March 3

Cage and Fatal Forgery – Listening to Financial Crime

A Double Whammy of Audiobook Reviews today.  As I work in financial services I particularly enjoy financial crime stories so when I recently listened to two such tales back-to-back it seemed appropriate to review them together too.

Cage – Lilja Sigurdarottir

Drugs, smuggling, big money and political intrigue in Iceland rally with love, passion, murder and betrayal until the winner takes all…in the masterful, explosive conclusion to the award-winning Reykjavík Noir trilogy.

The prison doors slam shut behind Agla when her sentence ends, but her lover Sonja is not there to meet her.

As a group of foreign businessmen tries to draw Agla into an ingenious fraud that stretches from Iceland around the world, Agla and her former nemesis María find the stakes being raised at a terrifying speed.

Ruthless drug baron Ingimar will stop at nothing to protect his empire, but he has no idea about the powder keg he is sitting on in his own home.

At the same time, a deadly threat to Sonya and her family brings her from London back to Iceland, where she needs to settle scores with longstanding adversaries if she wants to stay alive.

With a shocking crescendo, the lives of these characters collide, as drugs, smuggling, big money and political intrigue rally with love, passion, murder and betrayal until the winner takes all…in the masterful, explosive conclusion to the award-winning Reykjavík Noir trilogy.

 

My thanks to Karen Sullivan of Orenda Books who kindly provided a copy of the audiobook for me to enjoy.

 

Cage completes a trilogy – Snare and Trap are the first two books. Reading Trap and Snare will provide character back-story and set a scene but Cage is very much a title which could be enjoyed as a stand-alone read.

Both Snare and Trap focus on Sonya, she is the mother of a young boy who will do anything to keep her son safe, however, she is also one of the most effective drug smugglers in Iceland and lives a dangerous life.  Those books are both wonderfully tense, unexpectedly shocking and Sonya is a great lead character.  Cage shifts focus from Sonya to her sometime partner Agla. I was not expecting Sonya to be moved out of the limelight to the extent she was, but Agla is such a fascinating character and I was fully on-board with the change.

As Cage opens Agla is in prison but her release date looms. It is a daunting prospect for her and returning readers see how different this once confident individual has been changed as a consequence of her incarceration.  Agla had expected to leave prison and be met by Sonya, but their relationship changed suddenly when Sonya had fled – seemingly unable to commit to a life with Agla. The rejection hurt Agla badly and her recovery and new reality are explored through the story.

Prior to her release, Agla had been approached by a senior executive of a large firm who wanted to recruit Agla (off radar) for her talent at financial manipulation and her ability to devise solutions around tough regulations.  The challenge? To investigate unusual market practices in the aluminium markets.

Agla recruits an old adversary – Maria – to assist.  Maria had once poured her energies into exposing Agla as a criminal but now her life has also been turned upside down. She is making a living as a journalist exposing corruption and bad practices. She reluctantly helps Agla and soon finds herself alone and imprisoned at the mercy of unknown agents.

Can Agla and Maria uncover the elaborate financial market manipulations? Will Sonya finally get the respite she seeks?  And how does a young teen with a crate of dynamite and a desire to change the world fit into the story?

An explosive and powerful book which I utterly adored.  The audiobook is brilliantly narrated (best recording of the trilogy) and the hours flew by as I listened.

Highly recommended.

 

Cage is published by Orenda Books and is available in paperback, digital and audiobook format. You can order a copy here: https://www.amazon.co.uk/gp/product/B07QW4C2SN/ref=dbs_a_def_rwt_bibl_vppi_i0

 

Fatal Forgery – Susan Grossey

 

It is 1824, and trust in the virtual money of the day – new paper financial instruments – is so fragile that anyone forging them is sent to the scaffold. So why would one of London’s most respected bankers start forging his clients’ signatures? Sent to arrest Henry Fauntleroy, Constable Samuel Plank is determined to find out why the banker has risked his reputation, his banking house and his neck – and why he is so determined to plead guilty. As the case makes its way through the Regency justice system, exercising the finest legal minds of their generation and dividing London society into the banker’s supporters and detractors, Plank races against time to find the answers that can save Fauntleroy’s life.

