October 19

Doctor Who : Deep Time – Trevor Baxendale

Deep Time‘I do hope you’re all ready to be terrified!’

The Phaeron disappeared from the universe over a million years ago. They travelled among the stars using roads made from time and space, but left only relics behind. But what actually happened to the Phaeron? Some believe they were they eradicated by a superior force… Others claim they destroyed themselves.

Or were they in fact the victims of an even more hideous fate?

In the far future, humans discover the location of the last Phaeron road – and the Doctor and Clara join the mission to see where the road leads. Each member of the research team knows exactly what they’re looking for – but only the Doctor knows exactly what they’ll find. Because only the Doctor knows the true secret of the Phaeron: a monstrous secret so terrible and powerful that it must be buried in the deepest grave imaginable…

 

My thanks to BBC Doctor Who books for my review copy

This was the third of the Glamour Chronicles books I read and I felt that it brought the series to a nice conclusion.  I had struggled to find a ‘correct’ reading order, however in my chat with Gary Russell he indicated that Royal Blood should come before Deep Time and that Big Bang Generation could be read anytime. Thus my reading order of Royal Blood, Big Bang Generation then Deep Time left me feeling I had stumbled onto the best way to approach the Glamour Chronicles.

The Doctor and Clara find themselves on board a deep space exploration ship. It is a state of the art craft which is embarking on an archaeological exploration to find the last of the fabled Phaeron Roads – wormholes in space which the ancient Phaeron race once used to traverse the galaxies before they mysteriously disappeared and passed into legend.

The ship they are travelling on crosses into the wormhole they had been seeking but the journey is too much for their craft and they find themselves stuck in deep space. They are unable to pilot their way to safety and their ship is rapidly losing all life support functions. For the Doctor and Clara survival becomes paramount but someone within the crew is working to their own agenda and if that means the lives of others have to be sacrificed then this will not keep them from their goal.

On reflection I would say Deep Time was (for me) the most fun read of the three books from this release cycle. The story unfolded at a fast pace, there were plenty of action sequences and the small cast of characters are frequently exposed to peril and find their numbers dwindle at an alarming rate.  This is classic Doctor Who fare – Trevor Baxendale does a great job of creating characters you actually care about and provides the villain of the piece who you want to get their comeuppance.

Fans of The Doctor and Clara will not be disappointed with Deep Time and for those following the Glamour Chronicles this is the story where the Glamour is most prominent.

 

 

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September 17

Una McCormack Q&A – Doctor Who: Royal Blood

Royal BloodToday I am delighted to welcome Una McCormack. Una’s latest novel , Royal Blood, is one the three new Doctor Who titles from BBC Books. Featuring the 12th Doctor and Clara Oswald, Royal Blood forms part of the Glamour Chronicles trilogy.

Shall we start with an easy one? What can we expect The Doctor and Clara to encounter in Royal Blood?

The Doctor and Clara arrive in the mediaeval city of Varuz to discover that the technology is far more advanced than they would expect, and that the city is facing the threat of an invasion. They both try to prevent war breaking out – but things are complicated when a figure from Earth legend, Lancelot, arrives, in search of the Holy Grail.

The three new Doctor Who titles just released, your book and those by Trevor and Gary are all part of a story arc which brings The Doctor into contact with The Glamour.  What is the Glamour and does it pose a threat to the TARDIS crew?

The Glamour is very mysterious. It can take many forms, and look very different to different people, but its chief property is that people want to possess it. This makes it very dangerous, and very hard to fight.

How much co-ordination has to take place between three authors before you all begin writing to ensure that The Glamour is defined correctly and the plotlines all tie in?

Although they’re connected by the Glamour, and are best read in a particular order, the three books do stand alone quite well. The series consultant, Justin Richards, and the project editor, Steve Tribe, did the co-ordination of the projects. I’ve worked on other projects, such as the Star Trek series The Fall, where the five authors collaborated through a kind of email ‘writers’ room’. We had a lot of ideas and information flying to and fro!

How do you get to be one of the Doctor Who authors?  Do you approach the team and pitch an idea or are you invited to contribute?

For the first book, I approached the editorial team and asked to write. I had a long background in writing TV tie-in novels from the work I’d done on the Star Trek books, and this stood me in good stead. The turnaround can very tight on these kind of books, so they want to know that you can write them quickly while maintaining quality. I’ve been invited back for subsequent books.

kings dragon 2You have previously written two 11th Doctor Novels. Did it feel different writing for Peter Capaldi’s Doctor rather than Matt Smith?  The two actors clearly have different approaches to the character but ultimately it is still The Doctor who is the hero.

