cannot help but feel that a murder is about to occur and that the finale will involve all the cast assembling in the drawing room. No spoilers so you will have to read for yourself to find out if any of these things happen!

Ruth Galloway and Elly Griffiths have a new fan here at Grab This Book. Elly Griffiths writes with a very readable style and the book was well paced. Ruth Galloway has just the right amount of neurosis to be engaging and I warmed to her very quickly.

 

Visit Elly Griffiths at: http://www.ellygriffiths.co.uk

Elly is also on Twitter as @ellygriffiths

 

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April 8

A Place Called Winter – Patrick Gale

A Place Called Winter 2A privileged elder son, and stammeringly shy, Harry Cane has followed convention at every step. Even the beginnings of an illicit, dangerous affair do little to shake the foundations of his muted existence – until the shock of discovery and the threat of arrest cost him everything.

Forced to abandon his wife and child, Harry signs up for emigration to the newly colonised Canadian prairies. Remote and unforgiving, his allotted homestead in a place called Winter is a world away from the golden suburbs of turn-of-the-century Edwardian England. And yet it is here, isolated in a seemingly harsh landscape, under the threat of war, madness and an evil man of undeniable magnetism that the fight for survival will reveal in Harry an inner strength and capacity for love beyond anything he has ever known before.

In this exquisite journey of self-discovery, loosely based on a real life family mystery, Patrick Gale has created an epic, intimate human drama, both brutal and breathtaking. It is a novel of secrets, sexuality and, ultimately, of great love.

 

Thanks to Georgina Moore @publicitybooks for sending me an advance copy.

 

I was very fortunate to receive a review copy of A Place Called Winter earlier this year. For the last few weeks I have delighted in seeing the steady stream of support and adulation for Patrick Gale’s extraordinary story. The praise is richly deserved too as this is a compelling read and I defy anyone that joins Harry Cane on his journey not to be moved by the events that define his life.

Patrick Gale has done a phenomenal job of capturing the spirit of Edwardian England. I loved his depiction of Harry’s home life and then his awkward courtship. There was a real sense of history leaking off the pages as I read and it was easy to imagine Harry travelling around old London and finding his way in the world.

As I was reading with my ‘21st Century Head’ on it took me a while to grasp that I was reading about something scandalous. But the penny soon dropped and Harry’s story was heading in a new direction – to Canada and a life overseas. To avoid arrest and a public humiliation for his family Harry elects to leave London to strike up a new life for himself on the wild frontiers.

Once he leaves London Harry makes new acquaintances and forms essential alliances. These encounters will give him the opportunity to learn the skills he will need to establish a new life working the land to survive. However, not everyone is acting in Harry’s best interests and there are adversaries to overcome too. I loved reading how this shy character was able to overcome the obstacles to forge new friendships and force himself to meet the people he needs to rely upon – Patrick Gale created a charming hero for his tale and gave him all too real traits which give Harry a constant air of vulnerability.

A Place Called Winter has an appealing charm and tells an absorbing story. Personally I found the elements of the story recanting how Harry learned to work the land and build his home the most interesting. I suspect, however, that the majority of readers will be entranced by the compelling drama surrounding Harry and his evolving relationships with his family and friends. Quite simply, A Place Called Winter is a beautiful story and reading it will enrich your life.

 

A Place Called Winter is published by Tinder Press and is available now in Hardback and digital formats.

Patrick Gale is on Twitter as: @PNovelistGale
The author’s website is here at: http://galewarning.org/

 

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April 7

The Doll’s House – M.J. Arlidge

Dolls HouseA young woman wakes in a cold, dark cellar, with no idea how she got there or who kidnapped her. So begins her terrible nightmare.

The body of another young woman is discovered buried on a remote beach. But the dead girl was never reported missing – her estranged family having received regular texts from her over the years.

For DI Helen Grace it’s chilling evidence that she’s chasing a twisted monster who is clever and resourceful – a predator who’s killed before.

As Helen struggles to understand the killer’s motivation, she realises she’s in a desperate race against time…

 

My thanks to Penguin/Michael Joseph and Netgalley for my review copy.

