April 30

Decades: Compilling the Ultimate Library with Imogen Church

The very best libraries are the ones which offer a broad selection of books to choose from.  Since January I have been inviting guests to join me in a quest to determine which books should be added to the Ultimate Library.  I started the Ultimate Library with no books so there was a clean slate (or empty shelves if you prefer) and I ask each guest to nominate the books they feel should be represented.

There are just two rules governing the selections each guest can make.

1- Choose Five Books
2 – You May Only Choose One Book Per Decade Over Five Consecutive Decades

In the past I have been made aware my two rules are “frustrating” and cause much gnashing of teeth.  Imagine then, if you will, my delight at hearing my guest this week found making her selections “easy” and the experience to be fun!

If you visit the blog outwith my Decades posts then you will know I am a massive fan of audiobooks and enjoy nothing more than having someone read me a brilliant story. If you were to peruse my Audbile Library you would see one name repeated over and over: Imogen Church.  If I am selecting my next listen and I see Imogen is the narrator (which happens often) then I am more likely to select that book over others.

I  ask my guests to introduce themselves before they introduce their books so it is with great pleasure I hand you over to Imogen Church.

DECADES

Well, hello there! My name is Imogen Church and I’m an actor and writer. If you are a massive bookworm (like me) then you may know me as the narrator of roughly a gabillion audiobooks. Possibly you know my voice from audio dramas like Dr Who (for Big Finish), or as the voice of the Harry Potter Quiz on Alexa UK? Probably you don’t know me at all, which is fine too, we’re all busy and you must have better things to do with your time than knowing who I am 

Basically, I’m a storyteller. Sometimes I tell that story with my voice, sometimes with my body and sometimes by tippidytappedy-tap-tapping away on a computer screen and writing my brain out. Mostly, I get paid to talk to myself in a recording studio all day and, for a somewhat shy actor who is obsessed with books, that’s the greatest job in the world. I just can’t get enough of books; I read all day every day, in my head and out loud into a microphone. I also write. Most of my writing has been screenplays for films, particularly satirical horror comedy, but last year Audible commissioned me to write a novel for Audible Originals, to be narrated by moi. They asked me to write a crime novel, so obviously I wrote a satirical comedy crime caper set in an alternate world of steampunk and strippers, called Death and the Burlesque Maiden. I mean, obviously, I did that. The book was inspired by my experiences as a burlesque performer combining satirical poetry and striptease, and my experiences of life as an intersectional feminist. For those of you who have listened to Death and the Burlesque Maiden, I suspect the below literary selection may make some small sense of my writing style… the things that inspire me are comedy, social satire, black humour, the macabre, and explorations of what it is to be a woman. Also, being rude. 

 

 

If you fancy finding out more about the weird world of Imogen, here are the links you need:  

Instagram: @imogenchurchgobshite 

Twitter: @ImogenChurch 

Website: www.imogenchurch.com 

And here (drumroll please) are my chosen books! 

 

 

 

 

1920’s
Gentlemen Prefer Blondes
by Anita Loos (published 1926) 

 Women have always been funny; with the crap our bodies put us through, we have to have a sense of humour. A century ago, one genius of a woman wrote a brilliantly acerbic, funny satire about the attention certain women get from men and what that means for those women and for all the women who are trying desperately to become those women. It is so funny, so biting, so sharp and witty. And she wrote it a century ago. One hundred years in the past. Yet it is still relevant *Imogen sighs and stares off into the middle distance for a while* 

 

 

 

1930’s
Cold Comfort Farm
by Stella Gibbons (published 1932) 

Did I mention that women are funny? It’s always my objective in life, to try and ‘do a Gibbons’ at any given point in time. In Death and the Burlesque Maiden I got the chance to ‘do a Gibbons’ by breaking the fourth wall and having the narrator talk directly to the reader, about the novel, mostly deriding the quality of the writing. I remember when I first read Cold Comfort Farm, the shocking oh-my-god-did-she-just-do-that joy I felt when Stella declared that she was going to help the literary critics out, by highlighting the sections she’d written rather well thank you very much, making it easier for them to pluck out and glorify her name. Throughout the novel there are moments when a particularly flowery and pretentious sentence is flagged by an asterisk or three: for our consideration. I mean… the genius! It made me die laughing and I wanted to write my own homage when I got the chance. Cold Comfort Farm is a warm and quirky pastoral parody, a silly, eccentric, heartfelt satirical joy and easily one of the greatest books I have ever read. Obviously, you can disagree with me, but I’m afraid you’d be wrong. You would be wrong. 

 

1940’s
1984 by George Orwell (published 1949) 

Orwell. Just… Orwell. I first read 1984 as a teenager and it blew the top right off my head. As I scooped my brains back inside my skull, I realised that the book had changed the shape of my brains, for life. Nowadays, any satirical dystopia has me drooling to consume it, all because of 1984. I think 1984 was the first novel to give shape to the feeling I had, that we are extremely lucky, to be alive at this point in history, in this place in history, in a world where we can access and read someone like Orwell, and the very keen feeling that I must never take that for granted. Orwell knew how small we all are, but also how important every small person can be and his writing is the most wonderful combination of misery and hope, humour and horror. Orwell. Just… Orwell. 

