Decades: Compiling the Ultimate Library with Ed James

It’s been two weeks since our last visit to the Decades Library and I’d like to apologise for the unexpected interruption – though someone did contact me to say their TBR had breathed a small sigh of relief! What happened? Well I was having a super busy week at the day job and got half way through Thursday when I realised it was actually Friday and that I’d totally lost track of the days.

Rather than cut someone’s week short I decided to hang off for a week before passing Ed James the Library curators hat.

As ever I am mindful that this could be your first visit to the Decades Library so I’ll quickly explain why we are here. I am assembling the Ulitmate Library of books. I want my Decades Library to only house books which are loved by other readers. Each week I am joined by a new guest and I invite them to add more books to my library shelves. I ask that when they make their selections that they follow two rules:

1 – You Can Choose Any Five Books
2 – You Can Only Choose One Book Per Decade From Five Consecutive Decades.

Easy! Or so it may seem but I haven’t tried to select my own five choices (yet) so I can’t speak from experience.

This week I am delighted to welcome Ed James to my Decades Library. I reviewed Ed’s new book The Turning of Our Bones earlier this week (it’s almost like I try to plan these things) it’s a real corker – great twist on a serial killer story. You can read my review here: https://grabthisbook.net/?p=7166 Over to Ed now – he’s why you’re here today….

I’m Ed James, the writer of *checks notes* over forty police procedural books over the last eleven years. While I’ve worked with some publishers over that time (Headline, Bookouture and Thomas & Mercer), I’m now focused entirely on being an indie author, which gives me much greater control over what I write and publish.And what I do write and publish is a few series set in different locations. The DI Fenchurch books are set on the gritty streets of East London, and further afield, starring a detective whose own daughter was abducted. Vicky Dodds is a single mother solving crimes in Dundee and Tayside, where I grew up. Recently, I merged the eight-book Scott Cullen, three-book Craig Hunter and six-book Cullen & Bain series into Police Scotland, my attempt at a precinct series with multiple starring cops. And this year sees the launch of the DI Rob Marshall series, with THE TURNING OF OUR BONES on the 1st February marking my first new series in seven(!) years, with another three to come this year.

DECADES

FiftiesCOP HATER by Ed McBainThere’s probably a massive article that could be written about this, but in my opinion this book is where the police procedural started. Sure, there were detective books before this and there were books about cops before this, but the genre – as we know it – roots all its tropes in this series. The 87th Precinct novels are set in Isola, as NYC as Gotham or Metropolis are, and had a huge influence on the TV flavour of police procedurals as well as selling a gazillion novels. The series is a tour de force, running to fifty-five books published between this beauty in 1956 until 2005. If I manage anything like that, I’ll still be publishing books in 2061!COP HATER is a sharp shock. A cop dies and Detective Steve Carella leads the chase to find the killer. As more cops die, McBain weaves in other POV characters, all fully fleshed out, and curiously incorporates genuine police documentation (forms, filled out for the fictional case). One of the ways this book is intriguing is in the way the hero, Carella, doesn’t appear in the second novel – what a way to show that this is an ensemble series. The writing is crisp and feels modern, with a few caveats. Also, the first twenty or so are pretty lean 30-40k jobs, so as easy to read in a sitting or two as a Maigret, say. And I’ve read them all.

SixtiesPOST OFFICE by Charles BukowskiOkay, so this might’ve been published in the 70s but it was written in 1969 so I’m claiming that for this decade. Bukowski’s loosely fictional Henry Chinaski is a low-life. His life is grim and the people he associates with even grimmer. He’s an alcoholic and a womaniser. There is nothing redemptive about his story; he gets worse, if anything, and descends in the sequels. But the writing is so spare and propulsive that you want to revel in the misery of late 60s LA. Chinaski returned for all of Bukowski’s novels, save for the surreal PULP, and each has the same grim beauty as this.