 

 

 

I put out a shout on Twitter for audiobook recommendations and got a lot of excellent recommendations. Although I only had scope to pick up one or two of the suggestions at the time I was drawn to Susan Grossey’s Fatal Forgery (as the day-job is in financial services). The premise of a banker pleading guilty to fraud when the penalty of his actions led to the hangman’s noose was ticking all the right buttons.

The story begins in 1824 and we are in the company of Constable Samuel Plank.  These are the days before a London police force was fully established but Plank and colleagues do maintain law and order and work with magistrates to keep the streets safe.  Well that’s a relative measure but they maintained a degree of discipline.  It is clear Plank is well respected, he can apply reason and sound decision making and he is not one to have his head turned by the offer of a coin or two.

Indeed it is coins which are at the heart of this story as Plank is caught up in the disturbing case of a banker (Fauntleroy) who has failed to properly act in the true interests of his customers and traded stock and dividends without their knowledge.  The semantics and methods used by Fauntleroy are nicely explained by the author and although I have an awareness of most of the terminology used I am quite sure those outside financial circles would have no trouble understanding how the crimes had been committed.  Forgery is a phrase which carries over many generations!

The story follows the investigation. The social unrest and outcry (bankers were most trusted in 1824). We also get a court case and there is a great social history aspect to the story too.  Susan Grossey does a marvelous job in depicting Regency London and gives the reader a splendid insight into how life may have been.

Narration duties are handled by Guy Hanson and he was very listenable. I repeat it often but the narrator can make or break the audiobook experience and Mr Hanson very much made Fatal Forgery a most entertaining addition to my listening library.  There are further titles in the series and I fully intend to pick them up over the coming weeks.

 

Fatal Forgery is available in paperback, digital and audiobook formats and you can order a copy here: https://www.amazon.co.uk/Fatal-Forgery/dp/B01LBBXQ2U/ref=sr_1_1?keywords=fatal+forgery&qid=1582408083&s=books&sr=1-1

 

Category: Audiobook | Comments Off on Cage and Fatal Forgery – Listening to Financial Crime
March 12

Trap – Lilja Sigurdardóttir

Happily settled in Florida, Sonja believes she’s finally escaped the trap set by unscrupulous drug lords. But when her son Tomas is taken, she’s back to square one … and Iceland.

Her lover, Agla, is awaiting sentencing for financial misconduct after the banking crash, and Sonja refuses to see her. And that’s not all … Agla owes money to some extremely powerful men, and they’ll stop at nothing to get it back.

With her former nemesis, customs officer Bragi, on her side, Sonja puts her own plan into motion, to bring down the drug barons and her scheming ex-husband, and get Tomas back safely. But things aren’t as straightforward as they seem, and Sonja finds herself caught in the centre of a trap that will put all of their lives at risk…

Set in a Reykjavík still covered in the dust of the Eyjafjallajökull volcanic eruption, and with a dark, fast-paced and chilling plot and intriguing characters, Trap is an outstandingly original and sexy Nordic crime thriller, from one of the most exciting new names in crime fiction.

 

 

I received a copy of the audiobook from the publisher, Orenda Books, so I could provide a review.

 

Last week I attended the Orenda Roadshow in Edinburgh and during the course of the evening we were treated to Lilja Sigurdardóttir reading from Trap.  She read a passage about a dream her lead character, Sonia, was having and it was beautifully haunting. But Sonia explains it was a potent of troubled times ahead and, unfortunately for Sonia, she was right.

Sonia is a drug smuggler. She had tried to flee her native Iceland with her young son, Tomas, as she hoped to start a new life for herself away from the drugs and her ex-husband (it was her ex that arranged the shipments she had to smuggle).

For Sonia her freedom will be short lived and she finds herself back in Iceland with access to her son being withheld from her. If she wants any time with Tomas then she needs to start bringing drugs back into Iceland.

