January 24

Rivers of London: Deadly Ever After – Aaronovich, Cartmel and Bronfman

Illustrations from a mysterious book of fairy tales drawn in the late 1800s are coming to life in the 21st Century and causing havoc. The illustrations were originally painted by a Victorian artist called Jeter Day who disappeared one night in an enchanted forest when he was spirited away by tree nymphs never to be seen again…

Now, with the enchantment accidentally broken by Olympia and Chelsea, daughters of the river goddess Mama Thames, Jeter, twisted by his time spent with the nymphs, has returned to our world bitter and resentful. It is a world he neither recognises nor likes. All he wants is his life returned to him and woe betide any man who stands in his way. With Peter and Nightingale busy on another case, it falls to sisters Olympia and Chelsea with the help of the Foxes to stop Jeter and save the day.

 

 

My thanks to Titan Books for the review copy of Rivers of London: Deadly Ever After.

 

Deadly Ever After is the tenth Rivers of London graphic novel and delivers the quirky humour, supernatural dilemmas and the high levels of enjoyment which readers have come to expect from this series. The book collates the four comics which made up the Deadly Ever After story arc and I didn’t feel I needed any prior knowledge of events prior to this (as the introduction covers it well) and there wasn’t any unfinished plot to frustrate me as I wait for the next comics. As I tend not to pick up every graphic novel as soon it releases the completeness of Deadly Ever After is a real bonus. It also makes for a great pick-up book if, perhaps, you haven’t read all the stories which previously released – this contained volume can be instantly enjoyed and will likely encourage readers to seek out more of the books (assuming they enjoy it as much as I did).

As you may have guessed from the “Deadly Ever After” title, events in this story are taking in a fairy tale theme. Over 100 years ago an artist vanished in a London woodland – taken to another realm by the tree nymphs he had been seeking. Spin forward to the 2020’s and the artist, Jeter Day, has found a way to return and he wants to make good on the promise he made to his daugher all those decades ago and deliver a happy ending to the stories.

Unforunately for Chelsea and Olympia this means they have unleashed fairy story chaos into London. A group of friends who had attended a picnic in the woods near where Jeter Day vanished suddenly find their lives are mirroring fairy tales. One guest finds himself attacking Red’s grandmother, another falls into a deep coma after eating an apple brought to her by her stepmother…you can see how this creates problems.

Olympia and Chelsea can’t enlist the help of Peter Grant and Nightingale as they have a bigger problem to contend with in the London Underground so the girls need to find a solution alone. Or maybe with just a little help from a pair of foxes. I will admit to being a little disappointed initially that Peter Grant does not appear more in this story than in a brief cameo role. However, the story does stand well on its own and Grant’s absence gives Chelsea and Olympia a chance to shine and the story benefits from their strong dynamic. It’s the world of Rivers of London not individual characters which I find so appealing so give me a nice mix of horror/fantasy with humour and dark deeds and I am there and turning those pages.

As it is a graphic novel I do need to give a shout to the artwork through the book. It’s bright, detailed and gorgeous to read. Characters are easy to distingush, the panels are crisp, engaging and never feel fussy or overcrowded – it lets the story flow and gives weight to the words without feeling the dialogue is being lost or the action is getting too busy.

Once the story has been spun there is a bonus or two at the end of the book. Writer notes and panel guidance which would have been sent to the artist. It was fascinating to see what the author envisages when they outline each page of the comic and then have it displayed beside the finished page.

I was a Rivers of London fan before I picked up Deadly Ever After – this book just grows my fanboy credentials. Lots of fun was had and it makes me want to catch up on the graphic novels I’ve missed.

 

Rivers of London: Deadly Ever After is published by Titan Books Ltd and is available as a paperback graphic novel and on Kindle and Comixology.  You can order a copy here: https://www.waterstones.com/book/rivers-of-london-deadly-ever-after/ben-aaronovitch/andrew-cartmel/9781787738591

 

 

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May 2

The Junction – Norm Konyu

When a missing child, Lucas Jones, reappears on his Uncle’s doorstep in his hometown of Medford after an absence of 12 years, the brief moment of joy is clouded by mystery. Where has he been? Where is his father who disappeared at the same time? And how is it possible that Lucas is still 11 years old?

As Lucas is uncommunicative, it is left to Detective Sergeant David King and child psychologist Jean Symonds to attempt to find some answers from the few belongings Lucas returned with; little more than four Polaroids and a personal journal which speaks of his time in a place called ‘The Junction’.

The story unravels through interviews, medical and police reports, and ultimately, through visits to The Junction via the pages of Lucas’ diary, jumping back and forth in time, revealing pieces of the puzzle in a mystery that keeps the reader guessing right up until the end.

 

My thanks to Ricky Claydon at Titan Comics for my review copy of The Junction

 

This book is beautiful – in every sense. The physical copy had sensory overload for me: clean smooth pages which only a top quality graphic novel presents. The “swish” of a turning page was delightful and I was running my fingers over some of the pages as I read (practically caressing the book at times). Then there was that unmistakable new book smell which I wish we could bottle.