 

M.J. Arlidge’s third DI Helen Grace novel – my introduction to the character. As there is a back story from the first two books (Eeny Meeny and Pop Goes The Weasel) that plays a significant element of The Doll’s House then I would suggest that it would be beneficial to read the books in order. However, I had not read books one and two and I still really enjoyed The Doll’s House – I just had to accept that I was reading spoilers from two books that I know I will read in the future!

In The Doll’s House we are introduced to Ruby. She wakes to find herself locked in a cellar and at the mercy of a shadowy figure who seems intent to keep her entrapped – his objective for capturing her are unclear and Ruby is left pondering her fate.

Meanwhile on a nearby beach the body of a young woman has been uncovered. She has been in the sand for some time yet her family are still receiving text messages from her. A really clever twist from the author – we are in ‘communication’ with people on a daily basis but is anyone really who we think they are? How do we know the person we are texting is actually our spouse/friend/lover or parent? Using digital communications as ‘proof of life’ shows that we start from a flawed misconception and allows a killer to fabricate a life – chilling and brilliant.

As The Doll’s House progresses we learn more about why Ruby may have been singled out and we discover how the body on the beach relates to her predicament.

DI Grace has a murder investigation to conduct, however, she finds she is facing a challenge to her position from within her own station. Police politics are a nasty business and if not everyone is pulling in the same direction will Ruby become a pawn that is sacrificed to allow someone’s career to advance?

In summary: The Doll’s House is highly recommended. A girl in peril. A body in the beach that is still ‘talking’ to her family and a lead character fighting to retain her professional credibility. For M.J. Arlidge fans this is likely to be a gripping read. If, like me, you are new to the series there is a great story here – but it would be even better if you take the time to read the first two books before entering The Doll’s House. Review score of 4/5.

 

About the Author

M.J. Arlidge has worked in television for the last fifteen years specializing in high-end drama production, including Torn, The Little House and, most recently, Undeniable, broadcast in spring 2015. His debut thriller, Eeny Meeny has sold to publishers around the world and was the UK’s bestselling crime debut of 2014. It was followed by the bestselling Pop Goes the Weasel. The Doll’s House is the third DI Helen Grace thriller.

Follow M.J. Arlidge at @mjarlidge

 

 

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April 1

Serial Killers a discussion with Alexandra Sokoloff

In my recent conversations with David McCaffrey and Karen Long I posed a question asking why they felt readers loved a story about a Serial Killer.  I had planned to ask the same question of Alexandra Sokoloff but she suggested that she would have LOTS to say on that topic.

LACMA.best.DSC_6246-2This was too good an opportunity to pass up! I asked Alex if she would be interested in answering a few questions just on the subject of Serial Killers and I am delighted to share our resulting conversation.

I shall start with my established opening gambit: why do we love a serial killer story?

I think the serial killer has become an iconic monster, like a vampire or werewolf or zombie (maybe replacing the pretty much defunct mummy!). This icon is of course a very idealized version of what a serial killer actually is. And I think it was Thomas Harris who mythologized the serial killer to classic monster status, although Stevenson’s Jekyll/Hyde, Stoker’s Dracula (supposedly based on the real-life Vlad the Impaler), and various depictions of Jack the Ripper were strong precursors. We are fascinated by the idea of pure evil in a human being.

However, the other component of why we love a serial killer story is because most authors (and screenwriters and filmmakers) who write about serial killers are dishonestly romanticizing them and leaving out the unmitigated, repellent malevolence of these men. About which more in a minute.

And there is also an unfortunate percentage of the population that gets off on reading about rape, torture, and murder.

Was Jack the Ripper the first recorded serial killer or has he just become the most famous?

There were certainly recorded serial killers before Jack the Ripper. The Harpe brothers in the US in the 1700’s, Gilles Garnier in France in the 1500’s, Thug Behram in India in the late 1700’s, just to name a few. Military campaigns have always provided an outlet for serial killers, as have the institutions of slavery and the Inquisition.

Huntress_Moon_TM_CVR-FTWhen I hear the term Serial Killer I automatically assume that it is an American phenomenon – I put this entirely down to Hollywood. However, am I right and does America really have the lion’s share of the known Serial Killers?