Sonia’s life is complex and fraught with tension.  She crosses paths with some disreputable characters who add a wonderful depth to her trials. Her lover, Agla, is a financial genius who uses her talents to exploit loopholes and deceive the authorities to increase her personal gain.  Agla has previously come unstuck and is waiting for sentencing for crimes committed prior to the 2008 Global Financial Crisis (an event which caused her good work to come undone).

Agla worked with Sonia’s husband and is more than a little happy to have won Sonia’s affections away from the man who is in part to blame for the predicament she finds herself in. This triangle of strong characters is fascinating as circumstances through the story change their attitude towards each other – the evolving dynamics making for great (and frustrating) interchanges.

The networks of crooks are terrific supporting characters.  The drug runners. The suppliers. The financial criminals. Each faction have their pawns who also feed into the story and these pawns all hold some small power over their masters as one wrong word at the wrong time could bring an end to the best laid plans – that could mean prison time for Sonia or Agla. Readers feel the tension which the author builds into the schemes her characters have to develop to achieve their goals.

The events in Trap seem to propel Sonia from one crisis to another. The scenes where she is planning her travels (with cargo) build up to hugely tense set pieces as she risks discovery at customs checks. I felt I was living the fears she was experiencing, so caught up in the story was I!

Narration duties are a vital part of audiobook enjoyment and the pleasing news was that Trap was one of the best Nordic thrillers I have listened to.  The story is wonderfully delivered by Suzannah Hampton who was a delight to listen to each day. The original text was translated to English by Quentin Bates and he gives Suzannah Hampton a terrific script to read from.

It should come as no surprise to find that I really enjoyed the time I spent with Trap. While the focus is mainly on the drug smuggling, I work in Financial Services so Agla’s story of financial misdemeanors was particularly enjoyable.  More books featuring Sonia and Agla would be most welcome – particularly if they are even half as good as Trap.

 

Trap is published by Orenda Books and is available in paperback, digital and audiobook format.  You can order a copy here: https://www.amazon.co.uk/Trap-Reykjavik-Trilogy-Lilja-Sigurdardottir/dp/1912374358/ref=sr_1_fkmrnull_1?crid=GW14M3BASK6M&keywords=trap+lilja+sigurdardottir&qid=1552416298&s=gateway&sprefix=trap+lil%2Caps%2C143&sr=8-1-fkmrnull

Category: Audiobook, From The Bookshelf | Comments Off on Trap – Lilja Sigurdardóttir
September 3

Joff Sharpe – Reciclador Q&A

Reciclador

Today I am delighted to welcome Joff Sharpe to Grab This Book. Joff’s book Reciclador will stand out as one of the most memorable titles I have read this year and I am thrilled that Joff has taken time to answer a few of my questions.

 

The first question I had when I sat down to read your book was: who or what is Reciclador?

He is a scavenger; a person who rides around on top of a donkey cart collecting other people’s garbage which he can sell to recycling companies for a few pesos. He plays a small but very important role in the book because he symbolises the possibility of redemption.

The two central characters in Reciclador are Yessica and Marcus. Yessica is an open book and we learn so much of her background yet Marcus is a walking mystery. If pressed would you say this is Yessica’s story or would you put Marcus at the heart of the tale?  

Sorry to duck the question but actually I think it’s the story of their relationship and the question of whether it will survive the storm and how much collateral damage it will inflict on other key members of the family.

Why did you elect to write a book set in Columbia? Does the social dynamic of Columbians give greater flexibility than other countries?

Columbia is a country of extremes. It’s beautiful, bountiful, maybe even a little mystical but also struggling through a post-Pablo Escobar social and economic renaissance. In many ways the story of Reciclador is an analogy for the struggles that are going on in Colombia at the moment.

Are there any elements of Reciclador which were influenced by actual events?