But the most pleasing aspect of The Junction was the visual stimulus. The colours chosen by Norm Konyu to tell Lucas’s story, blues, purples and autumnal oranges and reds make this utterly gorgeous on the eyes. Honestly I want to show you more of the internal artwork so you can appreciate it too.  A bit of Google time and a timely tweet chat with the author himself and I have found the promotional trailer from Titan Comics and some (non-spoiler) pictures which have previously been shared online.

Oh, for the record – I did not taste my copy of The Junction which means only four of the five senses were deployed during the writing of this review.

 

 

In The Junction we meet Lucas, he is 11 years old and as we join the story he is being interviewed by the police. It’s late in the day and Lucas has his aunt and uncle with him he needs family supervision to chat with Detective Sergeant King. Det. Sgt. King is very keen to chat with Lucas because Lucas has been missing and people have been looking for him. Lucas has been missing for a long time – Det. Sgt. King has two photographs of Lucas, taken 12 years apart but in both pictures Lucas looks identical – he looks like the 11 year old child he is.

Art by Norm Konyu

How can a child be missing for 12 years and return home still a child? There are mysteries to be solved in the town of Kirby Junction and the journey it took me on was enchanting, perplexing and packed a real emotional gut punch too. It’s no understatement to say this is one of the most beautiful stories I have reviewed in over eight years of Grab This Book.

Lucas has kept a journal which is a key resource in the telling of his story. He has recorded some of the events which led up to his disappearance but some of what he has recorded appears rather nonsensical to the police. A prime example being October 10th when he returned home from school to hear a garden gnome talking to him. Or did it? Because the gnome is swiftly removed as was the well he stood beside.

As we go through the story we see Lucas has many constants in his life – the comfort of childhood. The small town he lives in doesn’t change often but he always sees Mr Singh waiting for his train, he knows he must avoid the West woods and his new friends are fun but they have cartoons on their tv which Lucas doesn’t have on his yet.  He is reading 20,000 Leagues Under the Sea and has a recurring dream of falling through water, sometimes with a squid, sometimes a car is there and other times Lucas drifts downwards alone. He will always wake before he reaches the bottom.

Art by Norm Konyu

When we aren’t with Lucas the reader will see the police discussing who this mystery child may be. Their investigations don’t seem to be making any progress on how an 11 year old can vanish for 12 years but not have aged a day when he returns. A therapist is brought in to meet with Lucas and this gives him an opportunity to explain to her in more detail what the events he has recorded in his journal actually relate to. I am not sure it answered many of those questions though!

Finally we do start to see some changes in Kirby Junction . While out on his bike, Lucan meets a stranger. The stranger asks about a town called Medway. It’s a a place which Lucas feels he knows but when he asks his parents about Medway they are not able to offer any clarification. So why does Lucas know the name?  Then there are the new houses in town. Sudden new houses – with lovely new families within. Some of Lucas’s friends live in the new houses but finding out any information about Lucas’s friends is a real challenge for Detective Sergeant King.

Normally my graphic novel reads are packed with superheroes facing off against the worst villains. This gentle telling of a young child looking for answers to his unusual predicament could not be further from those high octane thrillers. Yet The Junction has the story which will undoubtably linger with me for a long time to come. The sympathetic narrative and the emotional landmines which are waiting to catch the reader unawares are exceptionally handled. Damn this is fine writing.

The pure talent of Norm Konyu’s art and his storytelling makes me want to shout about this book from the rooftops. I want everyone to read it – Lucas’s story should be heard. The Junction is a certainty to be included in my Top Ten Reads of 2022 – I want to read stories like this every single day.

 

 

The Junction is published by Titan Comics and is available in Hardback or can be read digitally through Kindle or Comixology. You can order a copy here: https://www.waterstones.com/book/the-junction/nom-konyu/9781787738300

 

 

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April 20

Hulk: Gray – Jeph Loeb & Tim Sale

Hulk GrayThis tale examines in new detail the earliest days of the Incredible Hulk. As Dr. Bruce Banner makes his first transformations into his brutish alter ego, relationships that will influence his life and the life of the Hulk are forged… and destroyed! Collects Hulk: Gray #1-6

 

Reviewing the comic via my comiXology app

I’ve been a reader for as long as I can remember and comic books have been a regular feature on my bookshelves (and in very long, white boxes) for around 30 years. When I was very young I was introduced to Spider-man and The Incredible Hulk through a weekly comic published by Marvel Comics UK.  They are nothing like the monthly publications that you find in stores like Forbidden Planet – think the Beano or Dandy but with more Thwip and Smash.

Hulk SpideyThese days I cannot afford to feed my comic book addiction to the extent that I would like so I rely upon my local library for many of the Graphic Novels that I read and I make very good use of an app on my phone and tablet called comiXology.  A phone app to let me read comic books…mind blown!