Well, of course America is going to have a greater proportion of serial killers simply because the US has a larger population than most countries. The way I understand it, the seeming rise in the number of serial killers in the late twentieth century was due to the increasing number of people who owned automobiles and the increasingly transient nature of the American population. People started moving long distances to find work, for example, and started changing jobs frequently, and so it was easier to kill and move on, making it easier to avoid detection. A serial killer is by definition a successful one, at least for a while.

Is it likely that there are serial killers operating undetected right now? If so would you care to hazard a guess at the numbers that may be involved?

According to the FBI, absolutely. The Bureau estimates, some say conservatively, that between 35 and 50 serial killers are operating in the US in any given year. I figure they know what they’re talking about.

Taking the last question a step further, do you believe a ‘successful’ killer could cover their tracks multiple times for a long period of time?

Yes, there have been killers who have managed that. The Green River Killer, for example, who for years was able to hide an increasing number of bodies in the vast forested areas of the Pacific Northwest.

Keeping this question on a fictional level, do you have favourite serial killers from books or film where you liked the angle that the writer(s) adopted?

There’s really only one author for me in that department – Thomas Harris with Red Dragon and The Silence of the Lambs. Harris did a completely brilliant thing, there. In the 1970’s Special Agents Robert Ressler and John Douglas of the FBI’s Behavioral Science Unit (now called the Behavioral Analysis Unit) began a series of interviews with incarcerated serial killers to see what made these men tick and hopefully develop strategies for catching them. The agents, along with Professor Ann W. Burgess, compiled their findings into a textbook and started to train agents as profilers. This new department got a lot of press and media attention and a large number of authors jumped all over that research. But judging by the books that resulted, very, very few of those authors seem to have actually read those interviews.

Thomas Harris, though, took the same research that was available to everyone, and used a combination of absolutely precise fact and police procedure and a haunting mythological symbolism to create those first two books, Red Dragon and The Silence of the Lambs (and then Hannibal sort of went off the rails, if you ask me…). The result was two of the best horror/police procedural blend novels ever written. The killers Jame Gumb (Buffalo Bill) and Francis Dolarhyde were both more and less than human. And Lecter, of course, is a mythic archetype of the evil genius.

And then everyone jumped on the bandwagon and there are now hundreds of Lecters-lite, if you will.

I love those two books of Harris’s for their mythic resonance. But I have a real BloodMoon_TM_CVRproblem with the way most authors portray serial killers because it’s so incredibly dishonest. They romanticize and poeticize serial killers – portraying them as evil geniuses that play elaborate cat and mouse games with detectives and law enforcement agencies. Yeah, right. These men are not geniuses. They don’t leave poems at crime scenes or arrange their victim’s bodies in tableaux corresponding to scenes of great art or literature. They are vicious rapists who brutalize their victims because the agony of those victims gets the killer off, and a large number of them continue to have sex with the corpses of their victims because they are that addicted to absolute control and possession.

That’s evil. But the serial killer subgenre as a whole has perpetrated a very unrealistic view of what these monsters really are. Most authors who write about serial killers don’t show the sexual correlation. They skirt around the issue of rape. The worst ones sexualize the violence – fetishizing women’s bodies, sexualizing the torture of women, conveniently ignoring the fact that many of these killers rape and torture and kill men and children as well, and basically avoid portraying the pure horror of what these men actually do.

I’ve always found it extremely troubling and that’s been a big motivator for me in writing the Huntress Moon series. I’ve set out to shatter a lot of myths, there, and to counter all this glorification of violence.

Without seeking to glorify their actions are there lesser known serial killers that you are surprised are not better known given the extent of their crimes – for example a European who is not known in America?

Yes, as I’m doing more research into UK crime and criminals, I’m learning about killers that I hadn’t heard of, or hadn’t heard much of. The US is very ethnocentric!

I enjoy the Hitman books by Lawrence Block and I suppose that by broad definition a Hitman is a serial killer, however the two are generally considered very differently (certainly in fiction). Is this perhaps simply down to money (Hitman) over personal agenda (serial killer) or is there a more subtle distinction?

I think there are very unsubtle distinctions. Serial killers are most often rapists who have graduated to murder as they crave more and more control over helpless victims. Hitmen are not serial killers, but mass killers, which is a very different psychology than sexual homicide. For hit men the motivation is usually financial, for contract killers; or organizational, as when members of the Mafia or a gang kill on order from a higher up in the organization. (Other mass killers also have financial motivation, like the Black Widow killer, who marries or mates and then kills for the spouse’s or lover’s insurance money or property). But there are similarities, of course – a lot of hitmen and contract killers are sadists, as are a large percentage of serial killers.