Absolutely; the character of Marcus is inspired by a larger-than-life German ‘rogue financier’ called Florian Homm. I researched him when writing an article for Newsweek entitled ‘Are the real Wolves of Wall Street dead?’ Actually, many of the craziest ingredients in the book like ‘The Young Womens’ Talent Competition’ are also based on true events. Of course the general background music of narco-terrorism, police brutality and kidnap is also real.

One of the elements of the book I found most shocking was the seeming disregard for human life that several of the characters seemed to hold. I need to avoid spoilers, however, violent death almost seemed to be accepted as part of life in Columbia. Is this typical of how some areas of Columbia (and possibly elsewhere) live their lives?

Search YouTube stories for Medellin and it’s not long before you’re coming across young men talking openly to camera about how many people they’ve killed. The situation has improved dramatically since the late 1990s but it is estimated that some 5,000 inhabitants last year were displaced through threats, violence and forcible gang recruitment. The situation is fragile.

Elsewhere in Central America, including Mexico, drugs and the associated violence have made some metropolitan areas almost ungovernable. Kidnap, torture and beheadings are the hallmarks of many narco-gangs and citizen vigilante groups are now springing up in response. Police murder squads have existed in various South American countries for years. 

You have written about Financial Fugitives for Newsweek, Huffington Post and The South China Morning Post. I am fascinated by the concept that successful people can essentially ‘cut and run’ and evade authorities. How frequent/common is it for someone to abscond and leave behind millions of pounds in debts and failed investments?  Would it be typical for the companies involved to try to repair the damage without alerting their clients? 

Small-scale fraud is common-place and is often ruinous to the families of “clients”. The more shocking examples are where public figures have behaved outrageously and with impunity under the noses of financial authorities. Alan Stanford and Bernie Madoff would be classic examples. Damage-repair is a more complex issue and it depends on the magnitude of the fraud relative to the size of the company. For example, Nick Leeson is credited with single-handedly destroying ING Barings bank with his unauthorised trading activities.

Reciclador is your debut novel, however, you have published a non-fiction title: ‘Who Dares Wins in Business.’  How does writing fiction compare to writing a business title? Does one come more naturally to you?

Writing fiction is essentially good fun, tempered only by the fact that you want your book to be commercial enough to attract a decent readership. ‘Who Dares Wins in Business’ was an usually hard book to write because it combined business writing with military history and analysis. I benefited from the advice and support of a professional journalist Teena Lyons who made sure that the whole thing hung together coherently. The book has sold modestly but spawned lucrative motivation-style speaking engagements.

I have to ask about your CV – SAS Special Forces Officer to Executive in a multi-billion pound real estate investment company (via Borneo headhunters, Rupert Murdoch and Piers Morgan). Can you pick out some stand-out moments from such a diverse career? 

Standing on the decking of a submarine, as a twenty-eight year old SAS officer, and being asked; “Where to, Sir?” by the Captain has to be up there. Fast forward a few years and I rumbled into historic Prague, newly liberated from communism, in a transit van encased in a giant fibre-glass tabby cat, in an attempt to flog cat food to an incredulous Czechoslovak nation.  Surely careers are made of such moments?

With such a vast range of experiences behind you what do you do to relax and unwind?

Mainly watching my kids pursue their own multiple sports and hobbies. I have also recently acquired a gigantic dog that takes me for walks. On holiday I SCUBA-dive.

Which authors do you enjoy reading or who would you cite as an influence?

It won’t surprise you that I love Colombian author Gabriel Garcia Marquez, Peruvian Mario Vagas Llosa  and our own (British) Colombian trilogist Louis de Bernieres. I probably read too much of this stuff and need to read more pulp to keep my writing grounded.

Are you planning to write more fiction in the future or have you set yourself a different challenge?

If people like my fiction writing they will get more. The opposite is also true.

 

Joff, I can honestly say that Reciclador stands out amongst the books I have read this year, it is quite different from the domestic thrillers I normally pick up and I loved every minute of it. Thank you for taking time to answer my questions, it is very much appreciated.

 

Category: From The Bookshelf | Comments Off on Joff Sharpe – Reciclador Q&A