SeventiesLAIDLAW by William McIlvanneyOn this side of the Atlantic, McIlvanney’s LAIDLAW lay the roots for Tartan Noir. (Again, arguably, but let’s not have that argument just now, eh?) It’s all here – a driven detective in a gritty city investigating a brutal murder, but what McIlvanney does, that few others have done, is focus on the effect of the murder on the community. This is character over plot and the ripples of the plot throughout them, each rounded out and human. If you analyse it, you see that the titular hero only appears in a handful of the opening twenty chapters – compare that with the modern model of a victim/killer prologue and everything seen through the eyes of detectives, with some latitude for an additional victim to add a ticking clock. His lyrical flourishes are second to none, sharp and precise in their beauty. He could’ve written one of these a year and been rich, but he only finished another two (in 1983 and 1991 vs this in 1977 with a partial prequel completed during lockdown by Ian Rankin) and the success of Taggart on STV could easily have been his. But he chose another path.

EightiesTHE WASP FACTORY by Iain BanksAn absolutely mind-bending debut from yet another author tragically no longer with us. In its short page count, THE WASP FACTORY creates a tiny world, isolated from the rest of Scotland but beautifully realised. One of the few authors who I read absolutely everything by, this and the CROW ROAD are truly national treasures. His sci-fi novels bend the mind in other ways. Curious and economical, debuts don’t come better than this.

NinetiesBLACK AND BLUE by Ian RankinThis was the first police procedural novel I ever read. I picked up a copy my mum had got out of the library and didn’t set it down until I finished. Legend has it that this is Rankin’s breakthrough and you can see why – it’s got the highest of high concepts; Bible John, a real-life serial killer, comes back to hunt down a copycat. While its pages focus mainly on Rebus, that dour but drily witty detective who investigates while his private life is in tatters, the snatches from Bible John’s POV add a dimension that shows the high concept is met by high execution. I won’t spoil it here (even though it did come out almost 25 years ago…) but the twist ending is incredibly brave for a break-through novel and probably contributed to the success.

I’ve read four of Ed’s five selections and I loved each of them. If ever there was a sign that I need to read Charles Bukowski’s Post Office then this is it! Huge thanks to Ed for taking the time to make his selections, any time I get to feature an 87th Precinct book on the blog is a good day!

DECADES WILL RETURN

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June 25

Decades: Compiling the Ulitmate Library with R.J. Barker

How quickly Friday comes around these days! It gives me enormous pleasure to bring another Decades Curator to Grab This Book. For those keeping track of the guests who enjoyed making their selections and those who cursed me – this is 100% a cursing week.

If you are new to Decades and have no idea what I am wittering on about then Welcome. In January I set myself the challenge of filling a new library with the very best books. We started with no books on the shelves and each week I invite a new guest to join me and add five of their favourite reads (the books which MUST be represented in any self-respecting library) to my Decades Library.

Why is it a Decades Library? Well guests have just two rules to follow…they can choose ANY five books but their selections must include just one book per decade over any five consecutive decades. Simple I thought. But there has been much cursing of those two rules.

My guest this week won the 2020 British Fantasy Society (BFS) Robert Holdstock award for Best Novel with his fourth novel The Bone Ships. This was after his debut trilogy (collectively known as The Wounded Kingdom) garnered rave reviews from readers and industry press.

Somewhat confusingly he lives somewhere South of here in “The North” in a home he is filling with taxidermy, “odd art” and lots of music. Having decided a music career was not to happen RJ Barker started writing the books we love.

It is a little known fact that RJ has an Evil Twin who writes crime thrillers (A Numbers Game recently released and available now). But we don’t talk about him here. Today it is all about R.J. Barker:

DECADES

CJ Cherryh. Gate of Ivrel (1976)

I’m starting with this cos this list is in date order but I didn’t start with this.