Do you think some killers are born with a disposition to kill (a Natural Born Killer, if you will)? Or is it likely they are a result of environmental circumstances and external forces?

ColdMoon-â„¢-CVRI think scientific studies have made it pretty clear that it’s a combination of both. According to Scientific American, there’s a certain enzyme, monoamine oxidase A, that is linked to increased aggression if it’s below normal level, and certain genes that predispose people to low levels of this enzyme. There are also genes that determine how serotonin is processed in the body, and a certain variant of that gene seems to be a predictor of hostile behavior. There are other studies that point out that people with these genes who are raised in stable environments are less inclined to act out violently.

Childhood abuse can contribute to violent behavior: many serial killers had abusive childhoods. But many children who were abused don’t grow up to be abusers. It’s also clear to me from the FBI reports on the role of fantasy in the development of rapists and killers that exposure to violent media can be a factor.

Overall, the more interesting question to me is, why are there so more men than women who either are born with the disposition to rape and kill, or who develop the urge to rape and kill?

The proportions of violent men to violent women are so overwhelming that it makes me wonder why we’re not studying that question.

 

My profound thanks to Alexandra Sokoloff who I hope will return to the blog in the near future to discuss her forthcoming book Cold Moon.

During April 2015 both Huntress Moon and Blood Moon are just £1 on e-book through Amazon.co.uk (links below).


AlexandraSokoloff.com

UK  Huntress Moon  http://amzn.to/1wEwxZo
UK Blood Moon  http://amzn.to/1CPG4Uw
UK Cold Moon  http://amzn.to/1xBtA2U  
US Huntress Moon  http://amzn.to/1z3pSh5
US Blood Moon  http://amzn.to/1EqoKax
US Cold Moon  http://amzn.to/1ymNA6b

Alexandra Sokoloff is the bestselling, Thriller Award-winning and Bram Stoker and Anthony Award-nominated author of eleven supernatural, paranormal and crime thrillers. The New York Times has called her “a daughter of Mary Shelley” and her books “Some of the most original and freshly unnerving work in the genre.”
As a screenwriter she has sold original suspense and horror scripts and written novel adaptations for numerous Hollywood studiosShe is also the workshop leader of the internationally acclaimed Screenwriting Tricks for Authors workshops, based on her Screenwriting Tricks for Authors workbooks and blog.
Her Thriller Award-nominated Huntress Moon series, following a haunted FBI agent on the hunt for a female serial killer, is out now from Thomas & Mercer.
Twitter: @alexsokoloff

 

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April 1

A Wanted Man – Paul Finch

A Wanted Man

 

It’s 1997 and PC Mark ‘Heck’ Heckenburg is patrolling the rain-lashed streets of Manchester. In the quiet hours of the early morning, nothing stirs.

Until the crackle of Heck’s police radio signals that all isn’t well out there in the darkness…

‘The Spider’ – a housebreaker notorious for his violent, vicious assaults – has come out to play. And it looks like Heck’s about to become his prey…

 

This was an essential purchase for me as I am fully signed up member of the Paul Finch ‘Heckenburg’ Fan Club. A Wanted Man is a short story and when you download your digital copy you also get a sneak peak at the forthcoming Hunted (due in May).

It is worth highlighting that the split between A Wanted Man and Hunted is 50/50; which is to say that half of the book you purchase is a trailer for the next Heck novel. It meant I finished A Wanted Man slightly earlier than I had anticipated (as I believed I still had quite a bit of reading still to go). But when I pay less than £1 for a book that I really want to read I am not going to quibble too much about the length of the story. Especially when I thoroughly enjoy the story I bought.

A Wanted Man is set in the early days of Heck’s Police career and pits him against wanted felon ‘The Spider’. We get a nice glimpse into the mind of a young Heck and learn of his frustration over a run in with a senior officer. His frustration has taken him out of the Police Station and places him in prime position to uncover a suspicious incident taking place. Naturally Heck has to investigate and that is where the fun begins.