 

 

1950’s
Wasp by Eric Frank Russell (published 1957) 

I initially tracked down and read this book when I met my (now) husband and my (now) fatherinlaw told me it was his favourite book and he read it every single year.  

Was I trying to impress him? Possibly!  

Did it work? Certainly!  

But did I also genuinely love the subversive, dystopian nature of it and the reminder that even the smallest individual matters? Absolutely!  

Terry Pratchett chose Wasp as one of his favourite books of all time and said that he “can’t imagine a funnier terrorists’ handbook”. I rest my case. 

 

1960’s
Catch 22 by Joseph Heller (published 1961) 

If you don’t laugh, you’ll cry. Or kill yourself. This book makes you do the first two, but hopefully not the third. How else can you process the horrors of war, but to laugh through the pain? There are true horrors in Catch 22, true horrors and legitimately insane humour and those two are essential bedfellows.  

Why? 

Why does satire have such a hold on me? I think it’s all about power. Power, and impact for change. Satirising the terrifying, the inhumane, the oppressive, is a way to gain mastery over it. I love work that satirizes bigotry, predators, misogyny, Nazis… because mocking them gives me a feeling of power over them, that to laugh in the face of horrors, emboldens us. Also, satire is an entertaining inroad that makes for powerful impact. Humour softens an audience, it helps them relax and let down their barriers, the act of laughing releases endorphins that make us so much more susceptible… when an audience has let go of the stresses of real life, it enables the artist to get right in there, right under the ribs, right up in to the soft squishy heart of a person with ideas, ideas about cruelty and society and how to avoid moving backwards into persecution, racism, misogyny, fascism, all the things we really should be too grown up by now to be playing around with. I love art as entertainment, but I also want art to be something that helps us understand more about our lives, our world, our humanity.  

 

I think this is why these are some of my favourite books of all time; stories that are beyond precious to me and have clubbed together to form part of who I am. 

Which is why I love books. 

 

My thanks to Imogen for her time and for these excellent additions to my Library

You can see all the books which have been added to the Library if you click this handy wee link: https://grabthisbook.net/?p=5113

 

DECADES WILL RETURN

 

 

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April 4

Decades: Compiling the Ultimate Library with Paul Cuddihy

In January I began a quest to determine which books would be represented in the Ulitmate Library.  Imagine, if you will, a vast room lined with dozens of empty bookshelves all crying out to be filled with the best books available.  Alternatively, you are handed a brand new digital reader and asked to fill it with nothing but the best titles you can think of.  Where would you start?  How do you choose?

I confess I had no idea where to begin and I knew if I tried then it would only result in a selection of crime thrillers, all the Terry Pratchett books and a fan-boy collection of Doctor Who novels. Hardly the best representation of centuries of writing.

Rather than tackle this challenge alone I decided to invite book lovers to join me in my quest.  Each guest curator is asked to nominate any five books which should be included in my Ultimate Library.  However, they are only permitted to select one book per decade and they must choose from any five consecutive decades.

That’s it. Two Rules.  Five Books, Five Consecutive Decades.

While you contemplate your personal selections I will hand over to today’s guest: Paul Cuddihy.

You know the format by now…I ask Paul to introduce himself and then I pass him the Decades baton as he nominates his five books.

 

DECADES

I’m Paul Cuddihy, and I’m a journalist, writer and podcaster. I run a books podcast – Read All About It – where people talk about their favourite and not so favourite books. Each guest chooses a book from these five categories:

Favourite book from childhood.

Favourite book from teenage/formative years.

A book you’d recommend to anyone

A book you couldn’t be paid to read again

The last book you read/are currently reading.

The podcast has been running since January 2020, and it has been an absolute blast – what could be better than sitting talking books with people? You can find the podcast on iTunes, Spotify, Amazon Music and most other places where you get your podcasts.

I also self-published a non-fiction book called Read All About It back in 2015, which charted my year of trying to read more books and fall in love with literature again.

I have had three novels published – a historical trilogy set between Scotland, Ireland and the United States in the late 19th and early 20th century.

I also published a book of short stories inspired by Duran Duran – every story is a song title from the band. I am, I confess, a big Duranie! (And, no, that’s not Cockney rhyming slang!) I am also in the process of launching a new podcast with a friend called the Duran Duran Albums Podcast, with each episode looking at one of the band’s 14 studio albums. I am convinced the world is waiting for such a podcast!

And I have also written around 10 books on Celtic Football Club through my work as a multi-media journalist with the club.

As any good writer will admit, I am currently working on a novel, but I can’t tell you what it’s about! I don’t want to jinx it.

You can find me on:

Twitter: @paulthehunted or @readallabout20 Email: author@paulcuddihy.com

Website: www.paulcuddihy.com

In choosing these books, my starting point was including The Cone-gatherers, which was published in the 1950s, and then I just had to work out which direction to go after that – I decided to go backwards and forward!

