October 14

Decades: Compiling the Ultimate Library with Trevor Wood

Every Friday I welcome a guest to Grab This Book and I ask them to help me add new books to my Decades Library. It’s a project I started back in January 2021 and over the last 20 months my Library has grown beyond my wildest dreams.

If you haven’t encountred by Decades Library in the past then let me quickly explain what’s happening. I imagined a brand new library, a vast space filled with empy book shelves waiting for the books to be added. But which books? If you had to curate a brand new library and only wanted the very best books to be available for readers which books would you choose?

I knew this was not a task I could complete on my own so I invite guests to join me each week and I ask them to nominate five books which they believe should be added to my libary shelves. But why is it a “Decades” Library? Well there are two rules which govern the selections my guests can make:

1 – Pick ANY Five Books
2 – You Can Only Select One Book Per Decade From Five Consecutive Decades.

 

This week I am delighted to welcome CWA Dagger winner Trevor Wood to the Library. Trevor is the third member of the Northern Crime Writing Syndicate who has made their Decades selections (and a fourth syndicate member will soon make an appearance).

But enough explanations, you’re here for Trevor’s choices so it’s time to hand over control of the Library to Mr Wood…


Trevor Wood has lived in Newcastle for 30 years and considers himself an adopted Geordie, though he still can’t speak the language. He’s a successful playwright who has also worked as a journalist and spin-doctor for the City Council. Prior to that he served in the Royal Navy for 16 years. Trevor holds an MA in Creative Writing (Crime Fiction) from UEA.  

His first novel The Man on the Street, which is set in his home city and features the homeless protagonist, Jimmy Mullen, won the Crime Writers’ Association’s John Creasey New Blood Dagger for best debut and the Crimefest Specsavers Debut Novel of the Year. It was also shortlisted for the Theakston’s Old Peculier Crime Novel of the Year and has been optioned for television by World Productions, the makers of Line of Duty. It was followed by the highly-acclaimed sequel, One Way Street and the final book in the trilogy, Dead End Street was released in January. His next book, You Can Run, a standalone thriller set in rural Northumberland is out in March 2023. 

Trevor is one of the founder members of the Northern Crime Syndicate and is a volunteer chef at the People’s Kitchen in Newcastle, a charity that provides hot meals for around 250 people every day. 

@TrevorWoodWrite 

www.trevorwoodauthor.co.uk 

 

DECADES

 

Whenever I’m making any kind of list about books that inspired me to want to write I always start with A Clockwork Orange and build around that so the 1960s had to be on my list. I couldn’t leave Dennis Lehane off either so my fifty-year period was almost inevitable. It’s a lot darker than I would have anticipated but I used to be a comedy writer so when I decided to turn myself into a ‘gritty’ crime writer I devoured a ton of dark stuff, especially James Ellroy and David Peace and have clearly developed a taste for it. Though I first read A Clockwork Orange when I was about 14 so maybe it’s always been there! 

 

The River of Adventure Enid Blyton 1955 

 

I know she had her faults but Enid Blyton was my gateway drug into crime fiction. The Secret Seven and The Famous Five were great but my favourites were always the Adventure gang, Jack, Lucy-Ann, Philip, Dinah and Kiki. How could you not love a gang of crime-solving kids with a pet parrot?  

 

 

 

 

 

A Clockwork Orange Anthony Burgess 1962 

 

The first ‘grown-up’ book that really spoke to me. Alex was the first cool anti-hero I’d ever come across and the made-up Nadsat language was like a secret code that kept the grown-ups at a distance, a lot of kids at my school started using it to wind up the teachers. It’s a great shame that the terrible Kubrick film concentrated so much on the violence and ultimately led to Burgess dismissing his own work as the book is about much more than that. Dark, challenging and, for me, at times, profound. 