No more clues, hints or spoilers. A Wanted Man is great fun and if you enjoy Paul Finch’s books you will enjoy this one too.

I cannot comment on the Hunted teaser. There is over a month until Hunted is released and I don’t want to put myself through the torment of starting one of my most anticipated books of the year only to have to take a 5 week break to see how the story develops. I will wait for Hunted in its entirety (and probably spend the next few weeks stalking the publishers for a review copy).

 

Paul Finch is on Twitter: @paulfinchauthor

And can be found at: http://www.paulfinch-writer.blogspot.co.uk/

 

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March 23

Disclaimer – Renee Knight

DisclaimerWhat if you realized the book you were reading was all about you?

It is unmistakably you.

Worse, it is about something that you have never told anyone – anyone living that is.

 

Many thanks to Alison Barrow of Transworld for my review copy.

 

Catherine Ravenscroft is reading a book. As the story unfolds she realises that she is reading her own story, the character names have been changed but there is no doubt that this is a book about her. Unfortunately for Catherine this is not a flattering tale and her darkest secrets are being revealed and even worse the ending is genuinely terrifying as it portrays Catherine’s death.

How has this book made its way into her home? Who is the author that has been able to recount events that only Catherine can know about? And who else is reading the book?

Disclaimer is one of the books that I cannot discuss too openly in a review. A psychological thriller which you need to read for yourself to appreciate the impact of the twists and revelations. Renee Knight has delivered a tight thriller depicting a woman who is trying to retain a degree of control while all around her the life she has built for her-self is crumbling apart.

My (non-spoiler) thoughts in brief:

Initially it is easy to empathise with Catherine: someone is targeting her and she is scared. Then we meet author of the book and learn that there are two sides to every story and we start to question what we know about Catherine. A nice touch as I had been too trusting that Catherine was all she appeared to be – who is telling the truth?

Renee Knight does a masterful job of depicting Catherine’s descent into a fearful paranoia. Secrets will out but there will be pain and heartbreak before all the facts are known.

An unsettling story but one that will keep you reading late into the night.

 

Disclaimer is published by Doubleday on 9th April 2015.

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March 21

An American Caddie in St Andrews

American Caddie 3St Andrews, known around the world as ‘the home of golf’, is legendary, and its history and traditions are deeply embedded in the local community that has kept it going for centuries. The caddies on the Old Course are a font of knowledge and an institution in their own right.

Into this venerable institution steps Oliver Horovitz, a young American Harvard student – and keen golfer – on a gap year at the University of St Andrews. During this year, his most important discovery – by far – is that everyone at St Andrews plays golf – including very cute girls. When term ends, Ollie joins the St Andrews caddie trainee program and spends the summer awaking at 4.30am to line up at the caddie shack, looping two, sometimes three, rounds a day. After months of struggling to gain acceptance from the notoriously gruff, perpetually hungover veteran caddies, he finally earns his full caddie stripes.

Full of life and drama, this is a warm and insightful view of the vibrant characters who inhabit this world, along with all their idiosyncrasies; it is also a tale of growing up and finding one’s place in the world, against the brilliant green backdrop of the Old Course, and will appeal to golfers up and down the UK.

 

My thanks to Elliott & Thompson  for my review copy.

Check through my blog for non-fiction titles, you will not find many! This is not my genre of choice and it takes something pretty special to drag me away from my thrillers and crime books. An American Caddie in St Andrews is one of those special books – a story of a life and a young man living the dream.

Oliver Horovitz had a gap year prior to beginning his studies at Harvard. He travelled from America to the St Andrews, Scotland – the Home of Golf – with a view to joining the team of caddies that work on the many courses around the ancient Fife town.

Oliver HorovitzWe follow Oliver’s journey from his days learning the ropes as a rookie in the caddie pool; through to eventually becoming an accepted member of the team. He introduces us to the characters that he works alongside, his friends, the golfers and his family – in particular Oliver’s Uncle Ken who is a St Andrews resident and seemingly Oliver’s best friend.

I loved reading Oliver’s stories of the time he spent with Uncle Ken during his time living in St Andrews. Despite the highs and lows that Oliver endures through the telling of his story it is his Uncle Ken that is his constant reliable companion.