There were definitely differences. Matt Smith’s is a very physical performance, with lots of hand-flapping and jumping around – you have to find a way to convey that through the prose. Peter Capaldi’s Doctor is very focused, quite grumpy – but often missing things around him that seem obvious. At the same time you have to convey something essentially ‘Doctorish’ about the character – never cowardly or cruel, always kind.

Are there any classic monsters that you would like to write into a future story?

The Kandyman.

Does the history of the show add an extra element of pressure when you write or do you find the backstory makes it much easier to position a situation and drop in the characters we know so well?

I try not to let the history of the show interfere with the story I’m telling. I don’t go out of my way to ignore it or contradict it, but I want the stories in books to have their own momentum rather than rely on knowledge of the series. The readership of these books can be quite young, 8-14, so you want to make sure that these readers are enjoying the books. They might not have seen Doctor Who before!

I am in my early 40’s and can just about remember watching K-9, scenes from the Leisure Hive, City of Death and State of Decay. But everything from Logopolis onward!  Can you pin down your earliest memories of Doctor Who?

I am also in my early 40s, but my earliest memory is of Jon Pertwee’s final story, ‘Planet of the Spiders’. I was very frightened by the Buddhist chanting. I’m still slightly frightened by Buddhists.

Finally, if you could pair any of the Doctor’s incarnations with any of his companions who would you like to write an adventure for?

What an interesting question! I’d like to write Tegan. I could imagine her being grumpy at most of the Doctor’s incarnations, but it might be fun to see if she could out-cross the Twelfth Doctor!

My profound thanks to Una for taking time to answer my questions.  If there is any way that 12th Doctor/Tegan meeting could happen I suspect it would make a lot of people very happy!

 

 

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September 14

Doctor Who: Royal Blood – Una McCormack

Royal Blood“The Grail is a story, a myth! It didn’t exist on your world! It can’t exist here!”

The city-state of Varuz is failing. Duke Aurelian is the last of his line, his capital is crumbling, and the armies of his enemy, Duke Conrad, are poised beyond the mountains to invade. Aurelian is preparing to gamble everything on one last battle. So when a holy man, the Doctor, comes to Varuz from beyond the mountains, Aurelian asks for his blessing in the war.

But all is not what it seems in Varuz. The city-guard have lasers for swords, and the halls are lit by electric candlelight. Aurelian’s beloved wife, Guena, and his most trusted knight, Bernhardt, seem to be plotting to overthrow their Duke, and Clara finds herself drawn into their intrigue…

Will the Doctor stop Aurelian from going to war? Will Clara’s involvement in the plot against the Duke be discovered? Why is Conrad’s ambassador so nervous? And who are the ancient and weary knights who arrive in Varuz claiming to be on a quest for the Holy Grail…?

 

My thanks to BBC Books for a review copy of Royal Blood

The Doctor and Clara are back and, as we would expect, the TARDIS has landed them in uncomfortable surroundings once again. Varuz is a small city on the brink of ruin, a once-proud place it is falling into disrepair and the enemy forces are threatening, it seems one final conflict is coming and there is no escaping the fact that Varuz will fall.

The Duke (Aurelian) is trying to rally support for one last valiant push in a bid to save all that they hold dear, however, his wife and his closest allies are opposed to the idea.  Into this fraught situation lands the Doctor and Clara.  They are initially mistaken for the ambassadors from the opposing forces, however, the Duke appears convinced that the Doctor is actually a holy man who will bless his forthcoming attack – obviously the Doctor will provide no such blessing.

With the political wrangling in full swing a new element is thrown into the mix – the appearance of a number of ancient knights. They are on a long quest to find the Holy Grail and they believe their search will end in Varuz. The Doctor is far from convinced but how can he explain the appearance of the knights? These men are on a seemingly never-ending journey to find an item that the Doctor does not believe exists – why would they appear in Varuz at such a pivotal time in its history?

Royal Blood is a delight to read. There are many scenes ‘at court’ where Clara and the Doctor are caught up in the politics of Varuz. There are factions opposed to Auerlian’s planned war and Clara is asked to spy for one of the key players that oppose the Duke, something of a dilemma for Clara and Una McCormack brilliantly depicts Clara’s turmoil and her frustration at the Doctor’s apparent lack of concern about her predicament.

Royal Blood is one of three titles published by BBC Books this autumn. The stories are all linked and are described as a trilogy of adventures across time and space which follow the Doctor’s search for The Glamour.  Although I struggled to find a definitive reading order for the books I found Royal Blood the best place to start and the concept of The Glamour was well defined (and intriguing).

This was the first of the three Doctor Who releases I read and it started the trilogy brilliantly. Varuz is an enigma, the political manoeuvring kept me hooked and the Grail quest was unexpected yet a great addition. Another great addition to the Doctor Who range.

 

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