This is a great idea – anything to get you thinking, writing or talking about books is – and I’m delighted to be taking part in it

 

1920s

All Quiet on the Western Front: Erich Maria Remarque (1929)

 

This is a novel of the First World War but told from the perspective of a German soldier. Remarque was a veteran of the conflict, and All Quiet on the Western Front tells the reality of the terrible conflict, which was in sharp contrast to the patriotic appeals which led his main character, Paul Baumer, to enlist in the Kaiser’s army. The fact that the book was banned and burned by the Nazis only adds to its reputation. The novel strips away the mythical glamour and heroism of war, and instead gives an honest portrayal of the mundanity of live in the trenches, which is accompanied by its horrors, and how the soldiers subsequently find civilian life difficult to adjust to, given their wartime experiences.

 

 

 

1930s

The Grapes of Wrath: John Steinbeck (1939)

I think this was the first novel which made me cry as an adult. The ending of this novel is breathtaking, and comes at the end of the arduous journey you’ve been on with the characters as they travel from the 1930s Oklahoma dustbowl to the apparent promised land of California. I have read this book three times already, and I’m sure I’ll read it at least three more times in the years ahead – and I say that as someone who does not re-read many books. This is a stunning novel, following the Joad family on their journey across America. The writing is perfect – the description of the food being cooked and eaten on the way is such that there are times when I’m sure I can smell the aromas, or taste the food. Certainly, my mouth waters on occasion. A couple of years ago, my wife and I drove the Pacific Highway on America’s west coast, from San Francisco to Los Angeles, and one of my highlights was visiting the National Steinbeck Centre in Salinas. Of course, I purchased a copy of The Grapes of Wrath there!

 

1940s

Hiroshima: John Hersey (1946)

 

This is a stunning piece of reportage, and I can’t think of anything that better explains the horrors of weapons of mass destruction. It was originally published in the New Yorker magazine in August 1946, with the whole magazine given over to Hersey’s story. Hersey was one of the first Western journalists to visit Hiroshima after the devastation of the Japanese city by an American atomic bomb on August 6, 1945. He tells the story of what happened that day and afterwards through the stories of six survivors, and I can only imagine it profoundly affects every reader. What makes the book so successful, I think, is that Hersey tells this story which has a global impact though the personal. That makes what happens – which is almost beyond comprehension – all the more shocking because the reader invests their emotions in the stories of these six people.

 

 

1950s

The Cone-gatherers: Robin Jenkins (1955)

This is the book I recommend to everyone, and I subsequently judge them, depending on their reaction to it! It’s long been a bugbear of mine that when I was growing up, we were taught very little Scottish literature at school – I was at high school between 1978 and ’83 – and so I was in the twenties before I read The Cone-gatherers. It was love at first read, and Robin Jenkins remains my favourite Scottish author. The novel is set on a country estate during the Second World War, where conscientious objectors are set to work gathering cones to be replanted to replenish forestry stock. The two main characters are Neil and his brother, Callum, and there’s a nod to Of Mice and Men in the characters of the two brothers, with Neil almost a carer for Callum. The clash between good and evil in this garden of Eden is built with increasing tension by Jenkins, as the brothers’ relationship with the estate’s gamekeeper, Duror, slowly deteriorates, and the ending is incredibly dramatic. The Cone-gatherers is a masterpiece.

 

1960s

Catch 22: Joseph Heller (1961)

Peter McGhee was my English teacher when I was studying Higher English at Turnbull High School in Bishopbriggs between 1982-83. If I met him now, I would buy him a pint and thank him for giving us Catch 22 to read that year. What he actually did was give the boys Catch 22, while the girls had to study DH Lawrence’s Sons and Lovers. I’m not sure if the girls in the class were as grateful for the book choice, but all of us loved Catch 22. It’s funny, irreverent, with some topics and language that

we weren’t used to reading about in a Catholic high school, and that made it all the more appealing. I remember being in other classes where, if the teacher was off, we were told to take out a book and read it for the hour. Normally, that would be a signal for anarchy in the classroom, but we would take our copies of Catch 22 out, becoming instantly engrossed and laughing out loud at various parts of the book. There is a poignancy to the novel, of course, and a serious message about the futility and madness of war, but it’s also a very funny book. Thanks, Mr McGhee, I still owe you a pint!

 

 

A brilliant mix of books I instantly recognised with a couple which were new to me.  I really enjoy when I learn of new books I should be seeking out.  My thanks to Paul for putting himself through the wringer to narrow down his choices to this final five.

You can find Paul’s Amazon page and pick up any of his books here: https://www.amazon.co.uk/Paul-Cuddihy/e/B003E3LJIW?ref=sr_ntt_srch_lnk_1&qid=1617564066&sr=8-1

 

If you are keen to see the choices already submitted to the Library by my previous guests, you can visit the Ulitmate Libary here: https://grabthisbook.net/?p=5113

 

DECADES WILL RETURN

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