Hulk: Gray is a six part adventure featuring Dr Bruce Banner and his angry alter ego. The blurb describes it as a story which “examines in detail the earliest days of the Incredible Hulk”.  It is that – the story plays out in the immediate aftermath of the gamma explosion which changed Dr Banner’s life forever.  Technically it is a flashback recounting of the events as Banner is chatting to his friend Doc Sampson and trying to explain his side of events.

What initially drew me to Hulk: Gray (other than a love of the character) was the creative due of Jeph Loeb and Tim Sale. I had read, and loved, their Batman series The Long Halloween. Loeb writes a great story and Sale’s artwork really appeals. I do find that some comics can be a bit of a let down for me if I don’t like the art style (Secret Invasion I am looking at you).  But Loeb and Sale are a great duo.

Hulk is in a “Hulk Smash” persona. Poor vocab and limited comprehension he just wants to be left alone. But General Ross and the US Army are hot on his tail – particularly when Hulk finds someone to take with him as he escapes the troops…Ross’s daughter Betty. Loeb does a fabulous job of showing how Hulk cannot express Banner’s love for Betty but that Hulk somehow knows that this girl is important to Hulk.

The immediate suspicion of General Ross is quickly put in place and the friendship of Hulk and Rick Jones is established too.  For fans there is also an unexpected cameo from another Avenger founding member to enjoy (a meeting which had never been documented prior to this story).

A highly entertaining story from one of the best writing teams of recent times.  Hulk: Gray has a lot going for it.

Until next time True Believers, Make Mine Marvel.

 

Hulk: Gray is a Marvel Comics publication which is available as a single volume Graphic Novel and on Kindle or a Comixology App.  Order it here: https://www.amazon.co.uk/Hulk-Gray-Jeph-Loeb-ebook/dp/B00AAJR0FY/ref=sr_1_1?s=digital-text&ie=UTF8&qid=1492720057&sr=1-1&keywords=hulk+grey

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October 31

Savage Lane – Jason Starr

Savage LaneWhen recently divorced Karen moves with her two kids into a nice suburb of New York she finds peace and joy for the first time in years. But unbeknown to Karen, her neighbour Mark, unhappy in his own marriage, has been living a fantasy life with her in the centre – a fantasy life that becomes a full-blown obsession.

 

My thanks to No Exit Press for my review copy

Savage Lane can almost be considered a peek behind the curtains into the lives of some of the families living in suburban New York. The focus is Karen, a divorcee with two kids – she is friendly with Mark but Mark is obsessed with Karen.  Mark mistakes Karen’s friendship for something more and seems to be under the impression that Karen is looking to begin a relationship with him, giving Mark the chance to be free from his often-drunk and unloving wife Debs.

Debs, meanwhile, is keeping her own secrets from Mark.  Yes she is drinking to excess – something causing her children concern (if not her husband), however Debs is having an affair of her own with a much younger man who will not take ‘no’ for an answer and is not happy when an increasingly guilty Debs suggests that their relationship should come to an end.

As you may guess, Savage Lane pitches these individuals together and focusses on their secrets and their fantasies and exploits the fragile nature of their relationships.  These are unhappy and vulnerable people and it is a compelling read seeing how their neurosis and naivety makes them act in the most unexpected of ways.  The supporting cast of characters are equally complex and unpredictable all of which makes for an entertaining read.  Without drawing on spoilers – one character’s obsessive nature leads to a shocking loss of control and the implications on the other families featured in Savage Lane is significant and life changing.  Jason Starr does a great job of making his dysfunctional families come to life and I genuinely felt that in some cases their irrational and obscure behaviours were leading to them getting the payback they deserved.

The strapline for the book is ‘Everyone has a secret’ in Savage Lane they certainly do and some are deadly.

I really enjoyed reading Savage Lane. It was quite dark in places and the characters all seem to be missing a degree of self control or the ability to rationalise their actions but this made for a great story so I was happy to accept they were all flawed.

 

When I was offered the opportunity to join the Savage Lane blog tour I was thrilled to be offered the chance to take part. Particularly as I knew Jason Starr is also a writer of comic books. Jason has worked on iconic titles such as Wolverine and Punisher. As I have been a fan of comic books for many years I was keen to ask Jason his thoughts on their place in the literary world – this is his response to my question:

Do comic books and Graphic Novels get the recognition they deserve?

Comics and graphic novels have a huge, growing audience around the world, so they certainly have the respect of readers. Some comics have crossed over and gained so-called “literary” respect, but I’m not sure if that has gone much beyond Maus, Watchmen, and Neil Gaiman’s work. I think there is a common misconception among readers who don’t read comics that comics are just for teenage boys. I think these people are missing out on sensational storytelling going on in comics right now–in mainstream superhero titles, and especially in indie comics. I think part of the challenge the comic industry has in reaching this readership is in how to overcome the “intimidation factor” of comics. If you’ve never read comics, or haven’t read them since you were kid, the comics section at bookstores can seem quite foreboding–I don’t think people know where to start. But I suggest asking for recommendations because there really is some great stuff out there.

 

My thanks to Jason and to Harriett at No Exit Press

Savage Lane is published by No Exit Press and is available in paperback and digital formats now.

 

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