The important thing to understand about An American Caddie…you do not have to be a golf fan to enjoy this book. Obviously there is a fair bit of golfing chat going to crop up in a story set on golf courses but Oliver’s narration guides you through the detail you need to know. The beauty of this book is the rich diversity of characters we encounter – this is a book about people not a book about golf.

Reading An American Caddie in St Andrews was a delight. At the end of each season when Oliver returned to America you felt the heart wrench that Oliver did. You also share the elation on his return trips. We fear encounters with the fearsome St Andrews Caddie Master and we despair at the embarrassing antics of some of the OTT golfers that grace the famous Old Course.

I cannot recommend this book highly enough it is funny, heart-warming, compelling and (sadly) heart-breaking too. I doubt you will find a better narrator than Oliver Horovitz in any book you read this year.

If you have a golf fan in your family then An American Caddie in St Andrews should top your list of gift ideas – this is not a book to overlook and I would score it 5/5.

 

An American Caddie in St Andrews is published by Elliott & Thompson and is available in paperback and digital format.

http://eandtbooks.com/book/american-caddie-st-andrews

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March 20

After The Storm – Jane Lythell

After The StormSome secrets destroy you.

Rob and Anna have only just met Owen and Kim. Now they’ve boarded their handsome old boat to travel to a far off island in the Caribbean.

With only the four of them on board, it should be paradise: lazy afternoons spent snorkelling; long nights enjoying the silence and solitude of the sea.

But why does Owen never sleep? Why is he so secretive about his past? And why does Kim keep a knife zipped into her money-belt? Anna can usually get people to talk… but this time, does she want to?

 

Many thanks to Head of Zeus for my review copy.

 

Two couples on a boat in the Caribbean. They all have their emotional baggage, they do not all get on and at least two of the four characters do not want to be on the boat. Clearly there are going to be conflicts and clashes in After The Storm.

Having read the book over the last couple of days I think that this one may split the crowd. There are a lot of positive elements, however, I am not sure it will float everyone’s boat (sorry, sorry – terrible pun).

From the outset of the story Jane Lythell is building up the tension between her four key characters (Owen, Kim, Rob and Anna). For the majority of the book she places the two couples in the close confines of a dilapidated boat which is sailing around Caribbean Islands. Living in each other’s pockets for several days at sea places a strain on these four relative strangers and it is interesting to see how the author changed the group dynamics as the story progresses.

But as I read I kept waiting for something to happen. More tension was built up but still no trigger events. The boat docks on an island and the couples part for a while only to reunite when the tension level between them has simmered back down.   Repeat the slow build towards an inevitable explosion.

As the reader reaches the end of the novel we get the payoff. All the doubts and suspicions come to the fore, unexpected external factors suddenly play a significant role and everything kicks off. There are revelations which will shock and there are others which were clearly signposted from early in the book. It will either grab you and keep you flicking the pages to find what happens to our couples – or you will plod to the end just to see where the payoff was coming from.

I am afraid that I was not wowed by After The Storm and I only kept going as I was interested to see what would finally trigger the finale. In contrast (and I HAVE to mention this) I spoke with a friend who has also read the book and she thought it was magnificent – loved the characters, was distressed by some developments and was devastated when the book ended. As I said – a crowd splitter.

Not for me but I loved the Caribbean setting and I thought the author captured the setting and majesty of the islands brilliantly.

 

Twitter: @janelythell
Facebook: Jane Lythell Author
Jane’s blog: http://chroniclesofchloegreene.blogspot.co.uk/

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March 18

The Death House – Sarah Pinborough

The Death House

 

Toby’s life was perfectly normal… until it was unravelled by something as simple as a blood test.

Taken from his family, Toby now lives in the Death House: an out-of-time existence far from the modern world, where he, and the others who live there, are studied by Matron and her team of nurses. They’re looking for any sign of sickness. Any sign of their wards changing. Any sign that it’s time to take them to the sanatorium.

No one returns from the sanatorium.

 

Where to start with this haunting story?

We have a world very similar to our own – yet very different. Children appear to be susceptible to a mysterious ‘defective’ gene. They are all tested for the deficiency and for those that are identified as having the deficiency are shipped off to a remote island to live in virtual isolation in The Death House. There they will remain until their (undefined) illness triggers and they are taken to the sanatorium. They never return.