I was absolutely shocked to find out this was Cherryh’s debut when I was looking into the book, as her tale of the interdimensional Sorcerer Morgaine and her companion the barbarian, Vanye, is incredibly accomplished and one of those books that has just stuck with me. The platonic male/female friendship is something I’ve carried through six books now and I put that at the feet of Cherryh. Not only that but also the way she wrote it, it’s not an easy book to approach, the text is very mannered and in her other books she matches text to subject which I love. It also goes places that were totally unexpected. At the time I’d read a lot of the things that are considered ‘classic’ and that owe a clear debt of allegiance to Tolkien but in Gate of Ivrel (and the sequels) Cherryh offered me something new that, for me, had far more depth and surprises in it and was doing it without a massive series.

TL/DR I owe C.J. Cherryh a drink.

IAN M. BANKS Consider Phlebas 1987

Well. The Culture. Few are the things that set my mind alight in the way Iain M Banks work did. In fact, my first professional level novel was turned down for being too Banksish. Which, you know, high compliment, I thought anyway. I’ve chosen Phlebas because it was the first but it could be any of them. And I always read Consider in tandem with Look to Windward as the two books talk to one another. I’m not going to go on at length about Bank’s SF, other people have done that and they have done it with far more depth than I can. But Banks’ work just fills me with joy, at his worlds, at his characters and at the real love of people it contains. It’s sad that I will never get to tell him what a profound influence his books were on me, but I am very happy that with them.

CHELSEA QUINN YARBRO Darker Jewels. 1993

You can, to be quite frank, keep Anne Rice. If you want to read about vampires that struggle with what it is to be human then Chelsea Quinn Yarbro’s Comte St Germain is where to go. This particular book is set in Russia in the court of Ivan the Terrible, it is dense and dark and as its heart is a creature we are taught to think of as a monster when he is anything but. St Germain is often the most human character within Yarbro’s books, his centuries of existence give him a perspective on the historical events surrounding him the other players lack. His learning and attempts to bring a sense of decency are ultimately doomed when he comes upon people who are fundamentally not decent. Is it magical creatures flying around murdering people and drinking blood? No. Is it darker and more horrific than any other vampire story you’ll come across? For my money, yes.

Dissolution C.J. Sansom 2004

There is so much of this book which I lifted for my own Wounded Kingdom books. That sense of melancholy, an overarching feeling that things are not going to go well for these people no matter what they do. Enter from stage left, Matthew Shardlake, hunchback lawyer in the court of King Henry VIII. I love Sansom’s work and it is that sense of melancholy within them that draws me in. There’s a real sense, as Shardlake becomes more and more entangled in the lethal politics of Henry’s court that the absolute best outcome Shardlake is ever going to be capable of is to simply get out alive and that he knows that. He is a small and unimportant person moving among vast and powerful men who would think nothing of crushing him. These are wonderful books and I adore them.

James Lee Burke Robicheaux. 2018

Now, I actually wanted to write about A Private Cathedral which, although written in 2019 was published in 2020 and fell foul of the rules. But It’s an amazing book where JLB sneaks an urban fantasy novel past the literary establishment as a crime novel. BUT, I can’t, so I will talk about an earlier book in the series, Robicheaux. This is a book I never want to read again. It’s good, don’t get me wrong. It shows just what an outstanding writer JLB is, but my god it is grim. I’m glad I read it but I’m not going back. In fact, if you had told me that just as he started writing this the author was told he had a few months to live I would have believed you. It has that feel to it. All the way through I thought the author was going to end it with this book, that no one would survive. It is an exercise in tension that I hugely enjoyed upon reading, but have no wish to put myself through again.

A Private Cathedral is a stunner though.

Huge thanks to RJ for joining in with my Decades Challenge. He was extremely polite despite my astonishing ability to only contact him at the most inconvenient times and has brought some fabulous new recommendations to my Library. If you haven’t read any of RJ’s books yet then you can find them all here: https://www.amazon.co.uk/RJ-Barker/e/B005LVVCTQ/ref=dp_byline_cont_pop_book_1

The Decades Library continues to grow and you can see all the previous selections here: https://grabthisbook.net/?p=5113

DECADES WILL RETURN

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