 

 

 

 

The Dice Man 1971 Luke Rhinehart 

 

Another pitch black, cool book, dangerous almost. The bored protagonist, Luke, starts to make all his decisions on the throw of a dice which leads him into some very nihilistic territory. Many thought it was autobiographical when it first came out, probably because the author used a pseudonym and legend has it that a lot of readers copied Luke’s approach in real life. 

 

 

 

 

 

The Black Dahlia 1987 James Ellroy 

 

No one else does it quite like Ellroy. The Black Dahlia was the first book in an outstanding quartet which also featured, The Big Nowhere, LA Confidential and White Jazz. It portrayed a post-war Los Angeles peppered with violence, corruption, and voyeurism and was described by one critic as ‘the most ambitious and accomplished crime fiction in the history of American literature.’ They were spot on. 

 

 

 

 

A Drink Before The War 1990 Dennis Lehane 

 

The first in my favourite crime series, introducing Patrick Kenzie and Angie Gennaro, a beautifully realised pair of private detectives whose on-off relationship adds an extra dimension to some brilliant thrillers, including Gone Baby Gone which was made into an equally wonderful film by Ben Affleck. Lehane is a master of his craft – he was also one of the team of writers on the brilliant TV series, The Wire. 

 

 

 

 

 

Decades always brings gems but sometimes one of my guests brings one of my favouite books to the Decades Library. Trevor has done just that today. Although I have likely read The River of Adventure a dozen times or more I have so much more love for the Kenzie and Gennaro books. A Drink Before the War wasn’t the first story I read in this brilliant series by Dennis Lehane but I remember when I did finally read it – it blew me away.

My thanks to Trevor for five storming selections – all to be added to the Decades Library.

 

DECADES WILL RETURN

 

 

 

 

 

 

Category: Decades | Comments Off on Decades: Compiling the Ultimate Library with Trevor Wood
February 11

Decades: Compiling the Ultimate Library with Quentin Bates

Welcome to Decades, an ongoing quest to assemble the Ultimate Library filled with books that were recommended by booklovers.

It began back in January 2021 when I asked the question: If you had to fill a brand new library with nothing but the best books ever written, which books would you put on the shelves?   I realised I could not possibly answer that question on my own so each week I am joined by a bookloving guest (authors, publishers, journalists and bloggers) and I ask them to help me put great books into my Decades Library.

Why do I call it my Decades Library?  Well each guest has to follow two simple rules when nominating books to go into the Library:

Rule 1 – Pick Any Five Books
Rule 2 – You May Only Select One Book Per Decade From Any Five Consecutive Decades

 

The Decades Library does exist as a Bookshop.Org shop so if you fancy seeing which books have been selected in the past you can click through this handy link:  https://uk.bookshop.org/lists/grab-this-book-the-decades-library

 

This week it is my pleasure to welcome Quentin Bates to the Decades Library. I first became aware of Quentin’s work through his association with Orenda Books and have read several of the novels he has translated for them, most recently Cold As Hell by Lilja Sigurdardottir. But I have also been picking up some of his own novels which I also highly recommend. https://www.amazon.co.uk/Quentin-Bates/e/B004JZ8EZA?ref=sr_ntt_srch_lnk_3&qid=1644531511&sr=1-3

Time to hand over to Quentin…

Best known as the translator of some of Iceland’s smartest and coolest authors*, Quentin Bates has also written a few books of his own, and with a bit of luck there might be a few more to come.If you really need to know more, his website is at www.graskeggur.is, and he’s on social media as gráskeggur.*Lilja Sigurðardóttir, Einar Kárason, Sólveig Pálsdóttir, Óskar Guðmundsson, Guðlaugur Arason, and more to come

 

DECADES

 

Just to be awkward, I’d like to take these in reverse order, stepping back in time a decade at a time…

 

2000s

Mýrin by Arnaldur Indriðason

This one was published in Icelandic in 2000, and it was a few years before it appeared in English as Jar City. This was Arnaldur’s breakout book, the one that made him an international name. I’m fairly sure I read this one in Icelandic first and was struck by how much of a leap it was compared to his previous books. It brings together a wonderful Nordic darkness with the backdrop of the seedy side of Reykjavík, and fine interplay between the very different characters of Erlendur and his colleagues Sigurður Óli and Elínborg.