The main focus of The Death House is very much the children – nurses and teachers are peripheral characters. We are guided through the story by Toby, he is one of the older children in residence and holds a degree of influence over the younger kids. As is the way of any group factions and friendships are formed and, for the most part, the kids get on with life in their unusual out of time existence. I say out of time as there are references to old books, record players and old games – no videogames, mobiles or modern tech on show here.

There is the constant threat of illness and a trip to the sanatorium lurking over the whole story, however, for the majority of the reading you could be mistaken into believing you were reading a coming of age story or an updated take on the boarding school tales of our childhood. Imagine Jennings or Mallory Towers with the children boarding in The Shining’s Overlook Hotel.

The Death House is not the longest of books, however, Sarah Pinborough makes every page count. You care about all the characters, you fear the sounds in the night when children are removed from their dorms and taken to the sanatorium and you will love Toby’s story…right until the point where Sarah Pinborough hits you with a sucker punch that will leave you reeling.

There are so many unanswered questions in The Death House but it doesn’t matter – this is masterful writing, just go with it.

 

The Death House is published by Gollancz and is available now in Hardback and digital format.

http://sarahpinborough.com/

 

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March 15

The Distance – Helen Giltrow

The Distance(1)They don’t call her Karla anymore. She’s Charlotte Alton: she doesn’t trade in secrets, she doesn’t erase dark pasts, and she doesn’t break hit-men into prison.

Except that is exactly what she’s been asked to do.

The job is impossible: get the assassin into an experimental new prison so that he can take out a target who isn’t officially there.

It’s a suicide mission, and quite probably a set-up.

So why can’t she say no?

 

My most sincere thanks to Helen who sent me a copy of her book for review. As part of the Blog Tour to celebrate the paperback launch of The Distance, Helen kindly answered a few of my questions – you can see our conversation here: https://grabthisbook.net/?p=616

 

On the cover of The Distance is a quote from Lee Child which reads ‘Fast, hard and very, very good’ He is right – The Distance is all of those things.

Charlotte Alton (under the name Karla) trades in information. She knows people that can help her acquire information and she knows where the skeletons are buried (she also knows the guys who buried them).

Simon Johanssen is a hit man. He is to be smuggled into a secure facility compound (an experimental prison) and is tasked with killing one of the residents – assuming he can even find her.

The secure facility is known as The Program and is home to many extremely unsavoury characters; Johanssen has a struggle on his hands just to keep himself alive while he attempts to track down his target. However, problems arise when Johanssen finds that his intended victim is under protection of The Program’s ‘Kingpin’ figure – a man who believes Johanssen is dead and would be extremely unhappy to find that Johanssen is still very much alive.

Charlotte is responsible for co-ordinating Johanssen’s mission. She needs to find a way to get him inside The Program and ensure that his cover story is watertight. As the plot unfolds we see the extent of Charlotte’s network of informants and operatives and a cracking story (which began as a thriller) begins to morph into a deliciously suspenseful spy novel.

I loved Charlotte’s character, she was pitched perfectly and the balance between her life as Charlotte and that of her alter-ego Karla is fascinating reading. Powerful yet vulnerable – the opening chapter makes it clear that there are dark times in Charlotte’s near future.

With two key characters to follow (and a necessity to cover some historic events that outline how the players in the story bring substantial ‘baggage’ to their current predicament) there is a lot to keep track of. The ‘fast’ element of The Distance (for me) was the way that Helen Giltrow was able to switch the reading focus between past and present, Charlotte and Johanssen or events inside and outside of The Program.

The ‘hard’ element of The Distance should probably be expected if you have a facility full of dangerous criminals who are left to form their own community and who play by their own rules. At this stage the character of Bryce needs to be mentioned. Brice is the right-hand man of the aforementioned ‘Kingpin.’ He seems to delight in keeping his victims alive and slowly wearing them down by hurting them and then hurting them some more. Brice is not nice – but he is compelling reading.

I am finishing my thoughts on The Distance with the ‘very, very good’ part of Mr Child’s review – Yes. Definitely. Go read it.

 

The Distance by Helen Giltrow is published by Orion and is available now in paperback and in digital format.

 

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