This one absolutely led the way, demonstrating that this lump of volcanic North Atlantic rock could be the backdrop for outstanding crime fiction, with all of the elements adding up to something much more than the sum of their parts. It’s also a great movie and it’s a mystery why Erlendur hasn’t made more appearances on the screen.

 

1990s

Dead Horsemeat, by Dominique Manotti

I found one of Dominique Manotti’s books more or less by chance, devoured it almost immediately, and then did the same with all the rest that were available in English.

These are books that not only didn’t shy away from taking on tough themes before they became controversial, they positively grabbed them by the horns and were way ahead of their time.

Thirty years after they were published, this is still razor sharp stuff, some of the sharpest, smartest crime fiction with a strong political edge. These are another mystery. One of Dominique’s books won an International Dagger (Lorraine Connection, in 2008) and Dead Horsemeat (originally published in French in 1997) was shortlisted in 2006. So these books are clearly held in high regard, so why aren’t they better known?

 

1980s

Earthly Powers, by Anthony Burgess

I’ve just noticed that this is the only one of my five that isn’t a translation… The 1980s were when I was a seaman, and hefty books were just what was needed for long spells at sea. All the same, this vast (650 page) tale, spanning six decades, just flew past.

Anthony Burgess seems to have dropped out of fashion, but he’s very much worth discovering. The prose sparkles with wit, erudition and wordplay, deftly told, and Earthly Powers has one of the most brilliant opening paragraphs there is.

 

 

1970s

The Flounder, by Günter Grass

OK, it shouldn’t be called The Flounder, as the magical fish in question is actually a turbot, but The Flounder is a better title. This is a substantial book, and this one spans centuries rather than just a few decades, telling in terms of magic, gastronomy, politics and social upheaval the story of chunk of the Baltic coast, a part of the world that has been subject to more or less constant upheaval for as long as humans have lived there. It’s a complex and engrossing tale, or set of stories within a story, with many voices and a huge cast of characters, in addition to the those of the fisherman and his wife, and peppered with food, sex, joy and tragedy all the way through.

 

 

1960s

Asterix in Britain, by Goscinny and Uderzo

This was a birthday present when I was just starting to read. It was like a comic, but it was so much cooler and cleverer than the Beezer, and it opened up a whole new world. Of all the Asterix books, this one remains a favourite, poking gentle and affectionate Gallic fun at the Rosbifs across the Channel with their passions for boiled food and warm beer, the fact that it’s always raining (except when it’s foggy), and the ancient Britons carrying around with them portable roofs to stop the sky from falling on their heads.

Of course, I didn’t appreciate this when this arrived on my eighth birthday, but the first Asterix books were translated by Derek Hockridge and the extraordinary Anthea Bell, who brought to the translation a neatly humorous light touch that I suspect may equal (or even surpass…?) the original. The jokes and puns have to be theirs – as these are notoriously untranslatable – and the names… Calling the pub landlord Dipsomaniax is just a stroke of brilliance.

 

 

One of the things I love most about sharing the Decades selections each week is that it helps readers find new books to love. I don’t know if may of us will know all five of these selections but I have been investigating already and I am definitely going to be seeking out Jar City and getting it into my TBR.

What really made my heart sing though was seeing Asterix gain a place in the Library. My own childhood was a series of weekly trips to the village library where I would always take out an Asterix or Tintin book to include in my reading. Huge thanks to Quentin for the wonderful mix of old and new.

DECADES WILL RETURN

 

 

 

 

 

Category: Decades, From The Bookshelf | Comments Off on Decades: Compiling the Ultimate Library with Quentin Bates